Хартия

Ръководство за ученически творби

River Landscape

Име Клас Дата

Thomas Smith, River Landscape, Pickford's House Museum of Georgian Life And Historic Costume. Обществено достояние Вижте това платно под движеща се светлина: рисунката, истинския цвят под лака, чистия пигмент

Факти

Художник
Thomas Smith allpaintingsstore.com/bg/artists/thomas-smith/
Дати на създаване от художника
1767 – 1767
Първоначален размер
108 x 124 cm
Проведено в
Pickford's House Museum of Georgian Life And Historic Costume allpaintingsstore.com/bg/museums/pickford-s-house-museum-of-georgian-life-and-historic-costume-derby/

В контекста

River Landscape — Thomas Smith

Какви са размерите?

Оригиналните размери са 108 × 124 см (височина × ширина), изобразени тук до възрастен със среден ръст.

Кога може да е била нарисувана тази картина?

  1. 1760

Горният ред: години. Долният ред: възрастта на художника в началото и в края на всеки период, като 0 се отчита от момента на раждането.

Засенчен: животът на Thomas Smith (1767–1767) всяка датирана картина, десетилетие по десетилетие

За този запис няма точна дата в архива — предвид периода на живота на артиста и стила на произведението, коя година бихте предположили?

Сравнение с

Изберете едно от произведенията по-горе: посочете две общи черти с това произведение и една различност между тях.

Други произведения, които биха допълнили това: allpaintingsstore.com/bg/art/similar/thomas-smith-river-landscape-AQSTHB-en/

Цветове

Измерено по изображението

    Основен цвят

    Putty #c8c5a5

    Каталогизирана палитра

    • #C8C5A5
    • #151609
    • #52451F
    • #8B8057

    Тези цветове са част от цялата палитра на художника Намерете други картини по цвят

    Основен цвят
    Putty
    Наситеност
    Balanced Колко са наситени и разнообразни цветовете – от един приглушен нюанс до множество ярки такива.
    Контраст
    Statement Доколко цветовете се различават по светлота и наситеност в рамките на картината.
    Хармония
    Strong Color Unity Колко добре цветовете си взаимодействат – от контрастни до напълно обединени.
    Яркост
    Balanced Общата светлост или тъмнина на изображението – от дълбока сянка до ярък акцент.
    Наситенност
    Balanced Soft Колко чисти и наситени са цветовете – от почти сиви до напълно живи.

    От кои части на света се разглежда тази картина?

    • под 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и повече
    Тази картина сама по себе си има твърде малко записани посетители, за да бъде картографирана, затова на плочката са изброени всички произведения на Thomas Smith през последните дванадесет месеца — общо 1 държави. Източник на тези данни

    Десетте водещи държави

    1. 1 Обединено кралство 100,0%

    Намерете трите най-тъмни държави на картата. Намира ли се музейът, в който се съхранява тази картина, в някоя от тях? Напишете една причина, поради която хора от далечни места биха дошли да я разгледат.

    3 най-разглеждани творби на Thomas Smith

    1. 1 Anchor Church, Derbyshire, 1745 50,0%
    2. 2 Lady Elizabeth Pope, née Blount (formerly Basford, Later Paulet) (c.1515–1593) 50,0%
    3. — River Landscape тази творба 0,0%

    В съвкупност тези творби привличат 100,0% от цялото внимание, което са получили картините на този артист през последните дванадесет месеца. Каталогът съдържа 9 творби на този артист, като 2 от тях са разглеждани поне веднъж. Тази картина все още не е била разглеждана за този период — тя завършва списъка без определен ранг. Всичко е същото, месец по месец

    Графиките измерват вниманието, а не качеството. Изберете произведението най-отгоре и това: посочете нещо, което би могло да направи една картина известна, освен самото ѝ техническо изпълнение.

    Художник и музей

    Художник

    Thomas Smith

    Thomas Smith: Pioneer of English Landscape

    Before the grand narratives of Romanticism fully blossomed, a quiet revolution was underway in British art – a shift towards depicting the beauty of the native landscape itself, rather than solely focusing on historical or mythological subjects. Emerging from Derby in the mid-18th century, Thomas Smith (c. 1720 – 1767) stands as a pivotal figure in this nascent movement, a man whose meticulous observations and skillful execution laid the groundwork for generations of landscape painters to come. Though often overshadowed by his more celebrated son, John Raphael Smith, Thomas’s contribution deserves recognition as the foundational element of a distinctly English approach to depicting nature.

    Smith's early life remains somewhat shrouded in mystery. He was largely self-taught, a common characteristic among artists of the period who frequently relied on their own experiences and keen observation rather than formal training. He began his career as a miniature painter, a respectable but often financially precarious profession, before turning his attention to landscape. This transition wasn’t merely a change in subject matter; it represented a fundamental shift in artistic perspective – a move away from the idealized, classical forms of European art and towards the rugged, authentic beauty of the British countryside.

    The Peak District: A Canvas of Observation

    Smith's primary focus was the dramatic landscape of Derbyshire, particularly the Peak District. This region, with its towering limestone crags, deep valleys, and meandering rivers, provided an unparalleled subject for his artistic explorations. Unlike earlier depictions that often emphasized grand vistas or idealized views, Smith meticulously rendered the details – the textures of rock, the patterns of light and shadow, the subtle shifts in color across the hillsides. His works are characterized by a remarkable sense of realism and a deep appreciation for the natural world.

    His prints, particularly those published between 1760 and 1767, were immensely popular during his lifetime. He didn’t simply record these scenes; he captured their essence – the atmosphere, the mood, the feeling of being immersed in the landscape. He employed a technique known as ‘vedute,’ borrowed from Italian artists like Canaletto, but adapted it to suit the unique character of the English countryside. These vedute were not merely copies of existing views; they were carefully constructed compositions that emphasized the grandeur and drama of the scenery.

    Technique and Influence

    Smith’s artistic skill lay in his ability to translate observation into print. He utilized a combination of etching and engraving, techniques that allowed him to achieve both fine detail and tonal variation. His use of light and shadow was particularly masterful, creating a sense of depth and atmosphere that drew the viewer into the scene. He frequently employed a limited palette of earthy tones – browns, greys, greens – which perfectly complemented the natural colors of the Derbyshire landscape.

    Smith’s influence extended far beyond his own lifetime. He is considered one of the earliest English landscape painters to prioritize the depiction of native scenery over classical or historical subjects. His work paved the way for later artists such as Canaletto, Wright and Turner, who built upon his foundation to develop their own distinctive styles. Furthermore, his meticulous attention to detail and his commitment to realism set a new standard for topographical prints – documents that accurately recorded the appearance of places.

    Legacy and Rediscovery

    Despite his considerable talent and popularity during his time, Smith’s legacy was largely forgotten after his death in 1767. His work fell into obscurity until the late 20th century when art historians began to recognize its significance. Today, Thomas Smith is increasingly appreciated as a pioneering figure in English landscape painting – a man who captured the beauty of the Derbyshire countryside with remarkable skill and insight. His prints remain valuable historical documents and enduring works of art, offering a unique glimpse into the world of 18th-century England.

    The Government Art Collection continues to preserve and promote his work, ensuring that this important artist is remembered for his contribution to British art history.

    Музей

    Pickford's House Museum of Georgian Life And Historic Costume

    Експонирано в Derby, United Kingdom

    Pickford's House Museum

    Step back in time at Pickford’s House Museum in Derby, a captivating glimpse into Georgian life and historic costume. This elegant townhouse offers a unique window into the world of 18th and 19th-century England.

    History & Architecture

    Built in 1770 by the prominent architect

    Joseph Pickford

    as his family home, the house showcases exquisite Georgian architecture. Originally a single residence, it was later divided into two properties before being purchased by Derby City Council in 1982. The building is now Grade I listed, recognizing its national importance.

    Specializations & Collections

    Georgian Interiors:

    Explore meticulously recreated rooms furnished as they would have appeared during Pickford’s time, offering a vivid sense of daily life for a professional family.

    Historic Costume:

    Discover an impressive collection of 18th and 19th-century clothing, providing insights into fashion and social status.

    Toy Theatres:

    Admire a fascinating assortment of model toy theatres collected by

    Frank Bradley

    , showcasing a popular form of Victorian entertainment.

    WWII Bomb Shelter:

    Descend into the cellar to experience a poignant recreation of a 1940s bomb shelter, offering a stark reminder of wartime life.

    What Makes Pickford’s House Unique?

    Unlike many historic houses owned by aristocracy, Pickford's House represents the lifestyle of a successful professional – an architect. This provides a different perspective on Georgian society and offers a more relatable experience for visitors. The contrast between the luxurious family rooms and the servants’ quarters further illuminates the social hierarchy of the time.

    Visitor Information

    Pickford's House is part of Derby Museums, offering a rich cultural experience for all ages. It’s an ideal destination for history buffs, costume enthusiasts, and anyone interested in exploring England’s past.

    Къде можете да прочетете повече

    Намерете го онлайн

    QR код, който препраща към страницата за изтегляне на River Landscape

    allpaintingsstore.com/bg/art/download/thomas-smith-river-landscape-AQSTHB-en/

    Цитиране на това произведение

    MLA
    Smith, Thomas. River Landscape. n.d., Pickford's House Museum of Georgian Life And Historic Costume. https://allpaintingsstore.com/bg/art/thomas-smith-river-landscape-AQSTHB-en/
    APA
    Smith, Thomas (n.d.). River Landscape [Painting]. Pickford's House Museum of Georgian Life And Historic Costume. https://allpaintingsstore.com/bg/art/thomas-smith-river-landscape-AQSTHB-en/
    Chicago
    Thomas Smith. River Landscape. n.d. Pickford's House Museum of Georgian Life And Historic Costume. https://allpaintingsstore.com/bg/art/thomas-smith-river-landscape-AQSTHB-en/
    Harvard
    Smith, Thomas (n.d.) River Landscape. Pickford's House Museum of Georgian Life And Historic Costume. Available at: https://allpaintingsstore.com/bg/art/thomas-smith-river-landscape-AQSTHB-en/

    Разгледайте внимателно

    River Landscape — Thomas Smith

    Разгледайте внимателно

    Отговорете с ваши собствени думи. Тук няма грешни отговори — само такива, които можете да обясните.

    1. Какво привлича погледа ви първо и защо?
    2. Кои цветове или форми създават настроението — и какво представлява то?
    3. Върнете се към Landscape, Valley in Derbyshire (1760), разгледани по-рано в това ръководство. Намерете две прилики между него и тази творба, както и една разлика.
    4. Какво е искал да ви накара да почувствате художникът?
    5. Ако можехте да зададете само един въпрос на художника за тази творба, какъв щеше той да бъде?

    Вашият отговор

    Напишете кратък абзац за това произведение на изкуството, като използвате фактическата информация от предишните части на това ръководство и вашите отговори по-горе.

    Въпроси и отговори

    С каква наситеност на цветовете се отличава „River Landscape“ на Thomas Smith?

    Палитрата на "River Landscape" е с Balanced Soft наситене.

    С какви други имена е известен/а Thomas Smith?

    Thomas Smith се появява и под алтернативните имена Smith Of Derby, Thomas Correggio Smith, John Raphael Smith.

    Къде мога да видя оригиналния „River Landscape“ на Thomas Smith?

    Оригиналът на „River Landscape“ може да бъде видян в Pickford's House Museum of Georgian Life And Historic Costume, Derby, United Kingdom.