Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 1 děl umělce A. Reddock v našem katalogu
Rychlá odpověď
Mezi obrazy umělce A. Reddock je na prvním místě dílo Andrew Meikle (1811), jehož originál se nachází v National Portrait Gallery, Londýn. Náš katalog obsahuje 1 děl umělce A. Reddock. Zde je vybráno 1 nejznámějších děl seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nachází originál každého díla.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora A. Reddock | Obrazy z tohoto seznamu |
|---|---|---|---|
 National Portrait Gallery |
Londýn | 1 | Andrew Meikle |
1811: každý obraz autora A. Reddock s uvedeným datem na této stránce pochází z tohoto roku. Zde jsou seřazeny podle pořadí.
Vyberte rok a prohlédněte si jeho obrazy.
Andrew Meikle (1811) je na prvním místě.
A. Reddock byl ve věku 37: dílo Andrew Meikle pochází z roku 1811 a A. Reddock se narodil v 1774.
V našem katalogu je 1 děl umělce A. Reddock.
Primárně v National Portrait Gallery (Londýn). Pro úplný seznam se podívejte do tabulky muzeí výše.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
In the quiet corners of the Scottish landscape during the late eighteenth and early nineteenth centuries, the brush of A. Reddock moved to capture the likenesses of a changing era. Born in 1774, this painter emerged from a time when the dignity of the individual was increasingly sought through the medium of oil and canvas. Reddock, often associated with the town of Falkirk, dedicated his life to the art of the portrait, seeking to fix the character of his subjects upon the surface of the work.
His life was one of quiet observation. While the world around him underwent the tremors of industrial and social shifts, Reddock focused his gaze upon the faces of those who shaped the era. His work was not merely about the likeness of a person, but about the presence they held in the room. Through his hands, the fleeting essence of a sitter was rendered into something permanent.
The records of his skill are found in the portraits he left behind, some of which have been preserved within the halls of Glasgow Life Museums. One such work, a portrait of Andrew Meikle, reveals the artist's ability to document the men of his time. Meikle, an engineer credited with the invention of the threshing machine, was captured by Reddock's hand, linking the artist to the very spirit of Scottish innovation. In such works, we see the intersection of art and history, where the painter records the faces of those who altered the course of industry.
Reddock's technical approach was rooted in the traditions of his station. He worked with a focus on the essential features that defined a person's status and character. His ability to render the likeness of figures like Lady Hannah Anne Gardiner Maxwell suggests a painter who understood the nuances of social standing and the subtle play of light upon a subject's countenance. He remained active in his craft until his passing in 1842, leaving behind a body of work that serves as a window into the Scottish social fabric of the early nineteenth century.
