Zeitraum
- A May Morning in the Park (also known as The Fairman Rogers Four-in-Hand)
- William Rush beim Schnitzen seiner allegorischen Figur der Schuylkill River
- Portrait von Bazille, Musée d'Orsay
- Portrait of William H. MacDowell
- The Oarsmen (also known as The Schreiber Brothers)
- Portrait of Leslie W. Miller
- John Biglin in einem Einer
- The Veteran (also known as Portrait of Geo. Reynolds)
Bewegung
Stimmung
Themen
Schlagworte
Tonwert
Hauptfarbe
- Das Netz flicken
- The Apple of His Eye
- Die Annäherung
- The Oarsmen (also known as The Schreiber Brothers)
- Musical Company
- Signora Gomez d'Arza
- Commercial Instruction
- Portrait of Leslie W. Miller
- A May Morning in the Park (also known as The Fairman Rogers Four-in-Hand)
- Das Schreibmeister (Benjamin Eakins)
- Regret (also known as Love Spurned)
- Swimming
- The Smoker
- Frederic Bazille – Die Erkenntnis des Schwanen (Frederic Bazille am Malkasten)
- Worthington Whittredge in His Tenth Street Studio
- Interior of a Tavern
- Tradesmen in the Vault, Dundee
- Portrait of William H. MacDowell
- William Rush beim Schnitzen seiner allegorischen Figur der Schuylkill River
- Portrait von Bazille, Musée d'Orsay
- The Veteran (also known as Portrait of Geo. Reynolds)
- Frederic Bazille malt ‚Der Reiher‘