Rychlá odpověď
Lady in a White Mob Cap (1805) je nejznámějším dílem autora Benjamin Greenleaf; originál se nachází v instituci National Gallery of Art, Washington. Portrait of Joseph Wiggins (1820) je na druhém místě, Portrait of J. L. (1818) na třetím. Náš katalog obsahuje 4 děl umělce Benjamin Greenleaf; zde je 4 nejznámějších, seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nacházejí, aby vám pomohly při výběru díla k objednání.
Benjamin Greenleaf: 10 nejlépe hodnocených obrazů
Muzea, ve kterých jsou vystavena originálna umělce Benjamin Greenleaf
3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Benjamin Greenleaf | Obrazy z tohoto seznamu |
|---|---|---|---|
| Washington | 2 | Lady in a White Mob Cap, Portrait of J. L. | |
| Minneapolis | 1 | Portrait of Joseph Wiggins | |
| Woodstock | 1 | Portrait of Mary French |
Nejlepší dílo Benjamin Greenleaf podle desetiletí
Díla podle dekád
Vyberte dekádu, abyste si prohlédli její nejvýznamnějšíjší obraz.
Co byste měli vědět o obrazech autora Benjamin Greenleaf
Který slavný obraz od Benjamin Greenleaf dominuje žebříčku?Zobrazit odpověď
Lady in a White Mob Cap (1805), National Gallery of Art, Washington, zaužívá první místo, za nímž následují Portrait of Joseph Wiggins (1820) a Portrait of J. L. (1818).
Kolik let bylo Benjamin Greenleaf v roce Lady in a White Mob Cap?Zobrazit odpověď
Benjamin Greenleaf byl ve věku 36: dílo Lady in a White Mob Cap pochází z roku 1805 a Benjamin Greenleaf se narodil v 1769.
Kolik děl umělce Benjamin Greenleaf obsahuje váš katalog?Zobrazit odpověď
V našem katalogu je 4 děl umělce Benjamin Greenleaf, datovaných od 1805 do 1820.
Kde lze vidět originály slavných obrazů umělce Benjamin Greenleaf?Zobrazit odpověď
Primárně v National Gallery of Art (Washington), Minneapolis Institute of Art (Minneapolis) a Marsh-Billings-Rockefeller National Historical Park (Woodstock). Pro úplný seznam se podívejte do tabulky muzeí výše.
V jakých letech namaloval Benjamin Greenleaf své nejvýraznější díla?Zobrazit odpověď
V období 1810s: 2 z 4 obrazů zařazených zde pochází z této doby, včetně Portrait of J. L..
Která díla slavného Benjamin Greenleaf jsou nejstarší a která nejnovější?Zobrazit odpověď
Nejstarší na této stránce: Lady in a White Mob Cap (1805). Nejnovější: Portrait of Joseph Wiggins (1820).
Která díla umělce Benjamin Greenleaf se nacházejí v kolekcích National Gallery of Art?Zobrazit odpověď
V muzeu National Gallery of Art, Washington se nachází 2 z obrazů zařazených v tomto žebříčku, včetně Lady in a White Mob Cap a Portrait of J. L..
Prodáváte reprodukce obrazů autora Benjamin Greenleaf?Zobrazit odpověď
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
Benjamin Greenleaf: život a kariéra
A Life Rediscovered: The Quiet Portraits of Benjamin Greenleaf
For many years, the name Benjamin Greenleaf was associated with a prominent American educator and textbook author. It wasn’t until 1981 that art historians established him as a distinct individual – a largely self-taught portraitist who quietly documented the lives of New Englanders during the late 18th and early 19th centuries. Born in Hull, Massachusetts on January 13, 1769, to Mary and John Greenleaf, his life initially appeared unremarkable. He attended Dartmouth College for a time but left before completing a degree, embarking instead on a career that would lead him through the burgeoning communities of New England, leaving behind a legacy not of scholarship, but of intimate visual records. His story is one of rediscovery, a testament to the enduring power of art to reveal hidden narratives and connect us with the past.An Itinerant Artist: Travels Through New England
Greenleaf’s artistic journey was characterized by movement. Unlike artists anchored in major urban centers, he was an itinerant painter, traveling extensively throughout Massachusetts, New Hampshire, and Maine between 1803 and 1818. He worked in Weymouth, Hingham, Braintree, and Newton in his early years, before venturing north to Hanover and Hopkinton in New Hampshire. His travels culminated in Maine, where he painted portraits in Portland, Paris, Bath, Bridgton, and Phippsburg. This peripatetic lifestyle suggests a reliance on word-of-mouth for commissions rather than formal advertising – a testament to the close-knit nature of the communities he served. He married Abigail Greenleaf Rhoades of Dorchester, Massachusetts, in 1799, and while details about their personal life remain scarce, it’s likely her connections aided his travels and access to potential patrons. His subjects were often related through marriage or acquaintance, indicating a network built on trust and familiarity.Technique and Style: Reverse Glass Painting and Intimate Likenesses
Greenleaf's artistic output is notable for its distinctive technique – reverse painting on glass. This demanding medium required the artist to work backwards, applying highlights first and building up layers of color from the back of the glass panel. The result is a luminous quality, with brushstrokes appearing remarkably smooth and colors possessing an unusual depth. While he occasionally worked in oil on canvas, the majority of his fifty-six documented works are executed on glass, often in profile format. His portraits aren’t grand statements; they are intimate likenesses, characterized by subtle coloring, well-proportioned features, and a keen attention to physiognomic accuracy. He possessed an ability to capture not just physical resemblance but also the personality of his sitters – their quiet dignity, their reserved composure, their individual character.Rediscovery and Historical Significance
For decades, Greenleaf remained largely unknown outside of a small circle of collectors and local historians. The 1985 article in *The Clarion*, a folk art publication by Arthur and Sybil Kern, was pivotal in bringing his work to wider attention. Their research disentangled him from the educator of the same name and began to piece together the story of his life and career. While he may not have achieved widespread fame during his lifetime, Greenleaf’s portraits offer a valuable glimpse into the lives of ordinary New Englanders during a period of significant social and economic change. His work provides a counterpoint to the more formal portraiture of established artists, offering a more accessible and relatable vision of early American society. The fragility of glass as a medium undoubtedly contributed to the loss of many paintings, making those that survive all the more precious. Today, his works are held in institutions like the National Gallery of Art and the American Folk Art Museum, ensuring his legacy endures for generations to come. He died unexpectedly on January 10, 1821, in Weymouth, Massachusetts, succumbing to apoplexy, leaving behind a collection of portraits that continue to resonate with viewers seeking connection to the past.A Lasting Impression
- Quiet Dignity: Greenleaf’s portraits are not about ostentation or grandeur; they celebrate the quiet dignity and individuality of his sitters.
- Reverse Glass Technique: His mastery of reverse glass painting sets him apart, creating a unique luminous quality in his work.
- Regional Focus: He documented the lives of people in New England communities often overlooked by more prominent artists.
- Intimate Records: His paintings offer valuable insights into the social and cultural landscape of early America.