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Portrét Karel Appel

Nakupte 41 nejslavnějších obrazů autora Karel Appel

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 41 děl umělce Karel Appel v našem katalogu

Rychlá odpověď

Square Man, Karel Appel, 1951 (1951) je nejznámějším dílem autora Karel Appel. Untitled (1960) je na druhém místě, Three Figures (1952) na třetím. Náš katalog obsahuje 41 děl umělce Karel Appel; zde je 41 nejznámějších, seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nacházejí, aby vám pomohly při výběru díla k objednání.

1921 – 2006, Amsterdam Cobra Nejvíce děl: Izraelské muzeum

Karel Appel: 10 nejlépe hodnocených obrazů

1
Square Man, Karel Appel, 1951 (1951) od Karel Appel

Square Man, Karel Appel, 1951

1951 · Oil On Canvas

Square Man, Karel Appel, 1951 is an oil on canvas painting created by the artist Karel Appel. This work was executed in Paris in 1951. The physical presence of the piece is defined by its nearly square proportions, measuring 120,5 cm in height and 118 cm in width, with a depth of 4 cm.

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Untitled (1960) od Karel Appel

Untitled

1960 · Screenprint · Tate Britain, Londýn

In the landscape of post-war European modernism, few voices resonate with as much raw, unbridled vitality as that of Karel Appel. His 1960 work, Untitled, serves as a breathtaking manifesto of the COBRA movement, an avant-garde collective that sought to strip away the suffocating layers of academic tradition in favor of something far more primal. To encounter this piece is to witness a deliberate rebellion; it is not merely a…

Karel Appel, pořadí 11 až 41

obrazy autora Karel Appel podle tématu

Čtyři nejčastější témata v tomto žebříčku, včetně nejvýraznějšího díla pro každé z nich.

Muzea, ve kterých jsou vystavena originálna umělce Karel Appel

6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Karel Appel Obrazy z tohoto seznamu
Izraelské muzeum, JeruzalémIzraelské muzeum Jeruzalém 3 Three Figures, Man and Woman (Homme et femme), Head Burst on Red
Tate Britain, LondýnTate Britain Londýn 2 Untitled, Untitled (from For Jorn)
Královské muzeum výtvarného umění Antverpy, AntverpyKrálovské muzeum výtvarného umění Antverpy Antverpy 2 Flying Man, Animal and Child on Blue Background
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Untitled
Bavarské státní sbírky malby, MnichovBavarské státní sbírky malby Mnichov 1 Figure and Suns
Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 1 Uden titel

Nejlepší dílo Karel Appel podle desetiletí

Díla podle dekád

Vyberte dekádu, abyste si prohlédli její nejvýznamnějšíjší obraz.

Co byste měli vědět o obrazech autora Karel Appel

Který slavný obraz od Karel Appel dominuje žebříčku?Zobrazit odpověď

Na prvním místě je Square Man, Karel Appel, 1951 (1951), následuje Untitled (1960) a Three Figures (1952).

Kolik let bylo Karel Appel v roce Square Man, Karel Appel, 1951?Zobrazit odpověď

Karel Appel byl ve věku 30: dílo Square Man, Karel Appel, 1951 pochází z roku 1951 a Karel Appel se narodil v 1921.

Která díla umělce Karel Appel se dostala do top 10?Zobrazit odpověď

Square Man, Karel Appel, 1951, Untitled, Three Figures, Hip, Hip, Hoorah, Questioning Children, Hip, Hip, Hoorah (Hiep, hiep, hoera ), Blauw naakt, Étienne Martin, The Big Ear a Beast. Rok a muzeum pro každé dílo jsou uvedeny v hodnocení výše.

Kolik děl umělce Karel Appel obsahuje váš katalog?Zobrazit odpověď

V našem katalogu je 41 děl umělce Karel Appel, datovaných od 1949 do 1976.

Kde lze vidět originály slavných obrazů umělce Karel Appel?Zobrazit odpověď

Primárně v Izraelské muzeum (Jeruzalém), Tate Britain (Londýn) a Královské muzeum výtvarného umění Antverpy (Antverpy). Pro úplný seznam se podívejte do tabulky muzeí výše.

V jakých letech namaloval Karel Appel své nejvýraznější díla?Zobrazit odpověď

V období 1950s: 18 z 41 obrazů zařazených zde pochází z této doby, včetně Square Man, Karel Appel, 1951.

Která díla slavného Karel Appel jsou nejstarší a která nejnovější?Zobrazit odpověď

Nejstarší na této stránce: Hip, Hip, Hoorah (1949). Nejnovější: Untitled (from For Jorn) (1976).

Jakými tématy se Karel Appel nejčastěji zabývá?Zobrazit odpověď

Mezi 41 obrazy zařazenými v tomto žebříčku: Organic forms (2), Abstract (2) a Color field (2).

Kterou techniku používal(a) Karel Appel nejčastěji?Zobrazit odpověď

Oil On Canvas, u 4 z 41 obrazů zařazených v tomto žEBŘÍČKU.

Kterému uměleckému směru patří Karel Appel?Zobrazit odpověď

Cobra, na základě obrazů zařazených na této stránce.

Která díla umělce Karel Appel se nacházejí v kolekcích Izraelské muzeum?Zobrazit odpověď

V muzeu Izraelské muzeum, Jeruzalém se nachází 3 z obrazů zařazených v tomto žebříčku, včetně Three Figures, Man and Woman (Homme et femme) a Head Burst on Red.

Karel Appel: život a kariéra

A Life Painted in Bold Strokes: The World of Karel Appel

Christiaan Karel Appel, known affectionately as ‘Kik’ from childhood, burst onto the post-war art scene like a vibrant explosion of color and energy. Born in Amsterdam in 1921, his early life was steeped in the everyday rhythms of working-class Holland – his father a barber, his lineage tracing back to French Huguenots through his mother. This grounding, however, would soon be superseded by an irrepressible artistic drive that defied convention and ultimately reshaped the landscape of European art. A pivotal moment arrived at age fourteen with his first painting, a still life of fruit, followed shortly after by a paint set and easel gifted by his uncle Karel Chevalier, who also provided early instruction. These gifts weren’t merely tools; they were keys unlocking a world where imagination reigned supreme. The shadow of the Second World War loomed large over Appel’s formative years. Studying at the Rijksakademie van Beeldende Kunsten in Amsterdam during the German occupation proved challenging, yet it was there he forged lifelong bonds with fellow artists Corneille and Constant, friendships that would prove crucial to his artistic evolution. Facing opposition from his parents regarding his chosen path and fearing forced labor under Nazi rule, Appel bravely left home, choosing a life dedicated to art over conformity.

The CoBrA Revolution: Spontaneity and the Childlike Vision

Appel’s artistic journey truly ignited with the formation of the CoBrA group in 1948 – an acronym derived from Copenhagen, Brussels, and Amsterdam, representing the movement's core cities. Alongside Corneille, Constant, Jan Nieuwenhuys, and Christian Dotremont, Appel spearheaded a radical departure from established artistic norms. CoBrA wasn’t merely a style; it was a philosophy rooted in spontaneity, experimentation, and a profound embrace of the untamed creativity found in children's art and primitive cultures. Influenced by masters like Pablo Picasso and Henri Matisse, as well as the raw energy of Jean Dubuffet, Appel rejected rigid formalism in favor of intuitive expression. He began sculpting in 1947, utilizing assemblage techniques – constructing works from found materials painted in a bold palette of white, red, yellow, blue, and black. This period saw him involved with the Experimentele Groep, further solidifying his commitment to artistic innovation. The controversial fresco "Questioning Children" (1949), commissioned for Amsterdam City Hall, exemplified CoBrA’s provocative spirit but also sparked public outcry, ultimately leading to its being covered up – a testament to the movement's challenging nature. Appel drew inspiration from Danish and Nordic mythology, weaving these ancient narratives into his increasingly abstract compositions.

International Horizons: From Paris to New York and Beyond

Facing resistance to CoBrA’s radical vision in the Netherlands, Appel relocated to Paris in 1950, a city that offered greater artistic freedom and recognition. This marked the beginning of an expansive period of international travel and exposure. He journeyed to Mexico, the USA, Yugoslavia, and Brazil, absorbing diverse cultural influences that enriched his artistic vocabulary. His time in New York City and Florence further broadened his horizons, allowing him to connect with a wider network of artists and collectors. A breakthrough moment arrived in 1954 with his first American gallery exhibition at the Martha Jackson Gallery, followed by the inclusion of "Child and Beast II" (1951) in the influential Museum of Modern Art exhibition “The New Decade” in 1955. Appel’s murals became increasingly prominent during this period, showcasing his ability to translate his dynamic style onto a larger scale. Despite initial challenges, his work experienced a resurgence in popularity in the Netherlands after 1990, with major exhibitions organized by Rudy Fuchs in Amsterdam and Brussels, solidifying his legacy within his homeland.

A Lasting Legacy: The Karel Appel Foundation and Enduring Influence

Karel Appel’s impact on post-war European art is undeniable. He established the Karel Appel Foundation to safeguard his artworks and promote public awareness of his oeuvre, ensuring that future generations could experience the power of his vision. A temporary loss of artwork in 2002 underscored the importance of this foundation, with the pieces thankfully recovered in 2012. The foundation now serves as his official estate and image archive, represented in the U.S. by The Artists Rights Society. Appel’s work continues to be exhibited internationally, a testament to its enduring appeal and relevance. He wasn’t simply a painter or sculptor; he was a poet of form and color, a champion of spontaneity, and a fearless innovator who dared to challenge artistic conventions. His legacy lies not only in the vibrant canvases and sculptures he created but also in his unwavering belief in the power of art to express the raw, untamed spirit of human experience. His work remains a significant contribution to post-war European art, particularly within the CoBrA movement. Appel’s influence can be seen in contemporary artists who embrace experimentation and reject traditional boundaries, ensuring that his bold vision continues to inspire for years to come.

Všechna díla od Karel Appel: 41 →