Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 2 děl umělce Peter Petersen v našem katalogu
Rychlá odpověď
Nejslavnější obrazem autora Peter Petersen je Postmester Christian Ludvig Pind (1835); originál se nachází v Národní muzeum umění, architektury a designu, Oslo. Z 2 děl umělce Peter Petersen v našem katalogu je zde 2 nejznámějších, seřazených podle popularity, s uvedením roku vzniku a muzea, abyste si mohli vybrat obraz k objednání.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Peter Petersen | Obrazy z tohoto seznamu |
|---|---|---|---|
 Národní muzeum umění, architektury a designu |
Oslo | 2 | Postmester Christian Ludvig Pind, Cathrine Pind, f. Schive |
Všechny díla umělce Peter Petersen s datem vzniku z roku 1835 jsou na této stránce uvedeny podle jejich pořadí.
Vyberte rok a prohlédněte si jeho obrazy.
Postmester Christian Ludvig Pind (1835) je na prvním místě.
Peter Petersen byl ve věku 41: dílo Postmester Christian Ludvig Pind pochází z roku 1835 a Peter Petersen se narodil v 1794.
V našem katalogu je 2 děl umělce Peter Petersen.
Primárně v Národní muzeum umění, architektury a designu (Oslo). Pro úplný seznam se podívejte do tabulky muzeí výše.
V období 1835: 2 z 2 obrazů zařazených zde pochází z této doby, včetně Postmester Christian Ludvig Pind.
V muzeu Národní muzeum umění, architektury a designu, Oslo se nachází 2 z obrazů zařazených v tomto žebříčku, včetně Postmester Christian Ludvig Pind a Cathrine Pind, f. Schive.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
Born on 14 August 1794, in Fåberg Municipality, Peter Petersen began his life surrounded by the practicalities of trade and manual skill. He likely spent his early years assisting his father, Frederik Petersen, in a workshop where the demands of craft painting were a daily reality. There is a quiet history found in his early displays, such as when he presented two varnished trays at Den kongelige Tegneskole in 1818. These pieces were not mere decorations but trials for carriage varnish, showing a young man testing the limits of his technical precision.
His path eventually led him away from the family workshop toward formal training. Through the generosity of wealthy citizens in Drammen, he was able to study at the art academy in Copenhagen. This period of education brought him into contact with the influential atmosphere of the Danish art scene. He may have even sat in the plaster class of C. W. and Eckersberg in 1824, a time when he was busy creating copies after artists like Carlo Colci to refine his own hand.
By 1825, Petersen had established himself as a painter capable of capturing the likenesses of those living in the Drammen, Tønsberg, and Sandefjord districts. His work was often intimate, focusing on small formats and bust portraits that required a steady, meticulous touch. He did not seek to overwhelm with scale, but rather to provide a detailed rendering of his subjects. This approach sat closely with the Danish Biedermeier style, which favored a sense of domestic calm and careful observation.
His commissions were often personal. Some of his known works include:
While much of his fame rests on these portraits, he also applied his skills to landscapes and the reproduction of altarpieces. He remained a figure connected to his family's trade, performing fine painting work for his brother, Christian Petersen, who had taken over their father's workshop in Drammen.
Petersen spent the majority of his life as a resident of Drammen, with only a brief departure between 1834 and 1835. His presence in the region was marked by this steady, reliable output of portraiture that documented the faces of his community during the mid-19th century. He passed away on 1 June 1858, leaving behind a body of work that remains a window into the social fabric of his time.
