Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 189 děl umělce Stuart Davis v našem katalogu
Rychlá odpověď
Mezi obrazy umělce Stuart Davis je na prvním místě Odol. Na druhém a třetím místě: Lucky Strike (1924) a T View (1951). Náš katalog obsahuje 189 děl umělce Stuart Davis. Zde je vybráno 100 nejznámějších děl seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nachází originál každého díla.
Stuart Davisův obraz „Odol“ představuje fascinující kombinaci estetiky pop artu a modernistické ilustrace, která vypráví příběh o každodenních předmětech domácnosti. Tento dílo nezůstává jen dekorativním prvkem; je to komplexní analýza kulturního kontextu doby a uměleckého projevu jeho autora.
In "Boats, Gloucester" by Stuart Davis, the maritime essence of the coast emerges through a rhythmic, Cubist-inspired approach. The composition breaks the scene into a series of overlapping planes and simplified forms that dance across the canvas. Semi-circles suggest the curve of boat hulls or the swell of waves, while rectangular frames overlap one another to build a sense of depth and a layered perspective. This abstract expressionist arrangement transforms…
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The Terminal1937
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Premiere
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Čtyři nejčastější témata v tomto žebříčku, včetně nejvýraznějšího díla pro každé z nich.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Stuart Davis | Obrazy z tohoto seznamu |
|---|---|---|---|
 The Phillips Collection |
Washington, D.C. | 6 | Blue Café, Egg Beater No. 4, Corner Cafe |
 Metropolitan Museum of Art |
New York | 3 | Edison Mazda, Jefferson Market, New York, Men and Machine |
 Smithsonian American Art Museum |
Washington, D.C. | 3 | Newark, Abstraction |
 Izraelské muzeum |
Jeruzalém | 2 | New York Under Gaslight |
 Philadelphia Museum of Art |
Philadelphia | 1 | Boats, Gloucester |
 National Gallery of Art |
Washington | 1 | Multiple Views |
 Bavarské státní sbírky malby |
Mnichov | 1 | Composition 1 |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 1 | Table with Pipe |
Vyberte dekádu, abyste si prohlédli její nejvýznamnějšíjší obraz.
In "Boats, Gloucester" by Stuart Davis, the maritime essence of the coast emerges through a rhythmic, Cubist-inspired approach. The composition breaks the scene into a series of overlapping planes and simplified forms that dance across the canvas. Semi-circles suggest the curve of boat hulls or the swell of waves, while rectangular frames overlap one another to build a sense of depth and a layered perspective. This abstract expressionist arrangement transforms…
Na prvním místě je Odol, následuje Lucky Strike (1924) a T View (1951).
Odol, Lucky Strike, T View, Blue Café, Sixth Avenue El, Arboretum by Flashbulb, Boats, Gloucester, Rue Lipp, Still Life-Flowers a Self-Portrait. Rok a muzeum pro každé dílo jsou uvedeny v hodnocení výše.
V našem katalogu je 189 děl umělce Stuart Davis, datovaných od 1910 do 1960.
Primárně v The Phillips Collection (Washington, D.C.), Metropolitan Museum of Art (New York) a Smithsonian American Art Museum (Washington, D.C.). Pro úplný seznam se podívejte do tabulky muzeí výše.
V období 1930s: 13 z 100 obrazů zařazených zde pochází z této doby, včetně Sixth Avenue El.
Nejstarší na této stránce: Newark (1910). Nejnovější: Int'l Surface No. 1 (1960).
Mezi 100 obrazy zařazenými v tomto žebříčku: Geometric shapes (7), Urban landscape (5) a Geometric forms (4).
Oil On Canvas, u 2 z 100 obrazů zařazených v tomto žEBŘÍČKU.
Modernism, na základě obrazů zařazených na této stránce.
V muzeu The Phillips Collection, Washington, D.C. se nachází 6 z obrazů zařazených v tomto žebříčku, včetně Blue Café, Egg Beater No. 4 a Corner Cafe.
Davis swiftly ascended to prominence as one of the youngest exhibitors at the monumental Armory Show of 1913, an event that irrevocably altered the course of American art history. He presented five watercolor paintings imbued with the distinctive aesthetic principles of the Ashcan School – a movement characterized by unflinching realism depicting urban life and its inhabitants. This debut showcased his commitment to portraying the everyday experiences of ordinary people with uncompromising honesty.
The 1920s witnessed Davis’s maturation into a singular artistic voice. He transitioned towards creating abstract still lifes and landscapes that incorporated elements of proto-pop art, skillfully blending geometric forms with imagery drawn from contemporary sources – notably cigarette packaging and spark plug advertisements. This daring stylistic choice reflected his fascination with the dynamism of modern life and signaled a decisive break from traditional representational conventions.
Davis’s oeuvre is instantly recognizable for its bold color palette, assertive brushstrokes, and rhythmic energy. His artistic vision was deeply influenced by jazz music, which permeated his paintings from the 1940s onward. The Ashcan School's emphasis on capturing the gritty realities of urban existence served as an enduring cornerstone of his aesthetic approach.
Odol (Modernism), completed in 1928, exemplifies Davis’s masterful synthesis of geometric abstraction and recognizable imagery from popular culture. This painting captures the essence of modern life through bold colors and dynamic compositions.
Other significant pieces include Rocks, Gloucester (1915), The Mellow Pad, and Tropes de Teens (1956).
Stuart Davis’s legacy extends far beyond his individual artworks. He stands as a pivotal figure in establishing American Modernism as a distinct artistic movement—a movement that championed innovation and challenged established norms.
His pioneering approach to abstraction paved the way for subsequent generations of artists, solidifying his place as one of the most influential figures in 20th-century art history. Davis’s unwavering dedication to portraying the complexities of human experience continues to inspire artistic endeavors today.
