Zeitraum

1. Guitar and Sheet Music on Table — Georges Braque, 1918
2. Work — Yoo Youngkuk, 1957
3. Abstraktion in Bezug auf einen blühenden Baum — Paul Klee, 1925
4. Rotoreliefs (Optische Scheiben) 1 — Marcel Duchamp
5. Abstract composition 8 — Victor Vasarely
6. Dominante Kurve, Öl auf Leinwand, Solomon R. Gu — Wassily Wassilyevich Kandinsky, 1936
7. Komposition mit Blau 1 — Piët Mondrian
8. Abstract Composition — Carla Lavizzari Prina, 1940

Bewegung

1. Abstract Composition — Sir William George Gillies, 1935

Stimmung

1. 1946 (still life) — Ben Nicholson OM, 1946
2. Abstract Composition — Sir William George Gillies, 1935

Themen

Schlagworte

Tonwert

1. Guitar and Sheet Music on Table — Georges Braque, 1918
2. Abstraktion in Bezug auf einen blühenden Baum — Paul Klee, 1925
3. 1946 (still life) — Ben Nicholson OM, 1946
4. Rotoreliefs (Optische Scheiben) 1 — Marcel Duchamp
5. Abstract Composition — Sir William George Gillies, 1935

Hauptfarbe

1. Guitar and Sheet Music on Table — Georges Braque, 1918
2. Abstract II — John Piper, 1935
3. Abstract Composition — Carla Lavizzari Prina, 1940
4. Abstract I — John Piper, 1935
5. Étude, 1929 1930 — fritz glarner
6. Abstract Composition — Sir William George Gillies, 1935
7. Komposition mit Blau 1 — Piët Mondrian
8. Purple and Gold Abstract — michele elizabeth field, 2005
9. Rectangular Motif, Black and Olive — Victor Pasmore, 1950
10. 1946–50 (still life) — Ben Nicholson OM, 1950
11. Abstract Composition — Jessica Dismorr, 1915
12. 1945 (2 circles) — Ben Nicholson OM, 1945
13. Abstraktes Gemälde 780-1 — Gerhard Richter, 1992
14. Work — Yoo Youngkuk, 1957
15. Abstract composition 8 — Victor Vasarely
16. 1946 (composition, still life) — Ben Nicholson OM, 1946
17. Abstraktes Bild — Gerhard Richter, 1994
18. Abstract Composition [triptych] — Vaclav Vytlacil, 1937
19. 1946 (still life) — Ben Nicholson OM, 1946
20. Dominante Kurve, Öl auf Leinwand, Solomon R. Gu — Wassily Wassilyevich Kandinsky, 1936
21. Abstract Composition — John Piper, 1935

andere

1. 1934 6 (painting still life) — Ben Nicholson OM, 1934