تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 5 أعمال لـ Gustaf Söderberg في كتالوجنا
إجابة سريعة
تُعد لوحة The Grotto of Posillipo, Naples (1820) هي اللوحة الأولى من بين أعمال Gustaf Söderberg، وتوجد النسخة الأصلية منها في متحف المتروبوليتان للفنون، نيويورك. في المركزين الثاني والثالث: View over the Tiber to the Aventine, Rome (1820) و A Temple in Agrigento, Sicily. يضم كتالوجنا 5 من أعمال Gustaf Söderberg. وتُعد الـ 5 المذكورة هنا هي الأكثر شهرة، مرتبة حسب الأهمية، مع ذكر سنة وتواجد كل لوحة أصلية في المتاحف.
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
المتاحف 2 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Gustaf Söderberg | لوحات من هذه القائمة |
|---|---|---|---|
 المتحف الوطني |
ستوكهولم | 4 | View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily, Vesuvius Seen from St January Bridge, Naples |
 متحف المتروبوليتان للفنون |
نيويورك | 1 | The Grotto of Posillipo, Naples |
1820: كل لوحة للفنان Gustaf Söderberg مؤرخة في هذه الصفحة تعود إلى ذلك العام. إليكم اللوحات مرتبة حسب التصنيف.
اختر سنة لعرض لوحاتها.
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
لوحات أخرى من 1820
The Grotto of Posillipo, Naples (1820)، في متحف المتروبوليتان للفنون, نيويورك، تحتل المرتبة الأولى، تليها View over the Tiber to the Aventine, Rome (1820) ثم A Temple in Agrigento, Sicily.
كان عمر Gustaf Söderberg 21 عاماً: يعود تاريخ The Grotto of Posillipo, Naples إلى 1820، وقد وُلد Gustaf Söderberg في 1799.
يوجد 5 من أعمال Gustaf Söderberg في كتالوجنا.
بشكل أساسي في المتحف الوطني (ستوكهولم) و متحف المتروبوليتان للفنون (نيويورك). راجع جدول المتاحف أعلاه للاطلاع على القائمة الكاملة.
في 1820: 2 من أصل 5 لوحة مصنفة هنا تعود إلى تلك الفترة، بما في ذلك The Grotto of Posillipo, Naples.
تضم المتحف الوطني, ستوكهولم عدد 4 من اللوحات المدرجة هنا، بما في ذلك View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily و Vesuvius Seen from St January Bridge, Naples.
نعم. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً أو كمطبوعة. افتح اللوحة، اختر المقاس، ثم أتمم طلبك.
Gustaf Söderberg lived a life defined by the dualities of Swedish military discipline and the quiet observation of the natural world. Born in Norrköping, Östergötland, he was the son of a clothing manufacturer, Johan Söderberg, and Agnes Arosenius. While his career path led him through the ranks of the military, his eyes remained fixed on the landscapes of Europe. He trained as a military draftsman, a skill that provided a precise foundation for his later explorations in light and atmosphere.
His professional trajectory was marked by steady advancement. He served as an Adjutant at the Expeditionary General for the Army in Stockholm and eventually attained the rank of Colonel. In 1827, he held the position of ordination officer to the Crown Prince, and by 1833, he had become Adjutant to the Crown Prince himself. Even amidst these official duties, his artistic inclinations found expression through lithographic work, specifically in creating posters for Swedish and Norwegian military uniforms completed in 1828.
Söderberg holds a specific place in Swedish art history as the first painter from his nation to embrace plein-air painting. This shift toward painting outdoors was not an isolated impulse but a learned technique. He studied under the French landscapist Achille-Etna Michallon, whose influence helped him move beyond the rigid confines of studio work. His travels provided the necessary canvas for this new approach.
In 1819, he traveled to Italy, and by 1820, his sketches began to capture the specific geometries of foreign locales. During a journey through southern Italy and Sicily, he produced studies such as The Grotto of Posillipo, Naples. His time in Rome also yielded works like Houses, Rome, where he utilized an extraordinary disparity of scale to depict architectural fragments against the sky. These early excursions were followed by time spent in Paris in 1821 and a painting tour through Norway in 1824.
The later decades of Söderberg's life saw him moving through the various stages of European travel while maintaining his military obligations. He participated regularly in the Academy of Fine Arts exhibitions from 1822 onwards, bringing his observations to a wider audience. After retiring from military service in 1864, he spent his remaining years traveling across the continent.
He passed away in Stockholm in 1875. His legacy is found not in grand historical narratives, but in the meticulous oil studies on paper that remain in collections such as The Metropolitan Museum of Art. These works preserve a specific moment of transition in Swedish art, capturing the light of Naples and the structures of Rome through the lens of a man who understood both the precision of a soldier and the sensitivity of a draftsman.
