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Cornelia Scheffers malerier: De 4 mest berømte, rangeret
Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 4 værker af Cornelia Scheffer i vores katalog
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Det mest berømte maleri af Cornelia Scheffer er Self-portrait (1795); originalen findes på Dordrechts Museum, Dordrecht. Woman with Two Children on a Country Road (1811) og The Women of Souli (1833) er tallene to og tre. Ud af de 4 værker af Cornelia Scheffer i vores katalog er dette de 4 mest berømte, rangeret med årstal og museum, så du kan vælge det maleri, du ønsker at bestille.
1769 – 1839, Dordrecht
Flest værker: Dordrechts Museum
Top 10 Cornelia Scheffer malerier, rangeret
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Håndmalet oliereproduktion fra $195 29 × 34 cm
Samme størrelse som originalen $295 60 × 73 cm Bestil i original størrelse →
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Maleriets detaljer
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Håndmalet oliereproduktion fra $445 37 × 27 cm
Samme størrelse som originalen $728 112 × 95 cm Bestil i original størrelse →
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Museer der udstiller Cornelia Scheffers originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Cornelia Scheffer | Malerier fra denne liste |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Cornelia Scheffer efter årti: det bedste maleri fra hvert årti
Værker per årti
Vælg et årti for at se dets mest populære maleri.
Cornelia Scheffer malerier: ofte stillede spørgsmål
Hvad er det mest berømte maleri af Cornelia Scheffer?Vis svar
Self-portrait (1795), Dordrechts Museum, Dordrecht, rangerer som nummer ét, efterfulgt af Woman with Two Children on a Country Road (1811) og The Women of Souli (1833).
Hvor gammel var Cornelia Scheffer, da Self-portrait blev malet?Vis svar
Cornelia Scheffer var 26 år gammel: Self-portrait er dateret 1795, og Cornelia Scheffer blev født i 1769.
Hvor mange værker af Cornelia Scheffer har du på listen?Vis svar
4 værker af Cornelia Scheffer er i vores katalog, dateret fra 1795 til 1833.
Hvor opbevares de originale Cornelia Scheffer-malerier?Vis svar
Primært i Dordrechts Museum (Dordrecht). Se museomtabelen ovenfor for den fulde liste.
Hvilke er de tidligste og seneste berømte Cornelia Scheffer malerier?Vis svar
Ældste på denne side: Self-portrait (1795). Nyeste: The Women of Souli (1833).
Hvilke originalværker af Cornelia Scheffer findes på Dordrechts Museum?Vis svar
Dordrechts Museum, Dordrecht har 4 af de malerier, der er rangeret her, herunder Self-portrait, Woman with Two Children on a Country Road og The Women of Souli.
Kan jeg bestille en Cornelia Scheffer reproduktion?Vis svar
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Om kunstneren: Cornelia Scheffer
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.