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Portrét Daniel Saint

Nejlepší 5 obrazů autora Daniel Saint podle popularity

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 7 děl umělce Daniel Saint v našem katalogu

Rychlá odpověď

Portrait de Mme Savary, duchesse de Rovigo (1840) je nejznámějším dílem autora Daniel Saint. Portrait of the duchess of berry je na druhém místě, Unknown Man na třetím. Náš katalog obsahuje 7 děl umělce Daniel Saint; zde je 5 nejznámějších, seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nacházejí, aby vám pomohly při výběru díla k objednání.

1778 – 1847, Saint-Lô Nejvíce děl: Nationalmuseum

Daniel Saint: 10 nejlépe hodnocených obrazů

5
Lady with a Greyhound (1842) od Daniel Saint

Lady with a Greyhound

1842

Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

Ručně malovaná olejná reprodukce od $170 24 × 41 cm
Vyberte si velikost Zobrazit detaily

Muzea, ve kterých jsou vystavena originálna umělce Daniel Saint

2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Daniel Saint Obrazy z tohoto seznamu
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

Nejlepší obrazy umělce Daniel Saint podle roku

Zde uvedená díla umělce Daniel Saint pocházejí z období 3 let, od 1840 do 1842; prohlédněte si je rok po roce.

Díla podle roku

Vyberte rok a prohlédněte si jeho obrazy.

Co byste měli vědět o obrazech autora Daniel Saint

Který slavný obraz od Daniel Saint dominuje žebříčku?Zobrazit odpověď

Na prvním místě je Portrait de Mme Savary, duchesse de Rovigo (1840), následuje Portrait of the duchess of berry a Unknown Man.

Kolik let bylo Daniel Saint v roce Portrait de Mme Savary, duchesse de Rovigo?Zobrazit odpověď

Daniel Saint byl ve věku 62: dílo Portrait de Mme Savary, duchesse de Rovigo pochází z roku 1840 a Daniel Saint se narodil v 1778.

Kolik děl umělce Daniel Saint obsahuje váš katalog?Zobrazit odpověď

V našem katalogu je 7 děl umělce Daniel Saint, datovaných od 1840 do 1842.

Kde lze vidět originály slavných obrazů umělce Daniel Saint?Zobrazit odpověď

Primárně v Nationalmuseum (Stockholm) a Château de Chambord (Chambord). Pro úplný seznam se podívejte do tabulky muzeí výše.

Která díla slavného Daniel Saint jsou nejstarší a která nejnovější?Zobrazit odpověď

Nejstarší na této stránce: Portrait de Mme Savary, duchesse de Rovigo (1840). Nejnovější: Lady with a Greyhound (1842).

Která díla umělce Daniel Saint se nacházejí v kolekcích Nationalmuseum?Zobrazit odpověď

V muzeu Nationalmuseum, Stockholm se nachází 2 z obrazů zařazených v tomto žebříčku, včetně Unknown Man a Charles X, King of France and Navarre.

Prodáváte reprodukce obrazů autora Daniel Saint?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.

Daniel Saint: život a kariéra

The Delicate Touch of Parisian Miniature Painting

Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

A Revolution of Light and Texture

What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

Legacy and Imperial Recognition

The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

  • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
  • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
  • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
  • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.