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Atelier · Seit 2015 · Paris, Frankreich
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Zeitraum

Bewegung

Stimmung

Themen

Schlagworte

Tonwert

Hauptfarbe

  1. Dutch Windmills — Eugène Louis Boudin, 1884
  2. The Inferno, Canto 28, lines 30,31. Now mark how I do rip me. lo! How is Mahomet mangled. — Paul Gustave Doré
  3. untitled (6983) — Paul Gustave Doré
  4. untitled (4692) — Paul Gustave Doré
  5. Godfrey Imposes Tributes Upon Emirs_GustaveDore_sqs__crusades_godfrey_imposes_tributes__xyz32732.gif — Paul Gustave Doré
  6. Jacob Keeping Laban's Flock — Paul Gustave Doré, 1866
  7. Dore Gustave 45. I was like a monk listening to the confessions of a mean murderer — Paul Gustave Doré
  8. Daniel Interpreting the Writing on the Wall — Paul Gustave Doré, 1866
  9. Zeichnung 4 — John Singer Sargent
  10. I through compassion fainting seem-d not far from death and like a corpse fell to the ground Canto — Paul Gustave Doré
  11. Amateur From Garden — Paul Gustave Doré
  12. The Seven League Boots — Paul Gustave Doré, 1868
  13. Christ Presented To The People — Paul Gustave Doré
  14. Richard I the Lionheart delivering Jaffa — Paul Gustave Doré, 1877
  15. Death Of Ananias — Paul Gustave Doré
  16. untitled (3123) — Paul Gustave Doré
  17. Two Hundred Knights Attack Twenty Thousand Saracens — Paul Gustave Doré
  18. High Bridge — Frederick Childe Hassam, 1922
  19. Paradiso — Paul Gustave Doré
  20. The Wiindow — Frederick Carl Frieseke, 1915
  21. Various Types of Torii Arch — Katsushika Hokusai
  22. The Inferno, Canto 32, lines 97-98. Then seizing on his hinder scalp, I cried. “Name thee, or not a hair shall tarry here.” — Paul Gustave Doré
  23. Satan in Council — Paul Gustave Doré, 1868

andere

  1. Don Quixote (20) — Paul Gustave Doré