حجم الورق

دليل الأعمال الفنية للطلاب

Dollar Without Value

الاسم الفصل الدراسي التاريخ

mladen stilinović, Dollar Without Value (1993). أُعيد إنتاجه لأغراض مرجعية؛ جميع الحقوق محفوظة لصاحب الحقوق.

بيانات أساسية

الفنان
mladen stilinović allpaintingsstore.com/ar/artists/mladen-stilinovic/
تاريخ ميلاد ووفاة الفنان
1947 – 2016
مدهونة
1993
الحركة
Contemporary Conceptual Art

ضمن السياق

Dollar Without Value — mladen stilinović

تاريخ الرسم

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

مظلل: مسيرة حياة mladen stilinović (1947–2016) ▲ هذا العمل، 1993

أعمال فنية مماثلة

  • Hands, 2006 allpaintingsstore.com/ar/art/mladen-stilinovic-hands-D7C2P9-en/
  • Sing!, 1980 allpaintingsstore.com/ar/art/mladen-stilinovic-sing-D7BNXL-en/

اختر عملاً واحداً مما سبق: اذكر شيئين يتشابه فيه مع هذا العمل، وشيئاً واحداً يختلف عنه.

أعمال أخرى تتماشى مع هذا العمل: allpaintingsstore.com/ar/art/similar/mladen-stilinovic-dollar-without-value-D7BVST-en/

لوحة الألوان

مُقاسة من الصورة

    اللون الرئيسي

    Putty #d6d2af

    لوحة ألوان مُصنفة

    • #D6D2AF
    • #F2B892
    • #585A4D
    • #97977F
    لوحة الألوان
    Neutrals مجموعة الألوان السائدة في الصورة.
    اللون الأساسي
    Putty
    درجة التشبع
    Vivid مدى تشبع الألوان وتنوعها، بدءاً من لون واحد خافت وصولاً إلى ألوان متعددة زاهية.
    التباين
    Serene مدى تفاوت الألوان في درجة السطوع والتشبع عبر اللوحة.
    تناغم
    Strong Color Unity مدى تناغم الألوان مع بعضها البعض، بدءاً من التضاد وصولاً إلى الوحدة الكاملة.
    السطوع
    Brilliant مدى سطوع أو عتامة الصورة بشكل عام، بدءاً من الظلال العميقة وصولاً إلى الإضاءة الساطعة.
    درجة التشبع
    Balanced Soft مدى نقاء وقوة الألوان، من الرمادي الباهت إلى الألوان الزاهية تماماً.

    الفنان والمتحف

    الفنان

    mladen stilinović

    تاريخ الميلاد Belgrade, Serbia

    Mladen Stilinović (1947–2016): A Conceptual Pioneer of Yugoslav Avantgarde

    Mladen Stilinović (born April 10, 1947, Belgrade, Serbia; died July 18, 2016, Pula) was a Croatian conceptual artist and one of the foremost figures of Yugoslavia’s “New Art Practice,” marking a pivotal moment in artistic expression during the Cold War era. His formative years were steeped in intellectual ferment—influenced by thinkers like Sartre and Camus—and fueled by an unwavering fascination with cinema and literature, particularly Rimbaud, Lautréamont, Saint-John Perse, Khlebnikov, Osip Mandelstam, Mayakovsky, T. S. Eliot, Tadeusz Róžewicz—a testament to his profound engagement with the artistic currents of his time. He honed his craft within Belgrade’s vibrant cultural landscape, absorbing inspiration from experimental film and actively participating in student cinema initiatives like Pan 69. This early immersion solidified his commitment to challenging conventional artistic boundaries and exploring new avenues for conveying complex ideas.

    Early Life & Influences: Stilinović's upbringing instilled a deep appreciation for intellectual discourse and artistic experimentation. His father, Marijan Stilinović—a respected editor of Borba newspaper, ambassador to Argentina, and later director of Zagreb Museum of Contemporary Art—provided him with an environment rich in cultural stimulation. This familial legacy profoundly shaped his worldview and nurtured his passion for art as a tool for critical reflection.

    The Group of Six Artists: Stilinović’s artistic trajectory gained momentum through collaboration with fellow Belgrade artists, forming the influential Group of Six Artists (Grupa šestorice autora). Alongside Vladimir Martek, Boris Demur, Željko Jerman, Sven Stilinović and Fedor Vučemilović, they established a collective dedicated to pushing the boundaries of Yugoslav art. Their activities centered around Zagreb from 1975 to 1979, fostering an environment of radical innovation and challenging prevailing artistic conventions.

    Experimental Film & Conceptual Engagement: Recognizing the transformative potential of cinema as both medium and concept, Stilinović dedicated himself to experimental filmmaking during the late 1960s and early 1970s. He embraced techniques pioneered by Dziga Vertov and Jean Vigo, delving into the realm of montage and exploring how visual language could convey profound philosophical ideas. This commitment to conceptual art solidified his position as a vanguard artist—one who prioritized intellectual rigor alongside aesthetic experimentation.

    The Exploitation of the Dead Series & Documenta Kassel: Stilinović’s artistic output reached its zenith with “Exploitation of the Dead” (1984–1990), a series that garnered international acclaim and cemented his reputation as a provocateur of ideas. Exhibited prominently at Documenta Kassel in 2007, this project interrogated notions of mortality and remembrance through meticulously crafted photographic compositions—a striking blend of documentary observation and conceptual reflection.

    Major Achievements & Recognition

    Stilinović’s contribution to Yugoslav art extended beyond individual projects; he spearheaded initiatives that fostered artistic dialogue and promoted critical engagement with societal issues. As director of the Extended Media Gallery (1981–1991), he championed innovative approaches to visual culture, fostering a space for experimentation and intellectual exchange. Furthermore, his involvement in establishing Podroom Gallery alongside fellow artists underscored his dedication to nurturing collaborative creativity—a cornerstone of Yugoslav avant-garde practice. His work was recognized globally through prestigious exhibitions and collaborations with prominent institutions like MoMA and Centre Georges Pompidou, securing his place as one of Croatia’s most celebrated artistic voices.

    Legacy & Influence

    Mladen Stilinović's influence resonates throughout contemporary art—particularly within the realm of conceptualism and photographic exploration. His unwavering commitment to challenging conventions and confronting uncomfortable truths continues to inspire artists today. The “Exploitation of the Dead” series remains a seminal work, prompting ongoing discussions about memory, loss, and the role of art in addressing existential questions. Stilinović’s legacy extends beyond his artistic output; he served as an educator and mentor—inspiring generations of Croatian artists to pursue innovative approaches to creative expression. His unwavering belief in the power of conceptual art to provoke thought and foster social critique ensures that his vision persists as a guiding force within the evolving landscape of global art history.

    اكتشف المزيد من الروابط

    متوفر عبر الإنترنت

    رمز QR يربط بصفحة تنزيل Dollar Without Value

    allpaintingsstore.com/ar/art/download/mladen-stilinovic-dollar-without-value-D7BVST-en/

    توثيق هذا العمل الفني

    MLA
    stilinović, mladen. Dollar Without Value. 1993, https://allpaintingsstore.com/ar/art/mladen-stilinovic-dollar-without-value-D7BVST-en/
    APA
    stilinović, mladen (1993). Dollar Without Value [Painting]. https://allpaintingsstore.com/ar/art/mladen-stilinovic-dollar-without-value-D7BVST-en/
    Chicago
    mladen stilinović. Dollar Without Value. 1993. https://allpaintingsstore.com/ar/art/mladen-stilinovic-dollar-without-value-D7BVST-en/
    Harvard
    stilinović, mladen (1993) Dollar Without Value. Available at: https://allpaintingsstore.com/ar/art/mladen-stilinovic-dollar-without-value-D7BVST-en/

    تأمل بدقة

    Dollar Without Value — mladen stilinović

    تأمل التفاصيل

    أجب بأسلوبك الخاص؛ فلا توجد إجابات خاطئة هنا، بل توجد فقط إجابات يمكنك شرحها.

    1. ما الذي يجذب انتباهك أولاً، ولماذا؟
    2. ما هي الألوان أو الأشكال التي تضفي هذا الطابع — وما هو ذلك الطابع؟
    3. كم وجهاً يمكنك أن تجد؟ ____ (كتالوجنا يحصي 1 — فهل تتفق معه؟)
    4. يُصنف كتالوجنا هذا العمل تحت: currency, value, washington. هل تتفق مع ذلك؟ وماذا تود أن تضيف أو تحذف؟
    5. عد إلى العمل Hands (2006) الذي استعرضناه سابقاً في هذا الدليل؛ اذكر أمرين يتشابه فيهما مع هذا العمل، وأمراً واحداً يختلف عنه.

    ردك

    اكتب فقرة قصيرة عن هذا العمل الفني، مستعيناً بالحقائق الواردة في الأجزاء السابقة من هذا الدليل وبإجاباتك أعلاه.