Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 2 děl umělce August Behrendsen v našem katalogu
Rychlá odpověď
Nejslavnější obrazem autora August Behrendsen je Evening in the mountains. (1843); originál se nachází v Národní muzeum ve Varšavě, Varšava. Z 2 děl umělce August Behrendsen v našem katalogu je zde 2 nejznámějších, seřazených podle popularity, s uvedením roku vzniku a muzea, abyste si mohli vybrat obraz k objednání.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora August Behrendsen | Obrazy z tohoto seznamu |
|---|---|---|---|
 Národní muzeum ve Varšavě |
Varšava | 1 | Evening in the mountains. |
Obrazy umělce August Behrendsen v tomto období zahrnují 9 let, od 1843 do 1851. Prolistujte je rok po roce a vyberte si svůj vlastní.
Vyberte rok a prohlédněte si jeho obrazy.
Evening in the mountains. (1843) je na prvním místě.
August Behrendsen byl ve věku 24: dílo Evening in the mountains. pochází z roku 1843 a August Behrendsen se narodil v 1819.
V našem katalogu je 2 děl umělce August Behrendsen, datovaných od 1843 do 1851.
Primárně v Národní muzeum ve Varšavě (Varšava). Pro úplný seznam se podívejte do tabulky muzeí výše.
Nejstarší na této stránce: Evening in the mountains. (1843). Nejnovější: Region in South Tyrol–Landscape in the Morning Light (1851).
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
Born in Magdeburg, Germany, in 1819, August Behrendsen began his path toward a life of color and light in the heart of Prussia. His early years led him to the Prussian Academy of Arts in Berlin, a place where his burgeoning talent for capturing the natural world found its direction. It was there that he studied landscape painting under the guidance of Wilhelm Schirmer, learning to observe the subtle shifts of the environment that would define his later years.
His skill and dedication did not go unnoticed by the academic establishment. In 1845, his reputation grew to the point that he was called to the Königsberg Academy. This appointment brought him to a new landscape, where he began his duties as a teacher. He held this position with distinction, eventually rising to the rank of professor. He remained a central figure at the Königsberg Academy until 1855, shaping the minds of students while refining his own ability to translate the world onto canvas.
His brush sought the quiet majesty of the natural world, finding inspiration in the rugged heights of the Alps and the sweeping landscapes of East Prussia. He spent many years sharing these visions with the public, as his works were regularly featured in Berlin exhibitions between 1844 and 1878. This long-standing presence in the capital allowed his interpretations of the landscape to reach a wide audience, establishing his reputation through the changing decades of the mid-nineteenth century.
In 1856, his focus turned toward the romantic spirit of the Prussian countryside, where he captured the quiet dignity of various estates. He painted the silhouettes of castles that defined the region, including the structures at Dönhoffstädt, Schlobitten, Schloss Friedrichstein, and Schloss Steinort. These works reflected a deep interest in the intersection of architecture and the surrounding terrain. His skill with the watercolor medium was particularly noted, earning him a place in the private collection of Queen Elisabeth of Prussia. His delicate handling of light and form in these smaller works ensured his legacy within the prestigious holdings of the Prussian royal family.
The private life of August Behrendsen was anchored by his marriage to Elise Behrendsen, who was born Elise Dullo. Together, they established a household that would eventually see the birth of two daughters in Königsberg. The first, Hedwig Marie Elise Behrendsen, arrived in 1852, followed a few years later by Gertrud Behrendsen in 1855. These early years in Königsberg provided a stable foundation for his growing professional standing, as the family settled into the rhythms of life in East Prussia.
Tragedy eventually touched the family circle when Elise passed away in Königsberg on November 18, 1879. This loss marked a significant turning point in his personal history. In the years that followed, his life became more nomadic as he moved between different cities. He sought residence in Meran, Wiesbaden, and finally Hildesheim, often living alongside his daughters as he navigated the later chapters of his life.
The steady rhythm of his academic life in Königsberg was disrupted by the onset of a lung disease. This ailment forced him to relinquish his esteemed position in 1869, a year that marked a significant shift in his professional standing. Despite the physical toll of his illness, his reputation within the artistic community remained firm, as he was named an external member of the Prussian Academy of Arts during that same year.
In the years following his departure from the academy, he sought refuge in different locales, living for a time in Meran and Wiesbaden. He eventually settled in Hildesheim, where he spent his final days. He passed away there on April 3, 1886.
The recognition of his talent arrived in many forms throughout his life. In 1862, he was awarded the Great Golden Medal, a distinction that marked his standing among his peers. His influence continued to be felt even after his passing, as seen when the National Gallery in Berlin held a memorial exhibition in 1887 to honor his memory and his contributions to the art of landscape painting.
His legacy is preserved within significant institutions that safeguard the visual history of the region. His watercolors, which captured the romantic essence of Prussian castles, found a permanent home in the collection of the Prussian Palaces and Gardens Foundation Berlin-Brandenburg in Potsdam. These works remain part of a vital historical record held in Potsdam.
Today, his presence in the artistic landscape persists through the accessibility of his creations. Many of his paintings have entered the public domain, allowing his views of the mountains and landscapes to be viewed through digital archives like Artvee. This ensures that his depictions of the natural world remain available to those who seek to study his hand.
