Kunstner
Født i Hampstead, United Kingdom
Tidligt liv og uddannelse
Født: Doris Margaret Shaw, 21. april 1890, Hampstead, Storbritannien
Død: 31. juli 1972
Nationalitet: Engelsk
Hendes far var skibslæge, og hendes mor var tidligere kunststuderende.
Familien flyttede til Tavistock, Cornwall, i 1907.
Hun blev indskrevet på malerskole drevet af Elizabeth Forbes og Stanhope Forbes i Newlyn i en alder af 15 år.
Mødte Laura Knight, som blev en livslang ven og inspirationskilde.
Studerede ved Atelier Colarossi i Paris sammen med Ernest Procter.
Kunstnerisk udvikling og indflydelse
Inspireret af impressionismen og postimpressionismen.
Mentoreret af Elizabeth Forbes og Stanhope Forbes.
Inspireret af kunstnere som Pierre-Auguste Renoir og Paul Cézanne.
Udviklede en særpræget stil karakteriseret ved sanselige kvindeportrætter og corniske landskaber.
Tidlige værker omfattede illustrerede "Nature Notes", der blev sendt til hendes far på havet.
Vigtige værker og bedrifter
Morning (1927): Hendes mest berømte værk, et portræt af en fiskerdatter, der vakte opsigt og blev købt af Daily Mail til Tate Gallery.
Early Morning: En mindre version af "Morning", som findes i Royal Pavilion i Brighton.
Serie af forenklede, monumentale billeder af unge kvinder (ca. 1922).
Bestilt til at dekorere Kokine Palace i Rangoon sammen med sin mand, Ernest Procter.
Udstillede på Royal Academy ved adskillige lejligheder.
Tildelt "Årets billede" ved Royal Academys sommerudstilling i 1927 for ”Morning”.
Senere liv og eftermæle
Efter Ernsts død i 1935 rejste hun omfattende til USA, Canada, Jamaica og Afrika.
Blev præsident for St Ives Society of Artists (STISA) i 1966.
Medlem af flere kunstnerorganisationer, herunder Newlyn School.
Begravet ved siden af sin mand i St Hilary Church, Cornwall.
Hendes arbejde anerkendes for sin stemningsfulde skildring af livet i Cornwall og sit bidrag til britisk kunst i det tidlige tyvende århundrede.
Historisk betydning
En fremtrædende skikkelse i Newlyn School-kunstnerkredsen.
Kendt for sin unikke vision og stil, der indfangede en følelse af modernitet.
Hendes portræt "Morning" betragtes som et betydningsfuldt værk i det 20. århundredes britiske kunst, rost for sin ”sanselige men dæmpede stil” og skildringen af det corniske lys.
Bidrog til udviklingen af portrætkunsten i Storbritannien i begyndelsen af det 20. århundrede.
Museum
Udstillet i Penzance, United Kingdom
A Sanctuary of Cornish Light and Victorian Artistry
Nestled within the tranquil, verdant embrace of Penlee Park in Penzance,
Penlee House Gallery & Museum
stands as a luminous beacon of West Cornwall’s cultural soul. Originally conceived in 1865 as a lavish Victorian residence for the wealthy Branwell family, the estate’s stately façade reflects an era defined by profound artistic ambition and refined taste. To walk through its doors is to step into a narrative interwoven with remembrance; the building itself serves as a poignant memorial to those lost during World and II, lending an atmosphere of quiet contemplation to its halls. The architecture, a harmonious blend of Victorian grandeur and understated elegance, provides a sophisticated backdrop that invites both the casual visitor and the discerning collector to lose themselves in the beauty of the past.
The heart of the museum beats most vibrantly through its incomparable collection of the
Newlyn School
. This collective of artists, drawn to the dramatic coastline and the unparalleled, mercurial quality of Cornish light, revolutionized British landscape painting during the late Victorian period. Their work is not merely a representation of scenery but an emotional immersion into the essence of the region. One cannot help but be moved by the atmospheric perspective found in
The Rain It Raineth Every Day
by Norman Garstin, which captures the very breath of a Cornish storm, or the sun-drenched vitality found in Elizabeth Forbes’
School is Out
. These masterpieces, characterized by their sensitivity to rural life and immediacy of technique, offer interior designers and art lovers alike a window into a world where light and tradition are eternally entwined.
A Tapestry of Maritime Heritage and Local Craft
Beyond the evocative canvases of the Newlyn and Lamorna colonies, Penlee House offers a rich tapestry of maritime and local history that deepens the visitor's connection to the landscape. The museum’s scope extends into the tactile realms of sculpture and the intricate beauty of Cornish ceramics, showcasing the exceptional skill of regional craftspeople. For those fascinated by the sea, the exhibits dedicated to the Royal Marines of Lyonesse provide a gripping glimpse into Cornwall’s seafaring prowess and naval heritage. This intersection of fine art and historical artifact creates a unique museum experience where the maritime identity of the coast meets the delicate artistry of the studio.
The collection is further enriched by works that capture the very spirit of the Penwith peninsula, including:
Victorian Masterpieces:
Evocative paintings by members of the Newlyn School, such as
Among the Missing
by Walter Langley and
On Paul Hill
by Stanhope Forbes.
Regional Craftsmanship:
An extensive array of Cornish ceramics that showcase centuries of local tradition.
Historical Narratives:
Social exhibits revealing the lives and traditions of local communities, alongside archaeological treasures from the Land's End area.
It is a destination where history is not just studied, but felt through every weathered artifact and every brushstroke of light, making it an essential pilgrimage for anyone seeking to understand the profound artistic and historical legacy of West Cornwall.
