Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 2 děl umělce Samuel Spode v našem katalogu
Rychlá odpověď
Mezi obrazy umělce Samuel Spode je na prvním místě dílo A Dark Bay Racehorse held by a Trainer in a Landscape (1833), jehož originál se nachází v Florence Court. Náš katalog obsahuje 2 děl umělce Samuel Spode. Zde je vybráno 2 nejznámějších děl seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nachází originál každého díla.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Samuel Spode | Obrazy z tohoto seznamu |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
1833: každý obraz autora Samuel Spode s uvedeným datem na této stránce pochází z tohoto roku. Zde jsou seřazeny podle pořadí.
Vyberte rok a prohlédněte si jeho obrazy.
A Dark Bay Racehorse held by a Trainer in a Landscape (1833) je na prvním místě.
Samuel Spode byl ve věku 35: dílo A Dark Bay Racehorse held by a Trainer in a Landscape pochází z roku 1833 a Samuel Spode se narodil v 1798.
V našem katalogu je 2 děl umělce Samuel Spode.
Primárně v Florence Court. Pro úplný seznam se podívejte do tabulky muzeí výše.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.
