Ръководство за ученически творби
Авторско право Тази творба е в обществено достояние. John Buckler е починал(а) през 1851; авторското право важи 70 години след смъртта на автора, така че то е изтекло през 1921.
В контекста
Ely Cathedral — John Buckler
Горният ред: години. Долният ред: възраст на художника в началото и в края на всеки период — 0 при раждането, 81 при смъртта.
Засенчен: животът на John Buckler (1770–1851) всяка датирана картина, десетилетие по десетилетие
За този запис няма точна дата в архива — предвид периода на живота на артиста и стила на произведението, коя година бихте предположили?
Изберете едно от произведенията по-горе: посочете две общи черти с това произведение и една различност между тях.
Други произведения, които биха допълнили това: allpaintingsstore.com/bg/art/similar/john-buckler-ely-cathedral-9DHEWQ-en/
Измерено по изображението
Основен цвят
Rosy Brown #b2aa9b
Каталогизирана палитра
Тези цветове са част от цялата палитра на художника Намерете други картини по цвят
Десетте водещи държави
Намерете трите най-тъмни държави на картата. Намира ли се музейът, в който се съхранява тази картина, в някоя от тях? Напишете една причина, поради която хора от далечни места биха дошли да я разгледат.
В съвкупност тези творби привличат 100,0% от цялото внимание, което са получили картините на този артист през последните дванадесет месеца. Каталогът съдържа 31 творби на този артист, като 9 от тях са разглеждани поне веднъж. Тази картина заема 5 място сред тях, притежавайки 10,0% от това внимание. Всичко е същото, месец по месец
Графиките измерват вниманието, а не качеството. Изберете произведението най-отгоре и това: посочете нещо, което би могло да направи една картина известна, освен самото ѝ техническо изпълнение.
Художник и музей
Роден в Southampton, United Kingdom
Born: Southampton, United Kingdom (1770)
Died: 1851, Newington, London
John Buckler, Snr. was a British artist and occasional architect best known for his prolific drawings of churches and historic buildings across Britain. His meticulous records provide invaluable insight into the architectural landscape of the early 19th century, preserving details of structures that have since been altered or lost entirely. Born in Calbourne, Isle of Wight, Buckler’s life was a fascinating blend of administrative duties and artistic pursuits.
Magdalen College Oxford: At the age of 15, Buckler became clerk to the steward of Magdalen College, Oxford. This role initiated a lifelong connection with the college's London estates, requiring him to manage properties and oversee building plans.
Bailiff & Collector of Rents: Around 1801, he became bailiff and collector of rents for Magdalen College in Freeman’s Court, London, and Southwark, a position he held until his retirement in 1849. This provided him with both financial stability and considerable free time to dedicate to his artistic endeavors.
Architectural Projects: Buckler also practiced as an architect until 1830, undertaking notable commissions including Halkyn Castle (1822–27) for the Earl Grosvenor, the tower of St. John’s Church in Theale, Berkshire (1827–28), Glastonbury Priory (1829–30), and Poll Park (c. 1828). His work demonstrated an early adoption of the Gothic Revival style.
Family Legacy: Buckler's sons, John Chessell Buckler and George Buckler, also became architects and artists, contributing to a family tradition of architectural documentation and design.
Early Works: Buckler’s artistic journey began with aquatints of Magdalen College in 1797, followed by an engraving of Lincoln Cathedral in 1799 – the first in a series documenting all English cathedrals.
Commissioned Series: A pivotal moment came with his commission from Richard Colt Hoare of Stourhead to produce ten volumes of drawings of churches and historic buildings in Wiltshire (c. 1800). This project, as described by Buckler’s grandson, "decided his brains for antiquarian pursuits."
Prolific Output: He subsequently received similar commissions from other collectors like William Salt of Staffordshire. By the end of his life, he had produced an estimated 13,000 drawings of buildings.
Focus on Historic Buildings: Buckler’s work was particularly significant because it documented many structures that hadn't been previously recorded and which have since undergone substantial alterations or demolition. His drawings are now a vital resource for understanding British architectural history.
Royal Academy Exhibitions: Buckler’s work was consistently exhibited at the Royal Academy from 1798 until 1849, demonstrating his standing within the artistic community.
Fellow of the Society of Antiquaries: He became a fellow of the Society of Antiquaries of London in 1810, further solidifying his reputation as an authority on British architecture and history.
Legacy & Collections: Forty-two volumes of his sketches are held by the British Library, with other collections residing at institutions like the Wiltshire Museum, Taunton Museum, the William Salt Library, and the Bodleian Library.
Impact on Architectural Understanding: John Buckler’s meticulous documentation provides an unparalleled visual record of Britain's architectural heritage, offering invaluable insights into buildings that have vanished or undergone significant changes over time. His work remains a crucial resource for historians, architects, and anyone interested in the evolution of British architecture.
Institute for the History and Theory of Architecture: Since 2013, a research project hosted by the Institute for the History and Theory of Architecture at ETH Zurich has been dedicated to studying the Buckler family of architects and topographical artists, further illuminating their contributions to British art and architecture.
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Ely Cathedral — John Buckler
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