Aktualisiert im November 2026 · sortiert nach unserem Popularitätsindex (Suchanfragen, Aufrufe und Bestellungen für jedes Werk) · 21 Werke von Halfdan Strøm in unserem Katalog
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Portrait of Mathea Strøm, the Artist's Mother (1885) ist das bekannteste Gemälde von Halfdan Strøm; das Original befindet sich im National Museum of Art, Architecture and Design, Oslo. Dolce far niente. Interior with the Artist's Parents (1883) belegt den zweiten Platz, Girl Friends (1888) den dritten. Unser Katalog umfasst 21 Werke von Halfdan Strøm; hier sind die 21 bekanntesten, nach Relevanz sortiert, jeweils mit dem Jahr und dem Museum angegeben, um Ihnen die Auswahl für Ihre Bestellung zu erleichtern.
Portrait of Karen Hannover1907 · National Museum of Art, Architecture and Design
Eine handgemalte Kopie bestellen ab $170 →
The Artist's Daughter Mox at fourteen1913 · National Museum of Art, Architecture and Design
Größe wählen ab $170 →
Portrait of Mox, the Artist's Daughter1918 · National Museum of Art, Architecture and Design
Größe wählen ab $170 →
Die 2 Museen, in denen sich die meisten der auf dieser Seite aufgeführten Gemälde befinden.
| Museum | Stadt | Werke von Halfdan Strøm | Gemälde aus dieser Liste |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
Oslo | 16 | Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends |
 Oslo Museum |
Oslo | 5 | Portrait, Portrait, Self-portrait |
Wählen Sie ein Jahrzehnt aus, um das bedeutendste Gemälde zu sehen.
Portrait of Mathea Strøm, the Artist's Mother (1885), National Museum of Art, Architecture and Design, Oslo, belegt den ersten Platz, gefolgt von Dolce far niente. Interior with the Artist's Parents (1883) und Girl Friends (1888).
Halfdan Strøm war 22 Jahre alt: Portrait of Mathea Strøm, the Artist's Mother datiert auf 1885, und Halfdan Strøm wurde in 1863 geboren.
Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends, From the Restaurant in the Labour Society in Torvgaten, The Violin Player, Farm Interior, Portrait of a Woman, Portrait of Emilie Gulowsen, b. Gabrielsen, Portrait of Museum Director Emil Hannover und Scene from the Vegetable Market. Jahr und Museum sind in der obigen Rangliste aufgeführt.
21 Werke von Halfdan Strøm sind in unserem Katalog enthalten, datiert von 1883 bis 1920.
Vorwiegend in National Museum of Art, Architecture and Design (Oslo) und Oslo Museum (Oslo). Die vollständige Liste finden Sie in der obenstehenden Museumstabelle.
In 1880s: 6 der 21 hier aufgeführten Gemälde stammen aus dieser Zeit, einschließlich Portrait of Mathea Strøm, the Artist's Mother.
Früheste auf dieser Seite: Dolce far niente. Interior with the Artist's Parents (1883). Neueste: Self-portrait (1920).
Das National Museum of Art, Architecture and Design, Oslo beherbergt 16 der hier aufgeführten Gemälde, darunter Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents und Girl Friends.
Ja. Jedes Gemälde auf dieser Seite kann als handgemalte Ölreproduktion oder als Druck bestellt werden. Öffnen Sie das Gemälde, wählen Sie die Größe und geben Sie Ihre Bestellung auf.
Norway, 1883. The Industrial and Art Exhibition at Tullinløkka provides the stage for a debut. Halfdan Strøm, fresh from his studies at the Royal Drawing School in Kristiania, presents his vision to an audience in Oslo. He moves quickly from the local scene toward the broader European landscape. Munich becomes his classroom during 1883 and 1884, a period of intense technical absorption. The light changes as he joins Frits Thaulow in the outdoor academy at Modum. Here, the focus shifts to the immediate, tangible world.
The year 1889 marks a significant shift in international recognition. In Paris, at the World Exhibition, his work Skomakerverksted earns an honorable mention. This moment anchors his place within the early movement of realism in Norwegian painting. He does not merely observe; he captures the weight of everyday life through oil on canvas and board.
The trajectory moves from student to leader. Strøm occupies a central position in the Norwegian art establishment, serving as a professor at the Norwegian National Academy of Fine Arts from 1909 until 1935. By 1924, he assumes the role of Director at the same institution. His influence is codified through honors: Knight, First Class of the Royal Norwegian Order of St. Olav in 1910 and Commander of the Danish Order of the Dannebrog.
Gold medals follow his travels across the globe. The halls of the World Exhibition in Paris in 1900, the galleries of Munich in 1901, and the exhibition in San Francisco in 1915 all witness his technical precision. His work remains grounded in a specific reality, often utilizing an interplay of light and shadow to define form.
His oeuvre contains a deep connection to personal and social subjects. Some works focus on the intimate, such as the 1885 Portrait of Mathea Strøm, the Artist's Mother, while others capture the pulse of public life. The following pieces represent his varied gaze:
His legacy is held within the permanent collections of the National Gallery of Norway and the National Museum of Art, Architecture and Design. Through these works, the realism he helped establish remains visible in the textures of Norwegian life.
