Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 114 děl umělce Giulio Romano v našem katalogu
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Vault: The Assembly of Gods around Jupiter's Throne (1532) je nejznámějším dílem autora Giulio Romano. View of the Sala dei Giganti (vault and south wall) (1526) je na druhém místě, Tapestry with Playing Putti (1545) na třetím. Náš katalog obsahuje 114 děl umělce Giulio Romano; zde je 100 nejznámějších, seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nacházejí, aby vám pomohly při výběru díla k objednání.
Vault: The Assembly of Gods around Jupiter's Throne is a significant fresco by Giulio Romano. Executed in 1532, the work occupies the ceiling of the Sala dei Giganti within the Palazzo del Tè in Mantua, Italy. This monumental decoration reflects the artist's departure from the classical harmony of the High Renaissance toward the expressive tension of Mannerism.
To gaze upon this magnificent fresco, View of the Sala dei Giganti (vault and south wall), is to step directly into the vibrant heart of the High Renaissance. Painted in 1526 by the masterful hand of Giulio Romano, this work transcends mere decoration; it is a profound narrative tapestry woven from human drama, natural vitality, and divine symbolism. The scene explodes with life, drawing the viewer into a monumental gathering…
To gaze upon this depiction of a tapestry with playing putti is to step directly into an idealized moment plucked from the heart of the Italian Renaissance. It is more than just a painting; it is a captured breath of youthful exuberance, rendered with the masterful touch characteristic of Giulio Romano. The scene unfolds as a vibrant pastoral tableau, where several cherubic figures—the beloved putti—engage in playful revelry. Their presence…
To stand before an image like the Allegory of the Virtues of Federico II Gonzaga is to step directly into the vibrant, intellectual heart of the Italian High Renaissance transitioning into Mannerism. This monumental work, executed in 1531 by Giulio Romano, is far more than a mere depiction of figures; it is a carefully orchestrated philosophical statement rendered in pigment and plaster. The scene unfolds with an almost theatrical richness,…
Giulio Romano’s “The Lovers,” painted around 1525, isn't merely a depiction of intimacy; it’s a meticulously crafted tableau brimming with symbolism and echoing the complex currents of the High Renaissance. Born Giulio Pippi in Rome around 1499, Romano swiftly ascended through the ranks of Raphael’s studio, absorbing the master’s classical ideals while simultaneously forging his own distinctive Mannerist style – a style characterized by heightened emotion, distorted forms, and an…
Giulio Romano's "The Birth of Bacchus," a monumental charcoal and chalk drawing from 1533, isn’t merely a depiction of a mythological scene; it’s a visceral exploration of human drama, a raw sketch brimming with energy and symbolic weight. Born Giulio Pippi in Rome around 1499, Romano emerged as a pivotal figure within the waning embers of the High Renaissance, swiftly absorbing the influence of Raphael while forging his own distinctive…
Giulio Romano’s “Flaying of Marsyas” isn't merely a depiction of a mythological punishment; it’s a visceral embodiment of struggle, humiliation, and the brutal intersection of divine power and mortal defiance. Painted in 1525-35 during his tenure as court artist for Duke Federico Gonzaga of Mantua, this monumental fresco – now meticulously reproduced on canvas – plunges the viewer directly into the heart of Ovid’s *Metamorphoses*. The story itself is a…
A Tapestry of Time and Transformation: Giulio Romano’s “Victory, Janus, Chronos, and Gaea” Giulio Romano's "Victory, Janus, Chronos, and Gaea," painted in 1532-1534 during his illustrious tenure as court artist for Federico II Gonzaga of Mantua, is more than just a visually arresting fresco; it’s a profound meditation on the cyclical nature of time, the duality of existence, and the very essence of Roman mythology. Born Giulio Pippi in Rome…
A Vision of Renaissance Grandeur: Exploring Giulio Romano’s Palazzo del Té Giulio Romano's *View of the Palazzo del Té* stands as a testament to the zenith of Mannerist art and architectural ambition—a project conceived by Federico Gonzaga, Duke of Mantua, between 1526 and 1534. More than just a building, it embodies an entire worldview: a deliberate rejection of linear perspective and idealized beauty in favor of dramatic illusionism and psychological…
Evangelist symbols1522 · Kunsthistorisches Museum
12
View of the Salone dei Cavalli1526
13
The Old Woman and Vulcan, Tribute to Apollo1526
14
Nude Child with Open ArmsGalleria degli Uffizi
15
The Holy Family1520 · J. Paul Getty Museum
16
An Allegory of Immortality1540 · Detroit Institute of Arts
17
The Holy Family, St John with a small Bird in his Hand1530 · Statens Museum for Kunst
18
The Holy Family with the Infant Saint John the Baptist1520 · Scottish National Gallery
19
Madonna and Child with the Infant St. John1516
20
The Virgin and Child1518 · Apsley House
21
Tarquin and Lucretia1536 · Palazzo Ducale
22
'The Horse ''Morel favorito'''1526
23
St. John the Baptist in the Wilderness1520
24
Nurture of Jupiter1533 · Blickling Hall
25
Group of three lictors1530 · Národní muzeum ve Varšavě
26
Tapestry Cartoon: Two Heads from the Massacre of the Innocents1522 · Scottish National Gallery
27
Bacchus and Ariadne1530 · Statens Museum for Kunst
28
Vertumnus and Pomona1530 · Statens Museum for Kunst
29
Female nude, half figure1527
30
Vaulted ceiling (8)1526
31
Fresco on the east wall (detail)1532
32
View of the Sala di Psiche (west wall)1526
33
Fresco on the south wall (detail) (9)1532
34
Jupiter Seducing Olympias1526
35
Self-portrait1540
36
Tomb of Pietro Strozzi1529 · Sant'Andrea
37
Virgin and Child with the Infant St John1523 · Galleria Borghese
38
Façade1526 · Palazzo del Tè
39
The Madonna and Child with Saint John the Baptist1522 · Walters Art Museum
40
The Fall of the Gigants from Mount Olympus
41
Chariot of the Sun1526
42
Frieze (detail)1532
43
Hunting Scene1527
44
Hunting Scene1527
45
Polyphemus1526
46
Ceiling decoration (detail) (12)1527
47
Ceiling decoration (detail) (10)1527
48
View of the Sala di Psiche (north and east walls)1526
49
View of the Sala di Psiche (south wall)1526
50
View of the Sala di Psiche (north wall)1526
51
Psyche's Second Task (River Deity)1526
52
Vaulted ceiling (detail) (10)1526
53
Vaulted ceiling (detail) (18)1526
54
Psyche Appealing in Vain to Juno1526
55
Portrait of a Woman (detail)1531 · Royal Collection
56
View of the Sala dei Giganti (south and west walls)1532
57
View of the Sala dei Giganti (south wall)1532
58
The Prisoners1527
59
View of the Sala di Psiche (east wall)1526
60
Vault: The Assembly of Gods around Jupiter's Throne (detail)1532
61
Ceiling decoration (detail) (11)1527
62
Fresco on the north wall (detail)1532
63
Vaulted ceiling (detail) (17)1526
64
Vaulted ceiling (detail) (19)1526
65
Emperor Alexander1532
66
Coat-of-arms1532
67
View of the Sala dei Giganti (west wall)1532
68
River Landscape with Springs1526
69
View of the Salone dei Cavalli1526
70
Fresco on the south wall (detail)1532
71
Vaulted ceiling (detail) (16)1526
72
Tribute to Apollo1526
73
Vaulted ceiling1526
74
View of the Sala dei Giganti (north wall)1532
75
View of the Sala dei Giganti (east wall)1532
76
Ceiling decoration1527
77
Cupid and Psyche1526
78
Design for a Saltcellar1524
79
Fresco on the south wall (detail) (12)1532
80
Fresco on the north wall (detail)1532
81
Mars Chasing Adonis from Venus's Pavilion1526
82
Vault: The Assembly of Gods around Jupiter's Throne (detail)1532
83
Fresco on the south wall (detail) (10)1532
84
The Old Woman and Vulcan1526
85
Ceiling (detail)1526
86
Tribute to Apollo1526
87
Ajax Defends Patroclus's Corps1538 · Palazzo Ducale
88
View of the Sala di Troia (10)1536
89
View of the Sala di Troia (12)1538
90
Ajax Defends Patroclus's Corps1538
91
View of the Sala di Troia (11)1536
92
Façade and courtyard view1526 · Palazzo del Tè
93
Monteluce madonna
94
Venus and Vulcan
95
Satyr and Boy
96
Copy after Giulio Romano1536 · Clevelandské muzeum umění
97
Virgin with the Child1520 · Galleria degli Uffizi
98
Triumph of Titus and Vespasian1537 · Louvre
99
Study for the Holy Family1518 · Louvre
100
Banquet of Cupid and PsychePalazzo del Tè
Čtyři nejčastější témata v tomto žebříčku, včetně nejvýraznějšího díla pro každé z nich.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Giulio Romano | Obrazy z tohoto seznamu |
|---|---|---|---|
 Palazzo del Tè |
Mantova | 6 | View of the Sala dei Giganti (vault and south wall), View of the Palazzo del Tè, Façade |
 Louvre |
Paříž | 6 | Adoration of the Shepherds (detail), Flaying of Marsyas, Triumph of Titus and Vespasian |
 J. Paul Getty Museum |
Los Angeles | 5 | Allegory of the Virtues of Federico II Gonzaga, The Birth of Bacchus, Victory, Janus, Chronos, and Gaea |
 Statens Museum for Kunst |
Kodaň | 3 | The Holy Family, St John with a small Bird in his Hand, Bacchus and Ariadne, Vertumnus and Pomona |
 Galleria degli Uffizi |
Florencie | 2 | Nude Child with Open Arms, Virgin with the Child |
 Scottish National Gallery |
Edinburgh | 2 | The Holy Family with the Infant Saint John the Baptist, Tapestry Cartoon: Two Heads from the Massacre of the Innocents |
 Palazzo Ducale |
Mantova | 2 | Tarquin and Lucretia, Ajax Defends Patroclus's Corps |
 Royal Collection |
Londýn | 2 | Portrait of a Woman (detail) |
Vyberte dekádu, abyste si prohlédli její nejvýznamnějšíjší obraz.
In this intimate oil on panel, we find ourselves drawn into a private, shadowed space where the Madonna cradles her infant. The composition is centered on the tender connection between mother and child, while the young Infant St. John stands at her side, adding a sense of movement to the stillness. There is a profound sense of weight to the figures, achieved through a careful application of light that emerges…
To gaze upon this magnificent fresco, View of the Sala dei Giganti (vault and south wall), is to step directly into the vibrant heart of the High Renaissance. Painted in 1526 by the masterful hand of Giulio Romano, this work transcends mere decoration; it is a profound narrative tapestry woven from human drama, natural vitality, and divine symbolism. The scene explodes with life, drawing the viewer into a monumental gathering…
Vault: The Assembly of Gods around Jupiter's Throne is a significant fresco by Giulio Romano. Executed in 1532, the work occupies the ceiling of the Sala dei Giganti within the Palazzo del Tè in Mantua, Italy. This monumental decoration reflects the artist's departure from the classical harmony of the High Renaissance toward the expressive tension of Mannerism.
To gaze upon this depiction of a tapestry with playing putti is to step directly into an idealized moment plucked from the heart of the Italian Renaissance. It is more than just a painting; it is a captured breath of youthful exuberance, rendered with the masterful touch characteristic of Giulio Romano. The scene unfolds as a vibrant pastoral tableau, where several cherubic figures—the beloved putti—engage in playful revelry. Their presence…
Na prvním místě je Vault: The Assembly of Gods around Jupiter's Throne (1532), následuje View of the Sala dei Giganti (vault and south wall) (1526) a Tapestry with Playing Putti (1545).
Giulio Romano byl ve věku 33: dílo Vault: The Assembly of Gods around Jupiter's Throne pochází z roku 1532 a Giulio Romano se narodil v 1499.
Vault: The Assembly of Gods around Jupiter's Throne, View of the Sala dei Giganti (vault and south wall), Tapestry with Playing Putti, Allegory of the Virtues of Federico II Gonzaga, The Lovers, Adoration of the Shepherds (detail), The Birth of Bacchus, Flaying of Marsyas, Victory, Janus, Chronos, and Gaea a View of the Palazzo del Tè. Rok a muzeum pro každé dílo jsou uvedeny v hodnocení výše.
V našem katalogu je 114 děl umělce Giulio Romano, datovaných od 1516 do 1545.
Primárně v Palazzo del Tè (Mantova), Louvre (Paříž) a J. Paul Getty Museum (Los Angeles). Pro úplný seznam se podívejte do tabulky muzeí výše.
V období 1520s: 52 z 100 obrazů zařazených zde pochází z této doby, včetně View of the Sala dei Giganti (vault and south wall).
Nejstarší na této stránce: Madonna and Child with the Infant St. John (1516). Nejnovější: Tapestry with Playing Putti (1545).
Mezi 100 obrazy zařazenými v tomto žebříčku: Buildings (22), Scenes (13) a Woman (13).
Fresco, u 11 z 100 obrazů zařazených v tomto žEBŘÍČKU.
Manýrismus, na základě obrazů zařazených na této stránce.
V muzeu Palazzo del Tè, Mantova se nachází 5 z obrazů zařazených v tomto žebříčku, včetně View of the Sala dei Giganti (vault and south wall), View of the Palazzo del Tè a Façade.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
