Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 17 děl umělce Vojtěch Bartoněk v našem katalogu
Rychlá odpověď
Mezi obrazy umělce Vojtěch Bartoněk je na prvním místě dílo Peter Parler Received by Charles IV (1885), jehož originál se nachází v Národní galerie Praha, Praha. Na druhém a třetím místě: Noon, study for a painting to decorate the dining room of Bohumil Bondy (1888) a Noon, study for a painting to decorate the dining room of Bohumil Bondy (1888). Náš katalog obsahuje 17 děl umělce Vojtěch Bartoněk. Zde je vybráno 17 nejznámějších děl seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nachází originál každého díla.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Vojtěch Bartoněk | Obrazy z tohoto seznamu |
|---|---|---|---|
 Národní galerie Praha |
Praha | 17 | Peter Parler Received by Charles IV, Noon, study for a painting to decorate the dining room of Bohumil Bondy, Noon, study for a painting to decorate the dining room of Bohumil Bondy |
Vyberte dekádu, abyste si prohlédli její nejvýznamnějšíjší obraz.
Peter Parler Received by Charles IV (1885), Národní galerie Praha, Praha, zaužívá první místo, za nímž následují Noon, study for a painting to decorate the dining room of Bohumil Bondy (1888) a Noon, study for a painting to decorate the dining room of Bohumil Bondy (1888).
Vojtěch Bartoněk byl ve věku 26: dílo Peter Parler Received by Charles IV pochází z roku 1885 a Vojtěch Bartoněk se narodil v 1859.
Peter Parler Received by Charles IV, Noon, study for a painting to decorate the dining room of Bohumil Bondy, Noon, study for a painting to decorate the dining room of Bohumil Bondy, Study of a Seated Arab, Party at a Table, study, Study of an Oriental Woman with Harp, Goose Girl, Study of a Seated Female Model, Study for the painting From the Streets of Prague (Dustmen) a Study of a Seated Male Nude. Rok a muzeum pro každé dílo jsou uvedeny v hodnocení výše.
V našem katalogu je 17 děl umělce Vojtěch Bartoněk, datovaných od 1885 do 1903.
Primárně v Národní galerie Praha (Praha). Pro úplný seznam se podívejte do tabulky muzeí výše.
V období 1880s: 9 z 17 obrazů zařazených zde pochází z této doby, včetně Peter Parler Received by Charles IV.
Nejstarší na této stránce: Peter Parler Received by Charles IV (1885). Nejnovější: Woodcutters (Flirting Manservant) (1903).
V muzeu Národní galerie Praha, Praha se nachází 17 z obrazů zařazených v tomto žebříčku, včetně Peter Parler Received by Charles IV, Noon, study for a painting to decorate the dining room of Bohumil Bondy a Noon, study for a painting to decorate the dining room of Bohumil Bondy.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
Vojtěch Bartoněk did not merely paint the Czech landscape; he documented its pulse through a shifting lens of historical weight and everyday reality. While his early training at the Academy of Fine Arts in Prague under Jan Swerts, Antonín Lhota, Maximilian Pirner, František Sequens, and František Čermák provided a rigorous technical foundation, his true development lay in his ability to pivot between scales of subject matter. He began with the heavy demands of history painting, yet he eventually found more substance in the mundane rhythms of the streets, squares, and marketplaces of Prague.
His work moved from the grand narrative to the specific, local detail. This transition is visible in his shift from large-scale historical compositions to genre scenes that captured the life of the city. He possessed a particular talent for finding importance in the common, whether it was a dairywoman or a scene at a fence. His technical skill extended beyond the canvas into architectural interventions, such as the lunettes at the Old Town Market and ceiling paintings for the Church of the Assumption in Klecany.
Bartoněk’s education was not confined to Bohemia. His time at the École des Beaux Arts in Paris introduced a level of refinement that he brought back to his restorative work and his painting. This duality—being both a creator of new images and a restorer of old ones—gave him a unique understanding of pigment, surface, and historical continuity. He was not an isolated figure; his career was marked by significant professional intersections.
His output included several notable projects and illustrations:
To look at Bartoněk’s work is to see a specific era of Prague through a disciplined eye. He avoided the trap of purely romanticized landscapes, preferring the grit and activity of the marketplace. His paintings like Spor, Spring (At the Fence), and Bridesmaid and Grandfather demonstrate a commitment to capturing character and atmosphere without relying on hollow sentiment. He focused on the tangible: the movement of people in a square or the light hitting an architectural feature. Even his work as an illustrator required a sharp sense of composition that could translate complex narratives into single, readable images. His significance remains tied to this ability to anchor Czech identity in the observable reality of his time.
