Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Ernest Townsend døde i 1944; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 2014.
I kontekst
A Matinée Interval — Ernest Townsend
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 64 ved død.
Skyggelagt: Ernest Townsend' livstid (1880–1944) hvert dateret maleri, årti for årti
Første værker: frem til 1916 Primære arbejdsår: 1916–1935 Senere værker: fra 1935
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem
Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: allpaintingsstore.com/da/art/similar/ernest-townsend-a-matinee-interval-8YDFQA-en/
Målt ud fra billedet
Primær farve
Putty #c9cac2
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 23 værker af denne kunstner, hvoraf 8 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Født i Derby, United Kingdom
Born into the heart of Derbyshire in 1880, Ernest Townsend’s life was a compelling blend of artistic dedication and unexpected wartime service. His origins lay within a family steeped in the tradition of coach building—his father, James Townsend, continuing the craft with Holmes of Derby. However, young Ernest's path diverged towards the realm of fine art, nurtured by an early aptitude recognized first by Thomas Harrison Thorpe, a partner at the architectural firm Wright & Thorpe where he began his apprenticeship. This initial encouragement proved pivotal, setting in motion a journey that would lead him from the practicalities of design to the expressive world of painting. Townsend’s formal training commenced at Heatherleys in Chelsea before culminating in studies at the prestigious Royal Academy of London, where he absorbed influences from masters like John Singer Sargent and Lawrence Alma-Tadema. These formative years were marked by early success; he secured the coveted Landseer Scholarship for figure painting in 1904 and followed it with the Creswick Prize in 1905 for ‘Willows & Weeds’, a work later gifted to the Derby Art Gallery, cementing his connection to his hometown.
Townsend quickly established himself as a skilled portraitist, capturing the likenesses of prominent figures from across British society. His canvases bore witness to politicians, industrialists, and local dignitaries, each portrait revealing not only physical resemblance but also an attempt to capture character and social standing. A defining moment in his career arrived with the 1915 commission to paint Winston Churchill during his tenure as First Lord of the Admiralty. This work, shrouded in a degree of anonymity at its inception, eventually found a permanent home within the National Liberal Club in London—though its public unveiling was delayed until 1944, reflecting the shifting political tides and Churchill’s own availability. Beyond national figures, Townsend cultivated a strong relationship with his local community, becoming renowned for his mayoral portraits within Derby itself. These works served as both artistic achievements and civic records, solidifying his place in the cultural landscape of the town he called home. His consistent engagement with the art establishment was demonstrated through fifteen exhibited paintings at the Royal Academy between 1910 and 1937, a testament to his ongoing dedication and evolving style.
The outbreak of World War II brought an unexpected turn to Townsend’s career. His artistic talents were called upon not for portraiture, but for the critical task of wartime camouflage. Commissioned with a secret mission, he was tasked with devising a scheme to conceal the Rolls-Royce aircraft engine factories in Derby from aerial bombardment by German forces. The solution he conceived was remarkably ingenious: painting the factory roofs to resemble a village, effectively disguising their industrial nature from above. This wasn’t merely a superficial alteration; Townsend extended his deception to include painting the surrounding tarmac and even adding circular clock faces onto the water tower, mimicking the appearance of a church steeple. It is widely believed that this innovative camouflage played a crucial role in protecting these vital factories—and the production of Merlin engines powering iconic British aircraft like the Spitfire and Hurricane—from enemy attack. This contribution remained largely unacknowledged during his lifetime, highlighting the often-hidden roles artists play beyond their conventional creative endeavors.
Ernest Townsend passed away in 1944, leaving behind a legacy that extends beyond his accomplished portraits. A memorial exhibition held at Derby Art Gallery following his death served to solidify his position within local art history, ensuring his work would continue to be appreciated by future generations. Today, his paintings are housed in numerous public collections throughout the United Kingdom, and renewed interest has sparked efforts to further recognize his unique contribution—both artistic and patriotic. In 2024, a proposal was even made to name a council chamber in Derby after him, acknowledging his significant impact on both the city and the nation. Townsend’s story serves as a poignant reminder that creativity can manifest in unexpected ways, and that artists often contribute to society far beyond the confines of their studios. He remains an unsung hero—a testament to the power of artistic vision applied not only to capturing beauty but also to safeguarding a nation during its darkest hours. His life is a compelling narrative of talent, dedication, and quiet patriotism.
allpaintingsstore.com/da/art/download/ernest-townsend-a-matinee-interval-8YDFQA-en/
Se nærmere efter
A Matinée Interval — Ernest Townsend
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"A Matinée Interval" af Ernest Townsend har et Portrait format. Formatet beskriver kompositionens proportioner.
"A Matinée Interval" har en overordnet lysstyrke på balanced, og dens luminans er Gentle Luminance.
Farverne i "A Matinée Interval" udgør en Earthy palet. Denne klassificering beskriver de dominerende farvefamilier.