Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 280 děl umělce Max Liebermann v našem katalogu
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Nejslavnější obrazem autora Max Liebermann je Volný hodina v dětsím domově (1876). Self Portrait with Kitchen Still LIfe (1873) a Corner of a Dutch Village with Washing Hung up to Dry (1890) jsou čísla dvě a tři. Z 280 děl umělce Max Liebermann v našem katalogu je zde 100 nejznámějších, seřazených podle popularity, s uvedením roku vzniku a muzea, abyste si mohli vybrat obraz k objednání.
Dílo „Volná hodina v dětském domově“ od Maxe Liebermanna je fascinující práce, která nádherně zachycuje okamžik společenského života v Amsterodamu 19. století. Tento obraz pozývá diváky do venkovního nádvoří, kde se shromažďují ženy a děti, čímž vytváří scénu bohatou na sociální interakci a kulturní dědictví.
To stand before Max Liebermann’s Self Portrait with Kitchen Still Life is not merely to observe a painting; it is to step directly into the vibrant, sun-drenched moments of late nineteenth-century Berlin. Created in 1873, this oil on canvas captures more than just a likeness; it encapsulates the artist's profound belief that true beauty resides within the quotidian—the humble objects and simple acts of daily life. Liebermann, a master whose…
The air feels heavy with the scent of damp fabric and the salt of a nearby coast. In this corner of a Dutch village, time seems to pause, caught in the soft, overcast light of 1890. A white building dominates the immediate view, its red door and blue shutters providing the only sharp interruptions to the muted, earthy tones of the village. Above the doorway, laundry hangs from a line,…
This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped together, wearing a suit and tie. He is shown with a mustache and appears to be looking directly at the viewer. To provide depth to the scene, the background features a curtain behind the seated man.
There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among patrons enjoying a meal under the dappled shade of trees. The scene is one of casual, unhurried leisure. Green chairs are scattered around tables, some occupied by figures lost in conversation, others left empty as if the guests have only just stepped…
An older man sits in a moment of quiet creation, his presence filling the space with a heavy, contemplative dignity. He faces the viewer directly, his gaze steady and unblinking, even as his hands remain occupied with the tools of his trade. In his right hand, he holds a palette, while his left hand brings a brush toward an easel, capturing a fragment of life in real-time. The light enters…
The Preserve Makers is a somber and intimate realist painting that captures a group of women gathered within a dimly lit, rustic interior. The composition is dense and crowded, utilizing a shallow depth of field that brings the figures into the immediate foreground to create a sense of enclosure and shared labor. These women are engaged in the communal task of preparing vegetables, their presence evoking a sense of quiet…
An elderly man traverses a grassy landscape, his form weighted by a large bag slung over his shoulder and a backpack. He moves with the measured pace of age, supported by a cane that meets the earth with steady intent. His attire, including a hat and practical clothing, suggests a life defined by outdoor toil. In the distance, two other figures punctuate the horizon, grounding the solitary traveler within a…
In KIRCHGANG IN Laren, Max Liebermann captures a quiet moment of movement along a winding path. A group of figures, primarily women, stroll through a wooded area or park, their presence breathing life into the landscape. They wear traditional clothing that suggests a connection to a specific way of life, moving steadily through the greenery. The scene unfolds as a leisurely walk in nature, a simple slice of everyday existence…
This portrait of Alfred von Berger was painted by Max Liebermann in 1905. It presents the subject as a middle-aged man, captured in a three-quarter length composition. The sitter is positioned centrally, offering a sense of quiet presence that invites a closer look at his character.
The Basketweavers (Die Korbflechter)1872 · Staatliche Kunsthalle Karlsruhe
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Girl from Laren Peeling Potatoes with Sleeping Child in a Basket1887 · Museum Kunst der Westküste
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Copy of the Bohémienne after Frans Hals (Young woman)1870 · Staatliche Kunsthalle Karlsruhe
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The Terrace at the Hotel Louis C. Jacob in Nienstedten on the Elbe1902 · Hamburger Kunsthalle
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Self-portrait, standing in three-quarter figure, both hands in trouser pockets (Selbstbildnis, stehend in Dreiviertelfigur, beide Hände in den Hosentaschen)1915 · Alte Nationalgalerie
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Self-Portrait with Palette to the Left1912 · Berlinische Galerie
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The artist's daughter riding1913 · Wallraf-Richartz-Museum
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Study: Bust of a Man / Bust of a Woman – Two-sided Painting1875 · Národní muzeum v Krakově
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Self portrait in painting smock (Selbstbildnis im Malkittel)1922 · Bavarské státní sbírky malby
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Portrait of Jeanette Cornelia A. Onnes van Nijenrode-Cockuijt (1883-1936)1918 · Centraal Museum
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Self-Portrait with sports cap at the easel1925 · Alte Nationalgalerie
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The Surgeon Dr. Ferdinand Sauerbruch1932 · Hamburger Kunsthalle
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Digging for Potatoes in the Dunes at Zandvoort1895 · Germanisches Nationalmuseum
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Bust Selfportrait in Paiting Overall1922 · Stiftung Brandenburger Tor
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Children Bathing in the Sea1899 · Bavarské státní sbírky malby
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Recess in the Amsterdam Orphanage - View of the Inner Courtyard, Study1876 · Alte Nationalgalerie
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The Flower Terrace in the Wannsee Garden, Facing Northwest1923 · Stadtisches Museum
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Study Head of a Man (also known as Sephardic Jew with a Prayer Shawl, Facing Left)1878 · Kunsthaus Zürich
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View over the Tall Linden Hedge into the Cutting Garden toward the West1929
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The Terrace in the Wannsee Garden toward the Northwest1926
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The Cutting Garden in Wannsee toward the West, with a Woman Gardener on the Path1924
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Terrace in the Garden near the Wannsee toward Northwest1916 · Muzeum umění Houston
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The Circular Bed in the Hedge Garden with a Woman Watering Flowers1925
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Still life of meat (Fleischstillleben)1878 · Bavarské státní sbírky malby
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Terrace in the Garden near the Wannsee towards Northwest1916 · Muzeum umění Houston
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Čtyři nejčastější témata v tomto žebříčku, včetně nejvýraznějšího díla pro každé z nich.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Max Liebermann | Obrazy z tohoto seznamu |
|---|---|---|---|
 Alte Nationalgalerie |
Berlín | 17 | Portrait of Richard Strauss, Portrait Study of Emil Rathenau, Portrait Dr. Wilhelm Bode |
 Hamburger Kunsthalle |
Hamburg | 8 | The Net Menders, The Terrace at the Hotel Louis C. Jacob in Nienstedten on the Elbe, A Dutch lacemaker |
 Wallraf-Richartz-Museum |
Köln | 6 | Two riders on the beach, Self-portrait, The artist's daughter riding |
 Bavarské státní sbírky malby |
Mnichov | 6 | Self portrait in painting smock (Selbstbildnis im Malkittel), Children Bathing in the Sea, Still life of meat (Fleischstillleben) |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 5 | The farrier, The Basketweavers (Die Korbflechter), Copy of the Bohémienne after Frans Hals (Young woman) |
 Stadtisches Museum |
Gelsenkirchen | 3 | Self Portrait with Kitchen Still LIfe, The Flower Terrace in the Wannsee Garden, Facing Northwest |
 Kunsthalle Bremen |
Bremen | 3 | Self-portrait, Parrot Avenue |
 Staatliche Kunstsammlungen Dresden |
Drážďany | 3 | Alfred von Berger, On the Alster in Hamburg |
Vyberte dekádu, abyste si prohlédli její nejvýznamnějšíjší obraz.
Dílo „Volná hodina v dětském domově“ od Maxe Liebermanna je fascinující práce, která nádherně zachycuje okamžik společenského života v Amsterodamu 19. století. Tento obraz pozývá diváky do venkovního nádvoří, kde se shromažďují ženy a děti, čímž vytváří scénu bohatou na sociální interakci a kulturní dědictví.
The air feels heavy with the scent of damp fabric and the salt of a nearby coast. In this corner of a Dutch village, time seems to pause, caught in the soft, overcast light of 1890. A white building dominates the immediate view, its red door and blue shutters providing the only sharp interruptions to the muted, earthy tones of the village. Above the doorway, laundry hangs from a line,…
There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among patrons enjoying a meal under the dappled shade of trees. The scene is one of casual, unhurried leisure. Green chairs are scattered around tables, some occupied by figures lost in conversation, others left empty as if the guests have only just stepped…
This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped together, wearing a suit and tie. He is shown with a mustache and appears to be looking directly at the viewer. To provide depth to the scene, the background features a curtain behind the seated man.
Max Liebermann's 1922 portrait of Albert Einstein isn’t merely a likeness; it’s a carefully constructed distillation of intellect, contemplation, and the burgeoning promise of a revolutionary mind. Painted during a pivotal period in Einstein’s career – immediately following his Nobel Prize win and the confirmation of his theories through the Eddington-Dyson eclipse observations – this oil painting transcends simple representation, offering a glimpse into the very essence of scientific genius.…
The painting, titled The Surgeon Dr. Ferdinand Sauerbruch, is an oil on canvas created in 1932. The portrait depicts a man wearing glasses and a white coat, seated in a chair with his hands clasped together. He is presented with a stern expression, appearing focused. The composition features the subject in a seated position, with the chair dominating much of the frame. In the background, the subtle presence of other…
Na prvním místě je Volný hodina v dětsím domově (1876), následuje Self Portrait with Kitchen Still LIfe (1873) a Corner of a Dutch Village with Washing Hung up to Dry (1890).
Max Liebermann byl ve věku 29: dílo Volný hodina v dětsím domově pochází z roku 1876 a Max Liebermann se narodil v 1847.
Volný hodina v dětsím domově, Self Portrait with Kitchen Still LIfe, Corner of a Dutch Village with Washing Hung up to Dry, Portrait of Richard Strauss, Restaurant De oude Vink, Self-portrait, The Preserve Makers, Schreitender Bauer, KIRCHGANG IN Laren a Alfred von Berger. Rok a muzeum pro každé dílo jsou uvedeny v hodnocení výše.
V našem katalogu je 280 děl umělce Max Liebermann, datovaných od 1865 do 1932.
Primárně v Alte Nationalgalerie (Berlín), Hamburger Kunsthalle (Hamburg) a Wallraf-Richartz-Museum (Köln). Pro úplný seznam se podívejte do tabulky muzeí výše.
V období 1910s: 18 z 100 obrazů zařazených zde pochází z této doby, včetně Portrait of Richard Strauss.
Nejstarší na této stránce: Portrait of Felix Liebermann (1865). Nejnovější: The Surgeon Dr. Ferdinand Sauerbruch (1932).
Mezi 100 obrazy zařazenými v tomto žebříčku: Man (11), People (7) a Portrait (6).
Oil On Canvas, u 31 z 100 obrazů zařazených v tomto žEBŘÍČKU.
Impressionist painting, na základě obrazů zařazených na této stránce.
V muzeu Alte Nationalgalerie, Berlín se nachází 9 z obrazů zařazených v tomto žebříčku, včetně Portrait of Richard Strauss, Portrait Study of Emil Rathenau a Portrait Dr. Wilhelm Bode.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
