1
De top 2 Philippe Quantin malerier, rangeret efter berømmelse
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Philippe Quantin i vores katalog
Hurtigt svar
The mystical wedding of Saint-Catherine-of-Siena er Philippe Quantins mest kendte maleri. Vores katalog indeholder 2 værker af Philippe Quantin; her er de 2 mest berømte, rangeret med årstal og museum for hvert værk, så du kan vælge det rette at bestille.
1600 – 1636
Philippe Quantin: de 10 bedst rangerede malerier
2
Hvad du skal vide om Philippe Quantin malerier
Hvilket berømt maleri af Philippe Quantin topper ranglisten?Vis svar
The mystical wedding of Saint-Catherine-of-Siena er nummer ét.
Hvor mange værker af Philippe Quantin er der i din katalogliste?Vis svar
2 værker af Philippe Quantin er i vores katalog.
Sælger I reproduktioner af Philippe Quantins malerier?Vis svar
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Philippe Quantin: liv og karriere
A Life in Burgundy
Philippe Quantin was a French painter whose career was primarily centered in Burgundy. He gained recognition for his religious scenes and decorative works, many of which were commissioned by wealthy Burgundian figures. In 1636, shortly before his death, he was named "peintre ordinaire" to Henri II de Bourbon, the Prince of Condé. His artistic output included significant decorative cycles, such as those for the cabinet du pastor fido at the château d'Ancy-le-Franc, executed between 1610 and 1615 for Charles-Henri de Clermont-Tonnerre. He also provided decorations for the château de Mussy-sur-Seine for Sébastien Zamet, the Bishop of Langres, and the cabinet des muses at the château de La Motte-Ternant between 1624 and 1628 for Charles de Marcilly-Cypierre.
Artistic Style and Notable Works
The works of Philippe Quantin are characterized by figures with distinctive round and tubular faces. His early compositions, particularly the series for the cabinet du pastor fido, show influences from the second school of Fontainebleau. As his career progressed toward its end, his style underwent a simplification, moving toward a more stripped-down approach with simple, neutral colors.
His religious repertoire includes several notable pieces held in various collections: