Paper
Name Class Date

Alson Skinner Clark, The Brooding Drinker. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Alson Skinner Clark allpaintingsstore.com/en/artists/alson-skinner-clark/
Artist’s dates
1870 – 1949

In context

The Brooding Drinker — Alson Skinner Clark

When might this have been painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Shaded: the lifetime of Alson Skinner Clark (1870–1949) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/alson-skinner-clark-the-brooding-drinker-9DG6NW-en/

Colours

Measured from the image

    Main colour

    Espresso #3f291b

    Catalogued palette

    • #3F291B
    • #6B492E
    • #C49C7C
    • #1B1410

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Alson Skinner Clark over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%500 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Alson Skinner Clark

    1. 1 Hillside, Giverny 20.0%100 visits
    2. 2 Casarabonela 20.0%100 visits
    3. 3 To Sally, Portrait Of A Young Woman 20.0%100 visits
    4. 4 Street Scene Panama 20.0%100 visits
    5. 5 Medora 20.0%100 visits
    6. — The Brooding Drinker this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 17 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Alson Skinner Clark

    Born in Chicago, United States of America

    William Glackens: A Chronicle of the American Scene

    The year 1870 marked a pivotal moment in art history, a period of burgeoning experimentation and shifting perspectives that profoundly shaped the trajectory of American painting. Within this dynamic landscape emerged William Glackens (1870-1938), an artist whose career spanned decades and offered a remarkably honest and often humorous portrayal of urban life during the late 19th and early 20th centuries. Born in Philadelphia, Glackens’ journey was one of constant evolution, marked by periods of intense artistic exploration, financial hardship, and ultimately, recognition as a key figure within the Ashcan School movement.

    Glackens' early artistic development was rooted in traditional training, initially studying under John LaFarge at the National Academy of Design. However, he quickly rejected the academic constraints of the time, seeking a more direct and expressive approach to his subject matter. This desire for authenticity led him to embrace illustration as a means of honing his skills and developing a keen eye for detail – an ability that would later prove invaluable in his paintings. His early work frequently depicted scenes from middle-class life, rendered with a rich, dark palette characteristic of the era. These images captured the everyday routines and social interactions of Philadelphia’s burgeoning urban landscape.

    The Franco-Prussian War dramatically altered the course of Glackens' artistic career. Like many American artists, he fled to London in 1870, seeking refuge from the conflict and a new perspective on art. This period proved transformative, exposing him to Impressionist techniques and fostering a greater appreciation for capturing fleeting moments of light and color. The experience also instilled a deep sense of social awareness, as evidenced by his unflinching depictions of poverty and hardship – themes that would become central to his artistic vision. His decision to move permanently to London in 1873, alongside other artists like Monet and Pissarro, solidified his connection with the Impressionist movement.

    The Ashcan School and a Vision of Urban Realism

    Glackens’ most significant contribution to American art lies in his association with the Ashcan School. This loosely defined group of artists – including Robert Henri, John Sloan, George Bellows, and Everett Shinn – rejected the idealized subjects and polished techniques favored by the established art world. Instead, they sought to depict the gritty realities of urban life—the crowded streets, the tenements, the working-class communities—with unflinching honesty and a distinctly American sensibility.

    Glackens’ paintings epitomize this approach. His canvases are often characterized by loose brushwork, vibrant colors, and a dynamic sense of movement. He captured the energy and chaos of New York City with remarkable skill, portraying scenes of boisterous bars, crowded sidewalks, and lively street life. Unlike many artists who romanticized urban existence, Glackens presented a more complex and sometimes unsettling view—one that acknowledged the poverty, squalor, and social inequalities prevalent in the rapidly growing metropolis. His work was often considered controversial for its unflinching portrayal of these realities.

    Key Works and Artistic Techniques

    Several paintings stand out as particularly representative of Glackens’ artistic style and thematic concerns. “The Eight,” a group portrait depicting the members of the Ashcan School, is perhaps his most famous work, offering a glimpse into the camaraderie and shared ideals of this influential collective. Other notable works include "A Night at the Bowery," which vividly captures the atmosphere of New York's notorious red-light district, and numerous scenes from the city’s bars and taverns, rendered with a keen eye for detail and a subtle sense of humor.

    Glackens’ technique evolved significantly throughout his career. Initially influenced by academic traditions, he gradually embraced Impressionistic principles, incorporating broken brushstrokes, vibrant color palettes, and an emphasis on capturing the effects of light and atmosphere. He was also a skilled draftsman, meticulously rendering details such as faces, clothing, and architectural features. His ability to combine these diverse influences resulted in a uniquely personal style—one that is both expressive and technically proficient.

    Legacy and Historical Significance

    William Glackens’ legacy extends far beyond his individual achievements. He played a crucial role in shaping the course of American art, paving the way for future generations of artists who sought to depict the realities of urban life with honesty and empathy. His work helped to challenge traditional artistic conventions and broaden the scope of what was considered acceptable subject matter.

    Furthermore, Glackens’ unflinching portrayal of poverty and social inequality served as a powerful critique of American society—a critique that resonated deeply during a period of rapid industrialization and social change. His paintings offer valuable insights into the lives of ordinary people and provide a poignant reminder of the challenges faced by marginalized communities. He remains an important figure in understanding the development of modern American art, demonstrating how artists can use their work to document and interpret the complexities of the human experience.

    Where to read more

    • The artist Alson Skinner Clark allpaintingsstore.com/en/artists/alson-skinner-clark/
    • Similar works More works to compare allpaintingsstore.com/en/art/similar/alson-skinner-clark-the-brooding-drinker-9DG6NW-en/

    Find this online

    QR code linking to the download page for The Brooding Drinker

    allpaintingsstore.com/en/art/download/alson-skinner-clark-the-brooding-drinker-9DG6NW-en/

    Cite this artwork

    MLA
    Clark, Alson Skinner. The Brooding Drinker. n.d., https://allpaintingsstore.com/en/art/alson-skinner-clark-the-brooding-drinker-9DG6NW-en/
    APA
    Clark, Alson Skinner (n.d.). The Brooding Drinker [Painting]. https://allpaintingsstore.com/en/art/alson-skinner-clark-the-brooding-drinker-9DG6NW-en/
    Chicago
    Alson Skinner Clark. The Brooding Drinker. n.d. https://allpaintingsstore.com/en/art/alson-skinner-clark-the-brooding-drinker-9DG6NW-en/
    Harvard
    Clark, Alson Skinner (n.d.) The Brooding Drinker. Available at: https://allpaintingsstore.com/en/art/alson-skinner-clark-the-brooding-drinker-9DG6NW-en/

    Look closely

    The Brooding Drinker — Alson Skinner Clark

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: food. Do you agree? What would you add, or take away?
    4. Look back at Wells Street Bridge And Northwestern Station, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What kind of colors does "The Brooding Drinker" use?

    The colors of "The Brooding Drinker" form an earthy palette. This classification describes the dominant color families.

    How strong is the contrast in "The Brooding Drinker" by Alson Skinner Clark?

    The light-dark contrast of "The Brooding Drinker" is recorded as gentle. Contrast describes how strongly light and dark areas differ.

    Which palette and lead color define "The Brooding Drinker"?

    The color identity of "The Brooding Drinker" by Alson Skinner Clark: an earthy palette, dominated by espresso (#3f291b).