Papir

Guide til elevkunst

Flying Geese

Navn Klasse Dato

Peter Markham Scott, Flying Geese (1935). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Peter Markham Scott allpaintingsstore.com/da/artists/peter-markham-scott/
Kunstnerens årstal
1909 – 1989
Malet
1935
Oprindelig størrelse
50 x 75 cm

I kontekst

Flying Geese — Peter Markham Scott

Hvor stor er den?

Originalen måler 50 × 75 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 80 ved død.

Malet da kunstneren var 26 år gammel. Kunstneren blev 80 år gammel. 1 af de 5 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Peter Markham Scott' livstid (1909–1989) ▲ dette værk, 1935 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: allpaintingsstore.com/da/art/similar/peter-markham-scott-flying-geese-AQZRAP-en/

Farver

Målt ud fra billedet

    Primær farve

    Rosy Brown #a7a98f

    Katalogiseret palet

    • #A7A98F
    • #312A18
    • #8B7F5F
    • #5D5234

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Peter Markham Scott i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Peter Markham Scott

    1. 1 Night Action Gunboats off Le Tréport, 4 September 1943, 1943 33,3%
    2. 2 Mallards Preening and Drying, 1933 33,3%
    3. 3 Flying Geese, 1935 dette maleri 33,3%

    Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 5 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri rangerer som nummer 3 af dem med 33,3% af den samlede opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Peter Markham Scott

    Født i London, United Kingdom

    A Legacy Forged in Exploration and Art

    Sir Peter Markham Scott, a name synonymous with wildlife artistry, conservation, and adventurous spirit, was a truly remarkable figure of the 20th century. Born in 1909 into a family steeped in heroic exploration—his father being the legendary Antarctic explorer Robert Falcon Scott—young Peter inherited not only a legacy of courage but also a profound connection to the natural world. However, unlike his father’s path of geographical discovery, Peter forged his own, uniquely blending artistic talent with scientific curiosity and an unwavering dedication to protecting the planet's fragile ecosystems. The shadow of his father’s early death undoubtedly shaped his life, instilling perhaps a sense of urgency and a desire to make a lasting impact on the world. He was encouraged by his father’s last letter to his mother to pursue natural history, a path that would define his existence.

    From Cambridge Canvas to Olympic Waters

    Scott's early life was one of diverse pursuits. Educated at Oundle School and Trinity College, Cambridge, he initially focused on natural sciences before transitioning to the history of art in 1931. This shift reflected a growing artistic inclination nurtured by his mother, Kathleen Scott, a talented sculptor herself. It wasn’t merely academic interest; Scott possessed genuine artistic skill, quickly establishing himself as a painter of wildlife, particularly birds. His first exhibition in London in 1933 marked the beginning of a prolific career that would capture the beauty and dynamism of avian life with remarkable precision. But Scott was far from solely an artist or scholar. He excelled in sports, representing Great Britain at sailing in the 1936 Berlin Olympic Games and securing a bronze medal – a testament to his athleticism and competitive drive. This multifaceted nature—artist, scientist, sportsman—would become a defining characteristic of his life’s work.

    A Painterly Eye for the Natural World

    Scott's artistic style was deeply informed by his ornithological expertise. His paintings weren’t simply representations of birds; they were insightful studies born from keen observation and intimate knowledge of their behavior and anatomy. He predominantly focused on wildfowl, often depicting them in flight against dramatic skies or evocative landscapes. While influenced by earlier naturalist painters, Scott developed a distinctive style characterized by precise detail, vibrant colors, and a palpable sense of movement. His brushwork was often loose and expressive, capturing the energy and grace of birds soaring through the air. Works like “Mallards Preening and Drying,” “Widgeon Asleep in the Noonday Sun,” and “Morning Flight” exemplify his ability to convey both the aesthetic beauty and the intrinsic vitality of nature on canvas. He didn’t just paint what he saw; he painted what he knew, imbuing his work with a depth of understanding that resonated with viewers.

    Champion of Conservation and Global Impact

    However, Peter Markham Scott's legacy extends far beyond the realm of art. He was a visionary conservationist who recognized the urgent need to protect endangered species and their habitats. In 1946, he founded the Severn Wildfowl Trust – later renamed the Wildfowl & Wetlands Trust (WWT) – at Slimbridge in Gloucestershire. This pioneering organization established captive breeding programs that successfully saved species like the nene or Hawaiian goose from extinction. Perhaps his most globally recognized contribution was as a founding member of the World Wide Fund for Nature (WWF), where he famously designed the iconic panda logo, an image now universally associated with wildlife protection. His influence on international conservation policies was profound, and he received numerous accolades, including the WWF Gold Medal and the J. Paul Getty Wildlife Conservation Prize, recognizing his tireless efforts to raise awareness about the importance of preserving our planet’s biodiversity.

    Beyond Art and Conservation: A Life of Service

    Scott's contributions weren’t limited to art and conservation. During World War II, he served with distinction in the Royal Navy Volunteer Reserve, demonstrating bravery during the evacuation of troops at Saint-Valery-en-Caux and later commanding a squadron of steam gunboats. He even played a crucial role in developing innovative ship camouflage schemes – known as Western Approaches camouflage – that significantly improved British ships’ ability to evade enemy detection. After the war, he became a popular television personality through his BBC natural history series, “Look,” captivating audiences with his knowledge and passion for wildlife. His narration of “The Private Life of the Kingfisher” (1968), the first BBC natural history film in color, was particularly groundbreaking. Even in later life, Scott continued to challenge himself, becoming a British gliding champion in 1963. Sir Peter Markham Scott’s life serves as an inspiring testament to the power of combining passion, talent, and dedication to create lasting positive change – a true polymath whose influence continues to resonate today.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Flying Geese

    allpaintingsstore.com/da/art/download/peter-markham-scott-flying-geese-AQZRAP-en/

    Kildehenvisning til dette kunstværk

    MLA
    Scott, Peter Markham. Flying Geese. 1935, https://allpaintingsstore.com/da/art/peter-markham-scott-flying-geese-AQZRAP-en/
    APA
    Scott, Peter Markham (1935). Flying Geese [Painting]. https://allpaintingsstore.com/da/art/peter-markham-scott-flying-geese-AQZRAP-en/
    Chicago
    Peter Markham Scott. Flying Geese. 1935. https://allpaintingsstore.com/da/art/peter-markham-scott-flying-geese-AQZRAP-en/
    Harvard
    Scott, Peter Markham (1935) Flying Geese. Available at: https://allpaintingsstore.com/da/art/peter-markham-scott-flying-geese-AQZRAP-en/

    Se nærmere efter

    Flying Geese — Peter Markham Scott

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Night Action Gunboats off Le Tréport, 4 September 1943 (1943) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Peter Markham Scott var omkring 26 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er farverne i "Flying Geese" af Peter Markham Scott mættede eller dæmpede?

    Farvepaletten i "Flying Geese" har en mætning på Subtle Color.

    Hvor intense er farverne i "Flying Geese" af Peter Markham Scott?

    Farverne i "Flying Geese" af Peter Markham Scott har en Balanced intensitet.

    Hvordan kan jeg se en forhåndsvisning af en reproduktion af "Flying Geese" af Peter Markham Scott?

    For at se en forhåndsvisning af en reproduktion af "Flying Geese" af Peter Markham Scott, skal du åbne værkets Forhåndsvisning-side.