Kimono Study
1919
112.0 x 76.0 cm
Ručně malovaná olejová reprodukce
Ručně malovaná olejná barva na plátně ve vašem zvoleném rozměru i s rámem, vyrobená našimi umělci na zakázku.
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry pro konkrétní rám nebo prostor. Pokud se vámi vybraná velikost neshoduje s proporcemi původního obrazu, dílo buď ořízneme, nebo jej doplníme ručně malovanými prvky. Před zahájením výroby vám bude zaslán digitální náhled ke schválení.
Upozorňujeme, že náhled na obrazovce neodpovídá skutečnému ořezu ani rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv je možné zvolit vlastní velikost, pro zachování původních proporcí doporučujeme vybrat rozměr z předdefinovaného seznamu.
Po přijetí objednávky vám tým AllPaintingsStore.com zašle e-mail s pokyny a poskytne náhledovou verzi.
Celosvětová doprava () za 3–4 týdny namísto standardních 5 týdnů. (22 červenec). Bez kompromisů v kvalitě.
Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Kompletní přepravní pojištění
Záruka vrácení celního poplatku
Záruka přesného barevného shodu
60denní lhůta pro vrácení zboží (pouze při vadách výroby)
100% garance vrácení peněz
Sleva při hromadné objednávce
Kimono Study
Technika reprodukce
Rozměry reprodukce
-
Celková cena za výběr
-
Podobná umělecká díla
Biografie umělce
William McCance (1894–1970): Pioneer of Cubist Vision in Wales
William McCance, born in Cambuslang, Scotland, in 1894, was a Scottish artist whose career spanned from the early years of the twentieth century to his death in 1970. He stands as a singular figure within British modernism, particularly recognized for his contributions to Gregynog Press and his distinctive artistic style—characterized by bold geometric forms and expressive color palettes rooted in Cubist principles. His legacy continues to inspire artists today. McCance’s formative years were shaped by attending Hamilton Academy before embarking on formal artistic training at Glasgow School of Art between 1911 and 1915, where he honed his skills in drawing and painting alongside fellow innovators. The outbreak of World War I profoundly impacted McCance's life; he served as a conscientious objector, spending time imprisoned during the conflict—an experience that instilled within him a deep sense of moral conviction. Following his discharge, he married Agnes Miller Parker, an illustrator and engraver, establishing a collaborative artistic partnership that would define much of their subsequent lives. Together they moved to London in 1919, where McCance secured employment as a teacher and art critic for The Spectator, furthering his engagement with the intellectual currents of the era. McCance’s artistic journey truly gained momentum during the 1920s when he embraced the revolutionary ideas emanating from Cubism—a movement spearheaded by Picasso and Braque—marking him out as one of Scotland's foremost proponents of this influential aesthetic. Unlike many of his contemporaries, McCance deliberately rejected traditional representational techniques, opting instead for fractured planes and overlapping perspectives to convey complex visual sensations. This stylistic choice was powerfully reflected in paintings like “Conflict” (1922), a dynamic composition dominated by dark blues and greens that captures the tension inherent in human experience—a testament to McCance’s ability to distill profound emotion into geometric abstraction. Simultaneously, he accepted the role of second controller at Gregynog Press, Wales, establishing a vital connection between artistic innovation and publishing excellence. McCance continued his teaching career at the University of Reading, nurturing the next generation of artists and fostering an appreciation for modernist principles. His influence extended beyond academia; he championed book design as a medium for conveying ideas and emotions—a conviction that underpinned his work on numerous publications. McCance’s artistic output culminated in a retrospective exhibition showcasing his paintings at Dundee, Glasgow and Edinburgh in 1975, cementing his place within the canon of British modernism. His works are held in prestigious institutions such as the National Galleries of Scotland and Dundee Art Gallery & Museum, ensuring that his groundbreaking vision persists for future generations.- Notable Paintings: “Woman Reading,” “Conflict,” “The Gardener”
- Influences: Picasso, Braque, Cubist Movement
- Legacy: Pioneering Scottish Modernism; Gregynog Press Contribution
william mccance
1894 - 1970
Rychlé fakta
- Artistic Movement Or Style: Cubist Art
- Artists Or Movements Influenced By This Artist: ['Modern Scottish Art']
- Artists Who Influenced This Artist:
- Pablo Picasso
- Georges Braque
- Date Of Birth: 1894
- Date Of Death: 1970
- Full Name: William McCance
- Nationality: Scottish
- Notable Artworks:
- Conflict
- Woman Reading
- Place Of Birth: Cambuslang, Scotland

Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm