Обновено Октомври 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 5 творби на László Pataky в нашия каталог
Бърз отговор
Roosters on Horses (1880) е най-известната картина на László Pataky; оригиналът се намира в Slovak National Gallery, Bratislava. Cavalry Battle (1890) е на второ място, Kuruci (1903) – на трето. Нашият каталог съдържа 5 произведения на László Pataky; ето 3-те най-известни, подредени по ранг, с посочен година и музей за всяко от тях, за да ви помогнем да изберете това, което искате да поръчате.
2 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на László Pataky | Картини от този списък |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Изберете десетилетие, за да видите най-известната му картина.
Roosters on Horses (1880), Slovak National Gallery, Bratislava, заема първо място, последван от Cavalry Battle (1890) и Kuruci (1903).
László Pataky е бил на 23 години: Roosters on Horses е датирана 1880, а László Pataky е роден в 1857.
В нашия каталог са включени 5 произведения на László Pataky, датирани от 1880 до 1903.
Предимно в Slovak National Gallery (Bratislava) и Ernest Zmeták Art Gallery (Nové Zámky). Вижте таблицата с музеи по-горе за пълния списък.
Най-стара на тази страница: Roosters on Horses (1880). Най-нова: Kuruci (1903).
В Slovak National Gallery, Bratislava се съхраняват 2 от картините, включени в този рейтинг, включително Roosters on Horses и Cavalry Battle.
Да. Всяка картина на тази страница може да бъде поръчана като ръчно рисувана маслена репродукция или като принт. Отворете картината, изберете размер и направете поръчката си.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
