Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 5 værker af Robert Atkinson i vores katalog
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Det mest berømte maleri af Robert Atkinson er A Spanish Soldier of the 16th Century (1885); originalen findes på Auckland Art Gallery Toi o Tāmaki, Auckland. Portrait of Albin Martin (1886) og A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) er tallene to og tre. Ud af de 5 værker af Robert Atkinson i vores katalog er dette de 5 mest berømte, rangeret med årstal og museum, så du kan vælge det maleri, du ønsker at bestille.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Robert Atkinson | Malerier fra denne liste |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
De daterede Robert Atkinson-malerier på denne side dækker 2 år, fra 1885 til 1886, opført år for år.
Vælg et årstal for at se dets malerier.
A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Auckland, rangerer som nummer ét, efterfulgt af Portrait of Albin Martin (1886) og A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
Robert Atkinson var 22 år gammel: A Spanish Soldier of the 16th Century er dateret 1885, og Robert Atkinson blev født i 1863.
5 værker af Robert Atkinson er i vores katalog, dateret fra 1885 til 1886.
Primært i Auckland Art Gallery Toi o Tāmaki (Auckland). Se museomtabelen ovenfor for den fulde liste.
I 1886: 2 af de 5 malerier, der er rangeret her, stammer fra den tid, herunder Portrait of Albin Martin.
Ældste på denne side: A Spanish Soldier of the 16th Century (1885). Nyeste: Portrait of Albin Martin (1886).
Auckland Art Gallery Toi o Tāmaki, Auckland har 5 af de malerier, der er rangeret her, herunder A Spanish Soldier of the 16th Century, Portrait of Albin Martin og A Settler’s Kitchen, Opua Whanga, New Zealand 1886.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.
