Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 4 děl umělce Pseudo-Bles v našem katalogu
Rychlá odpověď
Mezi obrazy umělce Pseudo-Bles je na prvním místě dílo The Adoration of the Magi (1510), jehož originál se nachází v Národní muzeum ve Varšavě, Varšava. Na druhém a třetím místě: The Adoration of the Magi (1519) a The Adoration of the Magi (1520). Náš katalog obsahuje 4 děl umělce Pseudo-Bles. Zde je vybráno 4 nejznámějších děl seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nachází originál každého díla.
4 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Pseudo-Bles | Obrazy z tohoto seznamu |
|---|---|---|---|
 Národní muzeum ve Varšavě |
Varšava | 1 | The Adoration of the Magi |
 Museum of Fine Arts Ghent (MSK) |
Ghent | 1 | The Adoration of the Magi |
 Bavarské státní sbírky malby |
Mnichov | 1 | The Adoration of the Magi |
 Museum Flehite |
Amersfoort | 1 | Adoration of the kings with portraits of Jacob Aertsz. van Schayck (....-1530) and his family |
Vyberte dekádu, abyste si prohlédli její nejvýznamnějšíjší obraz.
The Adoration of the Magi (1510), Národní muzeum ve Varšavě, Varšava, zaužívá první místo, za nímž následují The Adoration of the Magi (1519) a The Adoration of the Magi (1520).
Pseudo-Bles byl ve věku 60: dílo The Adoration of the Magi pochází z roku 1510 a Pseudo-Bles se narodil v 1450.
V našem katalogu je 4 děl umělce Pseudo-Bles, datovaných od 1510 do 1530.
Primárně v Národní muzeum ve Varšavě (Varšava), Museum of Fine Arts Ghent (MSK) (Ghent) a Bavarské státní sbírky malby (Mnichov). Pro úplný seznam se podívejte do tabulky muzeí výše.
V období 1510s: 2 z 4 obrazů zařazených zde pochází z této doby, včetně The Adoration of the Magi.
Nejstarší na této stránce: The Adoration of the Magi (1510). Nejnovější: Adoration of the kings with portraits of Jacob Aertsz. van Schayck (....-1530) and his family (1530).
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
The name Pseudo-Bles belongs to an anonymous painter from Antwerp who was active between 1510 and 1530. While the person behind the brush remains a mystery to history, the life attributed to this figure spans from 1450 to 1550. This long timeline suggests a presence that bridged different eras of the Northern Renaissance, even if the artist's true identity was never recorded in the way we might expect for a person of such influence.
Tracing the legacy of Pseudo-Bles requires looking across borders. Their presence is felt in five different museums, spread throughout four cities and four countries. These works have traveled far from their origins, finding homes in places like Germany, Belgium, and Poland. In the Netherlands, the largest collection of these works can be found at Museum Flehite in Amersfoort.
Because the artist remains anonymous, we often find their hand in works that reflect the specific atmosphere of the early sixteenth century. Their output is scattered, making each piece a quiet piece of a larger, unsolved puzzle. We see their influence in:
Finding the traces of this artist requires a bit of traveling across Europe, as their presence is scattered through several different countries. You can find their handiwork in the Netherlands, Germany, Belgium, and Poland. It is a quiet trail left behind, spread across four nations, waiting for those who look closely at the museum walls.
In Germany, the collection is most concentrated, with two pieces held in Munich. If you find yourself in the Netherlands, you might encounter a single work in Amersfoort. The artist's reach extends into Belgium, where the Museum of Fine Arts Ghent holds one piece, and into Poland, where the National Museum in Warsaw preserves another. These scattered locations offer a way to see how the work has been kept through the centuries.
One of the most significant pieces associated with this artist is The Adoration of the Magi. Created between 1510 and 1520, this work offers a glimpse into the visual language used during that period. The painting measures 0.61m x 0.78m and is currently held in the collection of the National Museum in Warsaw.
The presence of this work in Poland allows viewers to see the scale and detail of the artist's hand. It remains a primary reference for understanding the output of this anonymous painter active in the early sixteenth century.
