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Portræt af Bas Meerman

Bas Meermans malerier: De 1 mest berømte, rangeret

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Bas Meerman i vores katalog

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Det mest berømte maleri af Bas Meerman er Sebastian (2009); originalen findes på Museum Catharijneconvent, Utrecht. Ud af de 1 værker af Bas Meerman i vores katalog er dette de 1 mest berømte, rangeret med årstal og museum, så du kan vælge det maleri, du ønsker at bestille.

født 1970, Hilversum Flest værker: Museum Catharijneconvent

Top 10 Bas Meerman malerier, rangeret

Museer der udstiller Bas Meermans originalværker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Bas Meerman Malerier fra denne liste
Museum Catharijneconvent, UtrechtMuseum Catharijneconvent Utrecht 1 Sebastian

Bas Meerman efter år: de bedste malerier

Alle daterede Bas Meerman malerier på denne side er fra 2009 og er her opført efter rang.

Værker per år

Vælg et årstal for at se dets malerier.

Bas Meerman malerier: ofte stillede spørgsmål

Hvad er det mest berømte maleri af Bas Meerman?Vis svar

Sebastian (2009) er nummer ét.

Hvor gammel var Bas Meerman, da Sebastian blev malet?Vis svar

Bas Meerman var 39 år gammel: Sebastian er dateret 2009, og Bas Meerman blev født i 1970.

Hvor mange værker af Bas Meerman har du på listen?Vis svar

1 værker af Bas Meerman er i vores katalog.

Hvor opbevares de originale Bas Meerman-malerier?Vis svar

Primært i Museum Catharijneconvent (Utrecht). Se museomtabelen ovenfor for den fulde liste.

Om kunstneren: Bas Meerman

A Quiet Presence in Contemporary Painting

Born in Hilversum, Netherlands, in 1970, Bas Meerman has spent much of his life exploring the subtle textures of existence through oil on canvas. His work often feels like a quiet observation, a way of looking at the world that avoids the loud or the obvious. For a decade, his life was centered in Berlin, a period that shaped much of his artistic development and led to projects like Introspektakel. This time in Germany marked a significant chapter, acting as a bridge between his earlier explorations and the more settled, reflective works seen in his later years.

His practice is deeply rooted in the physical act of painting, often involving a meticulous approach to his subjects. Whether he is working on a portrait or a more abstract composition, there is a sense of stillness that permeates his canvases. He has a habit of documenting his process, sometimes through journals or diaries, which suggests a man who is as interested in the act of seeing as he is in the final image produced on the support.

The Language of Form and Subject

Meerman’s work often navigates the space between the recognizable and the felt. His subjects are frequently stripped of unnecessary distraction, allowing the viewer to focus on the weight of the paint and the light hitting a surface. His output includes a variety of themes and formats, such as:

  • Portraiture that captures a specific, fleeting moment of human presence.
  • Works that explore the relationship between light and shadow in domestic or urban settings.
  • Experimental projects that bridge the gap between personal diary entries and formal art.
  • Studies of water and natural elements that focus on texture and movement.

In pieces like Hollywood, he uses oil on canvas to ground his subjects in a tangible reality. There is a certain weight to his brushwork, a way of building up layers that gives the surface a physical presence. He does not shy away from the imperfections of the medium, allowing the nature of the oil and the canvas to speak for itself.

A Life Recorded in Paint

The evolution of his style is visible in the way he handles his materials over the years. From his early days in the Netherlands to his residency in Berlin, his work has maintained a consistent focus on the essence of his subjects. He has been known to sign and date his works, often on the reverse, marking his place in time through the simple act of notation. His paintings have found their way into private collections and museum settings, including the Stedelijk, where his contributions are held as part of a larger narrative of contemporary Dutch art.

His approach remains deeply personal. By treating his art as a continuous dialogue with his own observations, he creates a body of work that feels lived-in and honest. He remains an active figure in the contemporary scene, continuing to refine his vision through a dedicated, quiet persistence.