Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Samuel Spode i vores katalog
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Det vigtigste værk blandt Samuel Spode's malerier er A Dark Bay Racehorse held by a Trainer in a Landscape (1833), hvis original findes på Florence Court. Vores katalog indeholder 2 værker af Samuel Spode. De 2 værker, der er listet her, er de mest berømte i rangorden, inklusiv årstal og museum for hvert originalværk.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Samuel Spode | Malerier fra denne liste |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
1833: hvert dateret Samuel Spode-maleri på denne side stammer fra det år. Her er de, sorteret efter rang.
Vælg et årstal for at se dets malerier.
A Dark Bay Racehorse held by a Trainer in a Landscape (1833) er nummer ét.
Samuel Spode var 35 år gammel: A Dark Bay Racehorse held by a Trainer in a Landscape er dateret 1833, og Samuel Spode blev født i 1798.
2 værker af Samuel Spode er i vores katalog.
Primært i Florence Court. Se museomtabelen ovenfor for den fulde liste.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.
