období

pohyb

1. Francisco Bernareggi — John Singer Sargent, 1908
2. Shady Paths, Vizcaya — John Singer Sargent, 1917

nálada

1. Cathedral Corner — Gerhard Richter, 1987
2. Ruin Ⅰ — Akino Fuku
3. Oxen in Repose — John Singer Sargent, 1910
4. A Mountain Stream, Tyrol — John Singer Sargent, 1914
5. Shady Paths, Vizcaya — John Singer Sargent, 1917

témata

1. The Tyrol — John Singer Sargent, 1914
2. Senza titolo — Giovanni Chiaramonte

klíčová slova

tón

1. Francisco Bernareggi — John Singer Sargent, 1908
2. Cathedral Corner — Gerhard Richter, 1987
3. Ruin Ⅰ — Akino Fuku
4. Mrs. Daniel Sargent Curtis — John Singer Sargent, 1882
5. Senza titolo — Giovanni Chiaramonte
6. Princess Demidoff (Sophie Ilarinovna) — John Singer Sargent, 1896
7. Corner of the Church of St. Stae Venice — John Singer Sargent

hlavní barva

1. Corner of the Church of St. Stae Venice — John Singer Sargent
2. A Street Scene, Capri — Frederik Leighton, 1859
3. The Staircase of a House at Capri — Frederik Leighton, 1859
4. Princess Demidoff (Sophie Ilarinovna) — John Singer Sargent, 1896
5. The Tyrol — John Singer Sargent, 1914
6. Senza titolo — Giovanni Chiaramonte
7. Island of Santorini — voúla papaïoánnou, 1950
8. The Roman Forum seen from the Colosseum — johan fredrik eckersberg, 1816
9. Violet Sargent and Flora Priestley — John Singer Sargent, 1889
10. A Mountain Stream, Tyrol — John Singer Sargent, 1914
11. Francisco Bernareggi — John Singer Sargent, 1908
12. Ruin Ⅰ — Akino Fuku
13. Emily Sargent — John Singer Sargent, 1877
14. Granada Courtyard — Edwin Lord Weeks
15. The Rialto — John Singer Sargent, 1911
16. Hylda, Almina and Conway, Children of Asher Wertheimer — John Singer Sargent, 1905
17. Cathedral Corner — Gerhard Richter, 1987
18. Oxen in Repose — John Singer Sargent, 1910
19. Courtyard of the Palazzo Fava — Heinrich Hansen
20. Shady Paths, Vizcaya — John Singer Sargent, 1917

ostatní

1. Ca' d'Oro Portico and inner courtyard — matteo raverti, 1427
2. Pavement of St Mark's, Venice — John Singer Sargent, 1880
3. Cypress Alley, going up towards the north on the west side of the property — Michel Marot, 1970