Hurtigt svar
Det mest berømte maleri af John Dee er Obsidian Mirror (1400). Four Castles Gold Disk (1560) og Sigillum Dei, Wax Disks (1582) er tallene to og tre. Ud af de 4 værker af John Dee i vores katalog er dette de 4 mest berømte, rangeret med årstal og museum, så du kan vælge det maleri, du ønsker at bestille.
Top 10 John Dee malerier, rangeret
John Dee efter år: de bedste malerier
23 års John Dee malerier, fra 1560 til 1582: gennemse tidslinjen år for år og vælg den periode, du ønsker på din væg.
Værker per år
Vælg et årstal for at se dets malerier.
John Dee malerier: ofte stillede spørgsmål
Hvad er det mest berømte maleri af John Dee?Vis svar
Obsidian Mirror (1400) rangerer som nummer et, efterfulgt af Four Castles Gold Disk (1560) og Sigillum Dei, Wax Disks (1582).
Hvor mange værker af John Dee har du på listen?Vis svar
4 værker af John Dee er i vores katalog, dateret fra 1560 til 1582.
Hvilken periode frembragte John Dees mest berømte malerier?Vis svar
I 1582: 2 af de 4 malerier, der er rangeret her, stammer fra den tid, herunder Sigillum Dei, Wax Disks.
Hvilke er de tidligste og seneste berømte John Dee malerier?Vis svar
Ældste på denne side: Four Castles Gold Disk (1560). Nyeste: Sigillum Dei, Wax Disks (1582).
Kan jeg bestille en John Dee reproduktion?Vis svar
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Om kunstneren: John Dee
The Life and Family of John Dee
John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.
Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.
The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.
Travels and Connections in Europe
John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.
His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.
