Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af James Macbeth i vores katalog
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Sir Daniel Macnee, 1806 - 1882. Artist (1870) er James Macbeths mest kendte maleri; originalen tilhører Scottish National Portrait Gallery, Edinburgh. Vores katalog indeholder 1 værker af James Macbeth; her er de 1 mest berømte, rangeret med årstal og museum for hvert værk, så du kan vælge det rette at bestille.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af James Macbeth | Malerier fra denne liste |
|---|---|---|---|
 Scottish National Portrait Gallery |
Edinburgh | 1 | Sir Daniel Macnee, 1806 - 1882. Artist |
Hvert dateret James Macbeth maleri, der er listet her, er fra 1870, i rangorden.
Vælg et årstal for at se dets malerier.
Sir Daniel Macnee, 1806 - 1882. Artist (1870) er nummer ét.
James Macbeth var 23 år gammel: Sir Daniel Macnee, 1806 - 1882. Artist er dateret 1870, og James Macbeth blev født i 1847.
1 værker af James Macbeth er i vores katalog.
Primært i Scottish National Portrait Gallery (Edinburgh). Se museomtabelen ovenfor for den fulde liste.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
The year is 1847 in Glasgow. James Macbeth enters a world where the lines of Scottish identity are being drawn through brushstrokes and ink. He is born into a family of creators; his father, Norman Macbeth, is a portrait painter, and his brothers, Robert Walker and Henry, will also find their way into the arts. This lineage is not merely a coincidence of birth but a shared language of form and color. James moves between the creative hubs of London and Scotland, establishing a presence in both the metropolitan galleries and the local scenes of his homeland.
His work often turns toward the human figure and the quietude of domestic life. In his portrait of Sir Daniel Macnee, he captures the likeness of a contemporary artist, a choice that places him directly within the professional circles of his era. He does not merely record a face; he engages with the social fabric of the mid-nineteenth century.
As the 1880s approach, a shift occurs in the atmosphere of his compositions. His painting A quiet afternoon signals a departure from strict realism toward something more atmospheric. This work anticipates the mood of Aestheticism, a movement that prioritizes sensory experience and a specific kind of contemplative stillness. The scene is not one of action, but of a lingering, suspended moment.
His output is defined by two primary modes of expression:
The trajectory of James Macbeth is cut short in 1891. He leaves behind a body of work that bridges the gap between traditional Scottish portraiture and the emerging sensibilities of the late Victorian period. His presence in the National Galleries of Scotland ensures that his contribution to the visual history of his country remains documented, even as the movements he helped anticipate continue to evolve.
