Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Benjamin Raborg i vores katalog
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Night Scene of Indian Tipi (1895) er Benjamin Raborgs mest kendte maleri; originalen tilhører Smithsonian American Art Museum, Washington, D.C.. Vores katalog indeholder 1 værker af Benjamin Raborg; her er de 1 mest berømte, rangeret med årstal og museum for hvert værk, så du kan vælge det rette at bestille.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Benjamin Raborg | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | Night Scene of Indian Tipi |
Hvert dateret Benjamin Raborg maleri, der er listet her, er fra 1895, i rangorden.
Vælg et årstal for at se dets malerier.
Night Scene of Indian Tipi (1895) er nummer ét.
Benjamin Raborg var 24 år gammel: Night Scene of Indian Tipi er dateret 1895, og Benjamin Raborg blev født i 1871.
1 værker af Benjamin Raborg er i vores katalog.
Primært i Smithsonian American Art Museum (Washington, D.C.). Se museomtabelen ovenfor for den fulde liste.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.
