Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 18 děl umělce Otto Scholderer v našem katalogu
Rychlá odpověď
Mezi obrazy umělce Otto Scholderer je na prvním místě dílo Boy with dish with vegetables and dead game (1888), jehož originál se nachází v Bavarské státní sbírky malby, Mnichov. Na druhém a třetím místě: The Violinist at the Window (1861) a Peaches in a Silver Basket (1869). Náš katalog obsahuje 18 děl umělce Otto Scholderer. Zde je vybráno 17 nejznámějších děl seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nachází originál každého díla.
The afternoon sun filters through a windowpane, casting a warm, golden glow across a quiet room. A man sits in a simple chair, his body poised in a moment of deep concentration. His fingers dance across the strings of a violin, creating a melody that seems to hang in the still air. His gaze drifts toward the world outside the glass, yet his spirit remains anchored to the music. A…
Čtyři nejčastější témata v tomto žebříčku, včetně nejvýraznějšího díla pro každé z nich.
6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Otto Scholderer | Obrazy z tohoto seznamu |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | Peaches in a Silver Basket, Still Life with Snipe and a Hare, Schwarzwaldmühle in Kirnbach bei Schiltach |
 Bavarské státní sbírky malby |
Mnichov | 2 | Boy with dish with vegetables and dead game, Peonies |
 Städel Museum |
Frankfurt nad Mohanem | 2 | The Violinist at the Window, Still Life with Blue Vase and Mushrooms |
 National Gallery |
Londýn | 2 | Lilac, Portrait of the Artist's Wife |
 Sheffield City Art Galleries |
Sheffield | 1 | Man and Hares |
 Musée d'Orsay |
Paříž | 1 | Marine |
Vyberte dekádu, abyste si prohlédli její nejvýznamnějšíjší obraz.
The afternoon sun filters through a windowpane, casting a warm, golden glow across a quiet room. A man sits in a simple chair, his body poised in a moment of deep concentration. His fingers dance across the strings of a violin, creating a melody that seems to hang in the still air. His gaze drifts toward the world outside the glass, yet his spirit remains anchored to the music. A…
Boy with dish with vegetables and dead game (1888), Bavarské státní sbírky malby, Mnichov, zaužívá první místo, za nímž následují The Violinist at the Window (1861) a Peaches in a Silver Basket (1869).
Otto Scholderer byl ve věku 54: dílo Boy with dish with vegetables and dead game pochází z roku 1888 a Otto Scholderer se narodil v 1834.
Boy with dish with vegetables and dead game, The Violinist at the Window, Peaches in a Silver Basket, Still Life with Snipe and a Hare, Schwarzwaldmühle in Kirnbach bei Schiltach, Seestück bei St. Ives, Man and Hares, Still Life with Blue Vase and Mushrooms, Still Life with Peaches and Fig a Oysters. Rok a muzeum pro každé dílo jsou uvedeny v hodnocení výše.
V našem katalogu je 18 děl umělce Otto Scholderer, datovaných od 1861 do 1902.
Primárně v Staatliche Kunsthalle Karlsruhe (Karlsruhe), Bavarské státní sbírky malby (Mnichov) a Städel Museum (Frankfurt nad Mohanem). Pro úplný seznam se podívejte do tabulky muzeí výše.
V období 1860s: 4 z 17 obrazů zařazených zde pochází z této doby, včetně The Violinist at the Window.
Nejstarší na této stránce: The Violinist at the Window (1861). Nejnovější: Lilac (1902).
V muzeu Staatliche Kunsthalle Karlsruhe, Karlsruhe se nachází 3 z obrazů zařazených v tomto žebříčku, včetně Peaches in a Silver Basket, Still Life with Snipe and a Hare a Schwarzwaldmühle in Kirnbach bei Schiltach.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
In the heart of nineteenth-century Germany, a period defined by the shifting tides between Romanticism and the dawn of Impressionism, Otto Franz Scholderer emerged as a master of visual storytelling. Born in Frankfurt am Main on January 25, 1834, Scholderer’s artistic journey was one of profound evolution, marked by a relentless pursuit of capturing the true essence of his subjects. His early years were steeped in the rigorous academic traditions of the Städel Academy of Arts, where he studied under the watchful eyes of art historian Johann David Passavant and the painter Jakob Becker. This foundational training provided him with more than just technical proficiency; it instilled a deep respect for classical composition and a meticulous eye for detail that would remain a hallmark of his work throughout his long and distinguished career.
As Scholderer matured, his artistic horizons expanded far beyond the borders of Germany. His travels to Paris between 1857 and 1858 proved to be a transformative period, exposing him to the radical currents of European art. It was here that he encountered the raw, unvarnished power of Gustave Courbet’s Realism, a movement that encouraged artists to look at the world without the veil of idealized sentimentality. This encounter fundamentally altered his approach to landscape and portraiture, steering him toward a more honest rendering of light, texture, and atmosphere. During this same era, he forged lasting connections with luminaries such as Henri Fantin-Latour and Édouard Manet, whose subtle explorations of light and fleeting moments would leave an indelible imprint on his later, more Impressionistic tendencies.
Scholderer’s body of work is a testament to his ability to find the extraordinary within the ordinary. Whether he was painting a serene pastoral vista or an intimate domestic scene, there was always a sense of quiet contemplation and profound presence. His connection to the Kronberg painter colony, fostered through his friendship and eventual familial bond with Victor Müller, allowed him to exist within a vibrant community of artists dedicated to capturing the beauty of the Taunus region. This environment nurtured his ability to blend the precise rendering of the Düsseldorf tradition with the atmospheric sensitivity of the burgeoning Impressionist movement.
His repertoire was remarkably diverse, showcasing a mastery over various genres:
By the time of his passing in 1902, Otto Scholderer had established himself as a cornerstone of German painting. His significance lies not only in his technical brilliance but in his role as a bridge between eras. He carried the weight of classical tradition into the modern age, proving that even as styles shifted from the structured to the ephemeral, the fundamental human desire to capture truth through light and shadow remained eternal. Today, his works continue to resonate, offering a window into a vanished world of grace, precision, and quiet emotion.
