Famous Mannerist رسامون — Top 71 List

11/ 71

سيبستيانو ديل بيوميو 1485–1547

إيطالي b. البندقية عصر النهضة العليا، المانييريزم Wikipedia 23/32

12/ 71

هندريك غولتزيوس 1558–1617

هولندي b. براونشفايغ المانيرية الشمالية والنقش الباروكي Wikipedia 19/32

13/ 71

دومينيكو دي باتشي بيكافومي 1484–1551

الجنسية: إيطالي b. كاستيلنوفو بيراردينجا الأسلوب أو الحركة الفنية: المانييرية، عصر النهضة Wikipedia 21/32

14/ 71

بيتر أرتسين 1508–1575

هولندي b. أمستردام المانيريسم الشمالي Wikipedia 28/32

15/ 71

بارثولوميو سبرانجر 1546–1611

فلمنكي b. أنتويرب المانيريزم الشمالي Wikipedia 18/32

16/ 71

لافينيا فونتانا 1552–1614

الجنسية: إيطالية b. بولونيا الأسلوب أو الحركة الفنية: المانييريزم، الباروك Wikipedia 26/32

17/ 71

فيديريكو باروتشي 1535–1612

b. أوربينو Wikipedia 24/32

18/ 71

هانز فون آخن 1552–1615

ألماني b. كولونيا الرسم المانييري Wikipedia 26/32

19/ 71

كريستوفانو ألوري 1577–1621

إيطالي b. فلورنسا المانيريزم (التصنعية) Wikipedia 23/32

20/ 71

أليساندرو ألوري 1535–1607

b. فلورنسا Wikipedia 24/32

21/ 71

نيكولو ديل أباتي 1512–1571

إيطالي b. مودينا المانيريزم (التصنع) Wikipedia 25/32

22/ 71

جيوفاني باتيستا موروني 1525–1578

b. ألبينو (لومباردي) Wikipedia 16/32

23/ 71

بينفينوتو تشيليني 1500–1571

b. فلورنسا

24/ 71

فرانشيسكو سالفياتي 1510–1563

b. فلورنسا Wikipedia 17/32

25/ 71

جيامبولونيا 1529–1608

فلمنكي b. دواي النحت المانييري (أسلوب المانييريزم)

26/ 71

كاريل فان ماندر الأكبر 1548–1606

فلمنكي b. مولبيك المانيريزم الشمالي Wikipedia 20/32

27/ 71

دانييال فولتيرا 1509–1566

إيطالي b. فولتيرا المانيرية (التصنعية) Wikipedia 17/32

28/ 71

جان جوجون 1510–1567

الجنسية b. نورماندي الأسلوب أو الحركة الفنية

29/ 71

Prospero Fontana 1512–1597

Italian b. Bologna Late Renaissance & Mannerism Wikipedia 18/32

His work also includes significant contributions to the decoration of the Santa Maria del Baraccano church in Bologna, including a captivating “Disputa di Santa Caterina.” His daughter, Lavinia Fontana, who herself became a successful painter, undoubtedly benefited from her father’s tutelage and artistic guidance.

30/ 71

يواخيم وتيفيل 1566–1638

هولندي b. أوتريخت المانيرية Wikipedia 14/32

31/ 71

فرنسيسكو بريماتيتشيو 1504–1570

Italian b. بولونيا Mannerism Wikipedia 22/32

Francesco Primaticcio stands as a towering figure of the Italian Mannerist tradition, a polymath whose creative reach extended far beyond the canvas to encompass the realms of architecture and sculpture. Born in Bologna, Italy, his artistic journey began under the rigorous guidance of Giulio Romano in Mantua, where he absorbed the complex, tension-filled aesthetics that would later define his career.

32/ 71

أوتو فان فيين 1556–1629

فلمنكي b. ليدن المانيرية Wikipedia 15/32

Trained by Federico Zuccari #41

33/ 71

لوكا كامبياسو 1527–1585

إيطالي b. مونيغيا المدرسة الجنوية، المانييريزم (الأسلوب التصنعي) Wikipedia 15/32

34/ 71

جوزيبي تشيزاري 1568–1640

الجنسية b. آربينو الأسلوب أو الحركة الفنية Wikipedia 14/32

35/ 71

فرانشيسكو باسانو الأصغر 1549–1592

إيطالي b. باسانو ديل غرابا عصر النهضة البندقية Wikipedia 12/32

36/ 71

Hendrick De Clerck 1570–1630

Flemish Late Mannerism

Early Life & Training: De Clerck’s formative years are shrouded in obscurity, though evidence suggests he received training under Jan Brueghel the Elder, a titan of Flemish landscape painting and a pivotal influence on de Clerck's artistic approach. Collaborations with Jan Brueghel the Elder on landscapes such as “ Paradise ” further cemented De Clerck’s reputation as a visionary artist who skillfully blended tradition and innovation.

37/ 71

لياندرو باسانو 1557–1622

b. باسانو دل غرابا Wikipedia 13/32

38/ 71

Perino del Vaga 1501–1547

Italian b. Florence Mannerist Painting Wikipedia 15/32

Pietro Buonaccorsi, known to history through the evocative moniker Perino del Vaga, remains one of the most captivating figures of the transition from the High Renaissance to the intricate complexities of Mannerism. Born in Florence around 1501 into a lineage of artistic talent, his very name— Vaga, meaning wandering or idle—suggests a restless creative energy that would eventually carry him far beyond the borders of his native Tuscany.

39/ 71

Stradanus 1523–1605

Flemish b. Bruges Renaissance, 16th Century Painting Wikipedia 15/32

His arrival coincided with a period of immense artistic patronage and experimentation within the court, orchestrated by Grand Duke Cosimo I de’ Medici and his advisor, Giorgio Vasari.

Trained Antonio Tempesta #56

40/ 71

جيوفاني أنطونيو دي ساكيس (إيل بوردينوني) 1484–1539

إيطالي b. بُردِنونة رسم عصر النهضة Wikipedia 16/32

41/ 71

Federico Zuccari 1539–1609

Italian b. Sant'Angelo in Vado Mannerism Wikipedia 18/32

Their collaborative spirit yielded masterpieces such as “The Holy Family ” in Palazzo Vecchio, a work that serves as a testament to their unified artistic language.

42/ 71

تشيكينو ديل سالفياتي 1510–1563

إيطالي b. فلورنسا الرسم المانييري (التصنعي)

43/ 71

Cornelis Ketel 1548–1616

Dutch b. Gouda Mannerism Wikipedia 13/32

Cornelis Ketel, born in Gouda, Netherlands in 1548, occupies a fascinating, transitional space within the history of Dutch art. He spent time in Paris with Jean de la Hame, a glass-painter serving King Charles IX, before securing a position at Fontainebleau during the twilight years of the School of Fontainebleau.

44/ 71

Gillis Mostaert 1528–1598

Flemish b. Hulst Mannerism, Renaissance Wikipedia 8/32

Perhaps his most famous work, The Haywain (Allegory on Worldly and Clerical Abuses), exemplifies this inspiration.

45/ 71

فرانشيسكو باكياكا 1494–1557

إيطالي b. فلورنسا المانيريزم الفلورنسي Wikipedia 11/32

46/ 71

سيبوني بولزوني 1550–1598

b. غيطة Wikipedia 11/32

47/ 71

Santi di Tito 1536–1603

Italian b. Florence Proto-Baroque & Counter-Maniera Wikipedia 14/32

In the vibrant, shifting landscape of late 16th-century Italy, few figures played as pivotal a role in redefining the visual language of Florence as Santi di Tito. Between 1558 and 1564, di Tito’s presence was felt in the grand halls of Rome, where he worked alongside talented peers such as Giovanni de’ Vecchi and Niccolò Circignani.

48/ 71

بوليدورو دا كارافاجو 1499–1543

إيطالي b. كارافاجو المانيريزم (الأسلوبية) Wikipedia 10/32

49/ 71

فينتشينزو كامبي 1536–1591

إيطالي b. كَرِمونة الأسلوب الفلمنكي / الطبيعية اللومباردية Wikipedia 13/32

50/ 71

Andrea Schiavone 1522–1563

Italian b. Zadar Baroque Sculpture; Mannerism Wikipedia 14/32

In the vibrant, sun-drenched tapestry of the sixteenth-century Venetian Republic, few names evoke as much intrigue and stylistic complexity as Andrea Schiavone. Born Andrea Meldolla, his very moniker—meaning "Andrew the Slav"—serves as a poetic testament to his dual identity. Though his roots lay in the Dalmatian city of Zara, now Zadar, Croatia, his artistic spirit was forged in the heart of Venice.

51/ 71

جاكوبو ليجوزي 1547–1627

إيطالي b. فيرونا عصر النهضة المتأخر والمذهب المانييري Wikipedia 11/32

52/ 71

Bartolomeo Passarotti 1529–1592

Italian b. Bologna Mannerism Wikipedia 10/32

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras.

53/ 71

Andrea Vicentino 1542–1617

Italian b. Vicenza Late Renaissance/Mannerist Wikipedia 5/32

Under the watchful eye and expert tutelage of Giovanni Battista Maganza, Vicentino developed a command over monumental compositions and refined aesthetics that would later define his career. Known variously as Andrea Michieli or Michelli, his movement toward Venice in the mid-1570s marked a transformative era in his development. By 1583, he had officially registered with the Fraglia, the prestigious Venetian guild of painters.

54/ 71

Jacopo Zucchi 1542–1596

Italian b. Florence Mannerist Painting Wikipedia 11/32

Allegorical Narrative: His masterpiece, Age of Silver, demonstrates his command over the Florentine Baroque style, weaving intricate details of justice and angelic presence into a complex tapestry of meaning.

55/ 71

دومينيكو تينتوريتو 1560–1635

إيطالي b. البندقية المانيريزم (الأسلوبية) Wikipedia 9/32

56/ 71

Antonio Tempesta 1555–1630

Italian b. Florence Mannerism Wikipedia 11/32

Narrative Allegories: Utilizing complex symbolism to communicate religious and political themes, such as in his evocative work The Expulsion of Heliodorus from the Temple.

Trained by Stradanus #39

57/ 71

أميكو أسبرتيني 1475–1552

الجنسية b. بولونيا الأسلوب أو الحركة الفنية Wikipedia 11/32

58/ 71

Wenzel Jamnitzer 1507–1585

German b. Vienna Northern Mannerism

Notably, he studied alongside Euclid's Elements and Plato’s Timaeus, texts considered foundational for geometric reasoning and philosophical contemplation – influences that would profoundly shape his later artistic pursuits.

59/ 71

Vincenzo Scamozzi 1548–1616

Italian b. Vicenza

Born in Vicenza, Italy, he emerged from a lineage of builders, being the son of Gian Domenico Scamozzi, a surveyor and contractor who served as his first teacher. Following Palladio's death in 1580, Scamozzi found himself entrusted with several unfinished projects, most notably the prestigious Teatro Olimpico at Vicenza.

60/ 71

Domenico Fontana 1543–1607

Italian b. Melide Late Renaissance

Domenico Fontana, a name often overshadowed by the titans of the High Renaissance, stands as a pivotal figure in 16th-century Italian architecture and engineering.

61/ 71

Jan De Beer 1475–1528

b. Antwerp Antwerp Mannerism Wikipedia 9/32

Active primarily in Antwerp, he was a central protagonist in a loose but influential group of painters known as the Antwerp Mannerists. By 1504, he had achieved the prestigious status of master within the Antwerp Guild of Saint Luke, eventually rising to the esteemed position of dean. The work of Jan De Beer is characterized by a breathtaking marriage of Northern Renaissance realism and a burgeoning sense of theatricality.

62/ 71

Marcello Venusti 1510–1579

Italian b. Mazzo di Valtellina Mannerist Wikipedia 10/32

Born near Como in the rugged terrain of Mazzo di Valtellina around 1512, Venusti emerged from the Italian foothills to become a vital conduit for the Mannerist aesthetic. This formative connection anchored him within the sophisticated stylistic currents of Rome, preparing him to translate the monumental language of the High Renaissance into the more stylized, elongated, and emotive vocabulary of Mannerism.

63/ 71

Toussaint Dubreuil 1561–1602

French b. Paris Second School Fontainebleau; Mannerism; Italian Art Influence Wikipedia 8/32

He found endless inspiration in the epic tales of Homer, the poetic explorations of Pierre de Rationale, and the dramatic narratives of Torquato Tasso.

64/ 71

توبياس شتيمر 1539–1584

الجنسية b. شافهاوزن الأسلوب أو الحركة الفنية Wikipedia 7/32

65/ 71

Jacopino del Conte 1510–1598

Italian b. Florence Mannerist Wikipedia 10/32

The “Virgin and Child with Saint Elizabeth and John the Baptist ” (1535), now housed in the Uffizi Gallery, exemplifies this evolution, showcasing a masterful command of perspective, drapery, and emotional expression.

66/ 71

Paolo Fiammingo 1540–1596

Flemish b. Antwerp Landscape with mythological and allegorical Wikipedia 8/32

The story of Paolo Fiammingo, born Pauwels Franck, is a captivating tale of artistic migration and the seamless blending of Northern precision with Italian grandeur. Emerging from the vibrant artistic traditions of Antwerp around 1540, this master crossed the Alps to find his true calling in the shimmering atmosphere of Venice.

67/ 71

Jacques Bellange 1575–1616

French b. Bassigny Northern Mannerism Wikipedia 9/32

A master of the Northern Mannerist style, his life was lived in the twilight of the late Renaissance, a period defined by elongated forms, theatrical tension, and an almost feverish psychological intensity. Born around 1575 in the Bâse-les-Vosges region of France, Bellange emerged from a landscape of shifting borders and intense religious fervor, eventually finding his creative home within the sophisticated courtly circles of Nancy.

68/ 71

Girolamo Mazzola Bedoli 1500–1569

Italian b. Parma Mannerist Painting Wikipedia 8/32

In the vibrant, swirling currents of the Italian Mannerist period, few names capture the elegance and stylistic complexity of the Parma school quite like Girolamo Mazzola Bedoli. Born in Viadana around 1500, Bedoli emerged from a landscape deeply enriched by the artistic legacies of Lombardy and the sophisticated atmosphere of Parma.

69/ 71

Lelio Orsi 1508–1587

Italian b. Novellara Mannerist Wikipedia 7/32

In the twilight of the Italian Renaissance, as the harmonious balance of High Renaissance classicism began to fracture into the restless energy of Mannerism, there emerged a voice from the fertile plains of Emilia-Romagna that captured the profound anxieties of a changing world. Born in the small town of Novellara around 1508 or 1511, Orsi navigated an era defined by shifting theological certainties and the complex intellectual currents of humanism.

70/ 71

Michele Tosini 1503–1577

Italian b. Florence Renaissance and Mannerism Wikipedia 5/32

He was an artist who did not merely witness the transition from the High Renaissance to Mannerism but actively participated in its shaping.

71/ 71

Juan Correa De Vivar 1510–1566

Spanish b. Mascaraque Renaissance, Mannerism Wikipedia 6/32

The altarpiece for the church of Almonacid de Zorita, tragically destroyed during the Spanish Civil War in 1936-39, stands as a testament to his skill and ambition.