Paper
Name Class Date

Benjamin West, Saint Peter Released from Prison. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Benjamin West allpaintingsstore.com/en/artists/benjamin-west/
Artist’s dates
1738 – 1820
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Saint Peter Released from Prison — Benjamin West

When might this have been painted?

  1. 1730
  2. 1740
  3. 1750
  4. 1760
  5. 1770
  6. 1780
  7. 1790
  8. 1800
  9. 1810
  10. 1820

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.

Shaded: the lifetime of Benjamin West (1738–1820) every dated painting, decade by decade

First works: up to 1772 Main working years: 1772–1798 Late works: from 1798

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/benjamin-west-saint-peter-released-from-prison-8DP3LF-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #211b14

    Catalogued palette

    • #211B14
    • #5B442D
    • #8B7960
    • #CECAC0

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Benjamin West over the last twelve months — 28 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 53.0%9,600 visits
    2. 2 United States of America 14.9%2,700 visits
    3. 3 Singapore 3.9%700 visits
    4. 4 Hong Kong 3.3%600 visits
    5. 5 France 2.8%500 visits
    6. 6 Mexico 2.8%500 visits
    7. 7 Peru 2.8%500 visits
    8. 8 Brazil 1.7%300 visits
    9. 9 Germany 1.7%300 visits
    10. 10 Argentina 1.1%200 visits
    11. · 18 other countries 12.0%2,200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Benjamin West

    1. 1 The Death of General Wolfe, 1770 16.5%4,100 visits
    2. 2 Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (, 1786 5.6%1,400 visits
    3. 3 The Death of Hyacinth, 1771 5.6%1,400 visits
    4. 4 Death on a Pale Horse, 1796 5.2%1,300 visits
    5. 5 Edward III Crossing the Somme, 1788 2.4%600 visits
    6. 6 Edward, the Black Prince, Receiving King John of France after the Battle of Poitiers, 1788 2.4%600 visits
    7. 7 The Last Supper, 1786 2.4%600 visits
    8. 8 Joseph Banks, 1773 2.0%500 visits
    9. 9 The Fatal Wounding of Sir Philip Sidney 2.0%500 visits
    10. 10 Omnia Vincit Amor, or The Power of Love in the Three Elements, 1809 1.6%400 visits
    11. 11 Thomas Middleton of The Oaks, 1770 1.6%400 visits
    12. 12 Elizabeth, Countess of Effingham 1.6%400 visits
    13. 13 Study of a standing man, possibly a study for portrait of Lord Camden 1.6%400 visits
    14. 14 Discovering the bones of Sir Peter Halket 1.6%400 visits
    15. 15 The Expulsion of Adam and Eve from Paradise, 1791 1.2%300 visits
    16. 16 George IV, when Prince of Wales, with Frederick, Duke of York,, whn Prince Frederick, 1777 1.2%300 visits
    17. 17 King Lear, 1788 1.2%300 visits
    18. 18 Thetis Bringing the Armor to Achilles, 1806 1.2%300 visits
    19. 19 Self-Portrait, 1770 1.2%300 visits
    20. — Saint Peter Released from Prison this painting 0.0%0 visits

    Together these works take 58.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 274 works by this artist, of which 95 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Benjamin West

    Born in Springfield, United States of America

    A Pioneer Bridging Worlds: The Life and Legacy of Benjamin West

    Born in 1738 amidst the burgeoning landscape of colonial Pennsylvania, Benjamin West emerged as a pivotal figure in the transatlantic art world, a painter who skillfully navigated the currents of Neoclassicism and Romanticism while forging a uniquely American artistic identity. His story is one of remarkable self-education, unwavering ambition, and an extraordinary ability to connect with both aristocratic patrons and revolutionary ideals. From humble beginnings—his father an innkeeper in Springfield—West’s innate talent was nurtured by early exposure to the arts, reportedly learning rudimentary techniques from Native Americans before receiving any formal training. This unconventional start instilled within him a spirit of innovation that would characterize his entire career. He quickly established himself as a sought-after portraitist in Philadelphia and New York, but a thirst for deeper artistic knowledge propelled him towards Europe in 1760, embarking on a journey that would irrevocably alter the course of American art.

    From Italy to London: Forging a Path to Recognition

    West’s arrival in Italy marked a turning point. Immersing himself in the artistic heartland of Europe, he studied the masters—Titian, Raphael—and engaged with contemporary Neoclassical thinkers like Anton Rafael Mengs and Angelica Kauffman. This period was crucial in shaping his aesthetic sensibilities, instilling within him an appreciation for classical form and historical narrative. However, it was London that ultimately became his adopted home and artistic center. Arriving in 1763, West swiftly ascended the ranks of the British art scene, captivating audiences with his ambitious canvases and securing the patronage of King George III. This royal endorsement not only provided financial stability but also cemented his position as a leading figure within the establishment. A defining moment came with his election to the Royal Academy in 1769, an institution he would later preside over as President from 1792 until his death. His influence extended beyond his own artistic production; West became a champion for American artists seeking training abroad, offering guidance and support to generations of aspiring painters like Allston, Copley, and Morse.

    Revolutionizing Historical Painting: Technique and Controversy

    West’s impact on the art world wasn't merely about achieving technical mastery; it was about challenging conventions. He dared to reimagine historical painting, moving away from rigid adherence to classical precedent and embracing a more contemporary sensibility. The Death of General Wolfe (1770), arguably his most famous work, exemplifies this revolutionary approach. By depicting the fallen general surrounded by figures in contemporary military attire rather than traditional Roman garb, West sparked considerable debate. Critics questioned the historical accuracy, but audiences were captivated by the immediacy and emotional resonance of the scene. This bold move signaled a shift towards greater realism and narrative power in history painting, influencing countless artists who followed. His style evolved over time, incorporating elements of Romanticism into his later works, yet always retaining a commitment to ambitious composition and detailed execution. Other notable pieces like Thetis Bringing the Armor to Achilles, The Three Sisters, The Fright of Astyanax, and The Cave of Despair demonstrate his versatility and mastery across a range of mythological and historical themes.

    A Lasting Legacy: Shaping Artistic Identity

    Benjamin West’s legacy extends far beyond the canvases he created. He fundamentally altered the landscape of American art, establishing history painting as a viable genre for American artists and fostering a sense of national artistic identity. His presidency of the Royal Academy solidified his influence on British art, promoting innovation and supporting emerging talent.

    He championed a more accessible and emotionally engaging style of historical representation.

    His studio became a haven for American artists seeking training in Europe.

    He bridged the gap between Neoclassical ideals and the burgeoning Romantic movement.

    West’s innovative spirit, coupled with his diplomatic skills and unwavering dedication to his craft, earned him lasting recognition as “the American Raphael.” He died in London in 1820, leaving behind a body of work that continues to inspire awe and admiration. His story serves as a testament to the power of artistic vision, the importance of cultural exchange, and the enduring legacy of an artist who dared to challenge conventions and forge his own path.

    Where to read more

    Find this online

    QR code linking to the download page for Saint Peter Released from Prison

    allpaintingsstore.com/en/art/download/benjamin-west-saint-peter-released-from-prison-8DP3LF-en/

    Cite this artwork

    MLA
    West, Benjamin. Saint Peter Released from Prison. n.d., https://allpaintingsstore.com/en/art/benjamin-west-saint-peter-released-from-prison-8DP3LF-en/
    APA
    West, Benjamin (n.d.). Saint Peter Released from Prison [Painting]. https://allpaintingsstore.com/en/art/benjamin-west-saint-peter-released-from-prison-8DP3LF-en/
    Chicago
    Benjamin West. Saint Peter Released from Prison. n.d. https://allpaintingsstore.com/en/art/benjamin-west-saint-peter-released-from-prison-8DP3LF-en/
    Harvard
    West, Benjamin (n.d.) Saint Peter Released from Prison. Available at: https://allpaintingsstore.com/en/art/benjamin-west-saint-peter-released-from-prison-8DP3LF-en/

    Look closely

    Saint Peter Released from Prison — Benjamin West

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 3 — do you agree?)
    4. Our catalogue files this work under: prison escape, religious art, rescue theme. Do you agree? What would you add, or take away?
    5. Look back at The Death of General Wolfe (1770), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which artist and which style stand behind "Saint Peter Released from Prison"?

    "Saint Peter Released from Prison" was created by Benjamin West in the Baroque style. Artist and movement identify the work's tradition.

    What style does "Saint Peter Released from Prison" belong to?

    "Saint Peter Released from Prison" by Benjamin West belongs to the Baroque movement. This movement provides the stylistic context of the work.

    Where can I buy a digital image of "Saint Peter Released from Prison" by Benjamin West?

    A digital image of "Saint Peter Released from Prison" by Benjamin West can be purchased on its Digital Image page: a high-resolution digital image download.