Обновено Октомври 2026 · класирано според нашия индекс на популярност (търсения, посещения и поръчки за всяко произведение) · 2 творби на Xia Gui в нашия каталог
Бърз отговор
Twelve Views of Landscape (Shan-shui shih-erh-ching) е най-известната картина на Xia Gui; оригиналът се намира в The Nelson-Atkins Museum of Art, Канзас Сити. Нашият каталог съдържа 2 произведения на Xia Gui; ето 2-те най-известни, подредени по ранг, с посочен година и музей за всяко от тях, за да ви помогнем да изберете това, което искате да поръчате.
2 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Xia Gui | Картини от този списък |
|---|---|---|---|
 The Nelson-Atkins Museum of Art |
Канзас Сити | 1 | Twelve Views of Landscape (Shan-shui shih-erh-ching) |
 Национален дворец музей |
Taipei | 1 | Pure and Remote View of Streams and Mountains |
Twelve Views of Landscape (Shan-shui shih-erh-ching) е на първо място.
В нашия каталог има 2 произведения на Xia Gui.
Предимно в The Nelson-Atkins Museum of Art (Канзас Сити) и Национален дворец музей (Taipei). Вижте таблицата с музеи по-горе за пълния списък.
Да. Всяка картина на тази страница може да бъде поръчана като ръчно рисувана маслена репродукция или като принт. Отворете картината, изберете размер и направете поръчката си.
Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China. Alongside his contemporary Ma Yuan, he founded the influential Ma-Xia school. While much of his life remains unknown, he served in the Imperial Painting Academy during the reign of Emperor Ningzong. His artistic approach was characterized by a move away from highly detailed, complex compositions toward a more immediate and striking effect, often utilizing limited materials to achieve this impact.
His technical mastery is evident in his use of extremely subtle, graded ink washes and overlapping brushstrokes to create atmospheric effects of mist, sky, and infinity. He was noted for his ability to work with great ease and speed, often producing spontaneous creations on paper that absorbed ink quickly. Furthermore, Xia Gui was praised for his skill in drawing architecture freehand without the use of a ruler.
The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Notable examples of his work include:
His influence extended far beyond his own era, impacting the Japanese master Sesshū Tōyō, who was influenced by Xia's idiom and made studies of his landscape fans.
