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Guide til elevkunst

SS 'Constance'

Navn Klasse Dato

William Daniel Penny, SS 'Constance' (1889), Middlesbrough Institute of Modern Art. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
William Daniel Penny allpaintingsstore.com/da/artists/william-daniel-penny/
Kunstnerens årstal
1834 – 1924
Malet
1889
Oprindelig størrelse
56 x 92 cm
Afholdt hos
Middlesbrough Institute of Modern Art allpaintingsstore.com/da/museums/middlesbrough-institute-of-modern-art-middlesbrough_da/

I kontekst

SS 'Constance' — William Daniel Penny

Hvor stor er den?

Originalen måler 56 × 92 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 90 ved død.

Malet da kunstneren var 55 år gammel. Kunstneren blev 90 år gammel. 10 af de 14 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: William Daniel Penny' livstid (1834–1924) ▲ dette værk, 1889 hvert dateret maleri, årti for årti

Første værker: frem til 1877 Primære arbejdsår: 1877–1889 Senere værker: fra 1889

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: allpaintingsstore.com/da/art/similar/william-daniel-penny-ss-constance-AQU7WN-en/

Farver

Målt ud fra billedet

    Primær farve

    Putty #cecfcd

    Katalogiseret palet

    • #CECFCD
    • #15434A
    • #ACAEB1
    • #8F7A75

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    De 2 mest viste værker af William Daniel Penny

    1. 1 'Mazeppa', H1461, 1893 100,0%100 besøg
    2. — SS 'Constance', 1889 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 14 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    William Daniel Penny

    A Mariner's Eye on the Humber: The Life of William Daniel Penny

    Born in 1834 amidst the salt-sprayed landscapes of Caistor, Lincolnshire, William Daniel Penny emerged as a profound voice in British marine art during the height of the Victorian era. This was an age defined by the relentless pulse of industrial expansion and a romantic fascination with the untamed sea. Penny’s artistic journey found its true north in the rugged coastal stretches of Yorkshire, particularly around Grimsby. It was here, amidst the rhythmic toil of fishing fleets and the shifting tides of the Humber Estuary, that he established himself not merely as a painter, and later as the proprietor of ‘The Artist’s Rest,’ but as a dedicated chronicler of maritime life. His early years in this maritime hub provided him with an intimate, firsthand understanding of the sea's dual nature—both its serene beauty and its terrifying volatility.

    While much of his formal training remains shrouded in the mists of history, anecdotal accounts suggest that Penny was a master of self-study, refining his craft through keen observation and the mentorship of contemporary peers. His development as an artist was deeply intertwined with the geography of the Humber. The estuary became his primary muse, providing a constant stream of subjects ranging from humble fishing smacks to larger, more imposing vessels. He possessed a rare ability to look beyond the mere physical structure of a ship, seeking instead to capture the very soul of the maritime environment through meticulous detail and an advanced use of atmospheric perspective.

    Luminism and the Mastery of Light

    The true brilliance of Penny’s work lies in his embrace of Luminism, a stylistic movement that prioritized the subtle gradations of light to evoke deep emotional resonance. Influenced by the works of masters such as Frederic Church and Asher Durand, Penny moved away from stark photographic realism toward a more poetic interpretation of the natural world. He utilized diffused light and tonal shifts to convey the heavy humidity of a coastal morning or the dramatic tension of an approaching storm. This dedication to capturing the essence of atmosphere allowed his canvases to breathe with a palpable sense of life.

    In his most celebrated compositions, one can witness this mastery of light and texture. His technique often involved:

    Atmospheric Depth: Using soft, hazy horizons to create a sense of vast, unending ocean.

    Tonal Gradations: Employing the subtle interplay of shadow and light to suggest the movement of clouds and the swell of waves.

    Realistic Texture: Capturing the weathered wood of hulls and the frothing whitecaps of turbulent seas with incredible precision.

    A Lasting Maritime Legacy

    The significance of William Daniel Penny’s oeuvre extends far beyond simple maritime documentation; his works serve as a visual archive of a vanishing way of life. Through masterpieces such as SS 'Prospero', which depicts the struggle of a trawler against turbulent waters, and Top Sail Schooner on the Humber, which offers a moment of profound tranquility, he captured the heartbeat of the British fishing industry. His ability to oscillate between the dramatic and the serene allowed him to document the full spectrum of the human experience at sea.

    Today, his contributions are preserved in esteemed institutions like the Hull Maritime Museum, ensuring that his vision of the Victorian maritime landscape remains accessible to future generations. Penny’s legacy is one of profound connection—a bridge between the observer and the infinite horizon, reminding us of the enduring, powerful bond between humanity and the sea. His paintings remain not just studies of ships and water, but evocative meditations on the beauty, danger, and majesty of the maritime world.

    Museum

    Middlesbrough Institute of Modern Art

    Udstillet i Middlesbrough, Storbritannien

    A Sanctuary of Modernity in the Heart of Teesside

    Nestled within the industrial landscape of Middlesbrough, the

    Middlesbrough Institute of Modern Art

    , affectionately known as MIMA, stands as a luminous beacon of creativity and cultural resilience. It is not merely a gallery but a profound dialogue between the region's storied past and its vibrant, forward-looking identity. The museum serves as a vital sanctuary where the raw energy of contemporary art meets the thoughtful contemplation of historical context. For the discerning collector or the lover of fine aesthetics, MIBMA offers an immersive experience that transcends the traditional boundaries of a museum, acting instead as a living, breathing organism of artistic expression that breathes life into the urban fabric of the United Kingdom.

    The architecture of the institute itself is a masterclass in the seamless integration of heritage and modernity. As visitors step through its doors, they are greeted by a space that feels both grounded in history and unburdened by it. The museum’s design facilitates a rhythmic movement through light-filled galleries, where the interplay of shadow and illumination creates an ever-changing canvas for the works on display. This architectural fluidity is essential to the MIMA experience, providing a neutral yet evocative backdrop that allows the textures, colors, and scales of the artworks to command absolute attention. For interior designers seeking inspiration, the museum’s spatial harmony offers a profound lesson in how structure can elevate the emotional resonance of art.

    A Curated Journey Through Contemporary Voices

    The collection at MIMA is a curated journey through the complexities of the modern era, characterized by its bold commitment to contemporary voices and diverse perspectives. The highlights of the permanent holdings and rotating exhibitions often challenge the viewer to reconsider their place in a globalized world. The museum’s selection is nothing short of breathtaking, ranging from large-scale installations that redefine the perception of space to intimate, delicate works on paper that whisper of profound human emotion.

    Within its walls, one might encounter works such as:

    Across Low Moor

    by Peter Joyce, an acrylic on paper piece from 1994 that utilizes a bold red background and symbolic objects like chairs and a clock to invite deep interpretation.

    Odalisque

    by Brian Robb, a stunning 1949 oil on canvas that captures the viewer with its vibrant color scheme of reds, yellows, greens, and blues.

    Diverse works from internationally recognized artists that showcase the museum's commitment to the avant-garde.

    What truly distinguishes MIMA from its global counterparts is its unique ability to foster community through the lens of the contemporary. The museum’s exhibition program is renowned for its bravery, often tackling pressing social themes and presenting works that provoke deep, necessary conversations. Whether it is exploring the nuances of identity, the impact of technology, or the beauty of the natural world through an abstract lens, MIMA remains a cornerstone of artistic excellence, ensuring that the spirit of modern art continues to flourish and inspire generations of dreamers and creators.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for SS 'Constance'

    allpaintingsstore.com/da/art/download/william-daniel-penny-ss-constance-AQU7WN-en/

    Kildehenvisning til dette kunstværk

    MLA
    Penny, William Daniel. SS 'Constance'. 1889, Middlesbrough Institute of Modern Art. https://allpaintingsstore.com/da/art/william-daniel-penny-ss-constance-AQU7WN-en/
    APA
    Penny, William Daniel (1889). SS 'Constance' [Painting]. Middlesbrough Institute of Modern Art. https://allpaintingsstore.com/da/art/william-daniel-penny-ss-constance-AQU7WN-en/
    Chicago
    William Daniel Penny. SS 'Constance'. 1889. Middlesbrough Institute of Modern Art. https://allpaintingsstore.com/da/art/william-daniel-penny-ss-constance-AQU7WN-en/
    Harvard
    Penny, William Daniel (1889) SS 'Constance'. Middlesbrough Institute of Modern Art. Available at: https://allpaintingsstore.com/da/art/william-daniel-penny-ss-constance-AQU7WN-en/

    Se nærmere efter

    SS 'Constance' — William Daniel Penny

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på SS 'Prospero' (1880) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. William Daniel Penny var omkring 55 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er farverne i "SS 'Constance'" af William Daniel Penny mættede eller dæmpede?

    Farvepaletten i "SS 'Constance'" har en mætning på Muted.

    Hvor kan jeg downloade "SS 'Constance'" af William Daniel Penny?

    "SS 'Constance'" af William Daniel Penny kan downloades fra værkets Download-side som et højopløseligt digitalt billeddownload.

    Hvor gammel var William Daniel Penny, da "SS 'Constance'" blev skabt?

    William Daniel Penny skabte "SS 'Constance'" i en alder af 55. Kunstneren blev født i 1834, og værket er dateret 1889.