No. 17
In the vast landscape of mid-century abstraction, few works capture the rhythmic pulse of light and shadow as intimately as Paul Allen Reed’s No. 17. Created in 1964, this masterpiece serves as a profound testament to the artist's mastery over the Washington Color School movement. At first glance, the viewer is met with a striking nocturnal atmosphere, where a deep, velvety black background provides a stage for a celestial dance…





