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Atelier · Seit 2015 · Paris, Frankreich
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Zeitraum

Bewegung

  1. Moonlit Landscape With Lake And Ruined Abbey — Abraham Pether (Mondlicht-Pether)
  2. The Voyage of Life: Childhood — Thomas Cole, 1839
  3. Untitled (904) — Iwan Aiwazowski
  4. View of Crimea at sunset — Iwan Aiwazowski, 1862
  5. Gelyna (also known as View near Ticonderoga) — Thomas Cole, 1826
  6. An Italian Autumn — Thomas Cole, 1844
  7. The approaching storm — Barend Cornelis Koekkoek
  8. Gebirgslandschaft mit einer Brücke — Thomas Gainsborough, 1785

Stimmung

Themen

  1. Romantic Landscape with Ruined Tower — Thomas Cole, 1836

Schlagworte

  1. An Italian Autumn — Thomas Cole, 1844

Tonwert

Hauptfarbe

  1. Gelyna (also known as View near Ticonderoga) — Thomas Cole, 1826
  2. An Italian Autumn — Thomas Cole, 1844
  3. Untitled (904) — Iwan Aiwazowski
  4. The Course of Empire, The Savage State — Thomas Cole
  5. Prometheus Bound — Thomas Cole, 1847
  6. The Voyage of Life: Childhood — Thomas Cole, 1839
  7. Moonlit Landscape With Lake And Ruined Abbey — Abraham Pether (Mondlicht-Pether)
  8. The approaching storm — Barend Cornelis Koekkoek
  9. The Course of Empire: The Savage State — Thomas Cole, 1836
  10. Italienisches Landschaftsbild mit Ruine — Jan Both, 1640
  11. The Voyage of Life Childhood ATC — Thomas Cole
  12. View of Crimea at sunset — Iwan Aiwazowski, 1862
  13. Untitled (916) — Iwan Aiwazowski
  14. Der Vorabend der Sintflut — John Martin, 1840
  15. The Voyage of Life, Childhood — Thomas Cole
  16. The Weird Wife o' Lang Stane Lea — James Giles, 1830
  17. Shore, Figures and Rocks — Robert W. Salmon
  18. The trysting tree — Asher Brown Durand
  19. The Campi Phlegraei near Naples and the Bay of Baiae — Michael Wutky
  20. Romantic Landscape with Ruined Tower — Thomas Cole, 1836
  21. Cattle and Drovers on a Path, Styhead Pass, Cumberland — Sidney Richard Percy
  22. Die Reise des Lebens: Kindheit — Thomas Cole, 1842
  23. Gebirgslandschaft mit einer Brücke — Thomas Gainsborough, 1785

andere

  1. The mill ca ng washington — Rembrandt van Rijn, 1650