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Student Artwork Guide

Odalisque

Name Class Date

Cesare Lapini, Odalisque (1889). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Cesare Lapini allpaintingsstore.com/en/artists/cesare-lapini/
Artist’s dates
1848 –
Painted
1889

In context

Odalisque — Cesare Lapini

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 41. 2 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 1889 every dated painting, decade by decade

Compare with

  • Surprise, 1883 allpaintingsstore.com/en/art/cesare-lapini-surprise-AQZPW6-en/
  • The Love Letter allpaintingsstore.com/en/art/cesare-lapini-the-love-letter-AQZPVW-en/
  • At the Seaside allpaintingsstore.com/en/art/cesare-lapini-at-the-seaside-AQZPVU-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/cesare-lapini-odalisque-AQZPW4-en/

Colours

Measured from the image

    Main colour

    Black #080506

    Catalogued palette

    • #080506
    • #DBD6D5
    • #736450
    • #ADA296

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Cesare Lapini over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Cesare Lapini

    1. 1 Surprise, 1883 50.0%
    2. 2 The First Kiss, 1883 50.0%
    3. — Odalisque, 1889 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 5 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Cesare Lapini

    Cesare Lapini: A Florentine Master of Romantic Genre Painting

    Cesare Lapini (1848 – after 1893, though his artistic activity extended into the early 1900s) stands as a significant figure in late 19th-century Italian art, particularly renowned for his evocative genre paintings and exquisitely rendered marble sculptures. Born in Florence, the heart of the Renaissance, Lapini’s work reflects both a deep appreciation for classical tradition and a keen sensitivity to the burgeoning Romantic movement that swept across Europe. His career, marked by both commercial success and artistic refinement, offers a fascinating glimpse into the art world of his time – a period characterized by a fascination with beauty, emotion, and the idealized representation of human experience.

    Early Life and Artistic Training

    Lapini’s early life remains somewhat shrouded in detail, though it is known that he received his initial artistic training within Florence itself. While formal academic institutions were prevalent, many young artists honed their skills through apprenticeships with established sculptors and painters. Lapini's mentor was likely a local artisan who instilled in him the fundamentals of classical technique – particularly the importance of proportion, anatomy, and the skillful manipulation of marble. This foundation proved crucial as he later transitioned to sculpture, mastering the art of capturing subtle expressions and conveying nuanced emotions through stone. His exposure to the artistic legacy of Florence, coupled with a burgeoning interest in contemporary trends, shaped his developing aesthetic sensibilities.

    Sculptural Achievements: Marble Groupings and Allegorical Scenes

    Lapini’s sculptural output is particularly celebrated for its elegance and technical mastery. He specialized in creating marble groupings – often depicting allegorical figures or scenes from classical mythology – that were immensely popular with a wealthy clientele, including members of the aristocracy and royalty who frequently engaged in “The Grand Tour” across Europe. His sculptures weren't merely decorative; they were imbued with a sense of drama and emotional depth. Works like Sorpresa (Surprise), depicting a young woman caught mid-disrobing, exemplify his ability to capture fleeting moments of vulnerability and intrigue. Similarly, Il primo bacio (The First Kiss) and Amore del mare (Love of the Sea) are renowned for their delicate handling of fabric and their evocative portrayal of romantic encounters. His sculptures were frequently exhibited in prestigious venues such as the Esposizione Generale Italiana di Torino in 1884, solidifying his reputation as a leading sculptor of his generation.

    Painting: Genre Scenes and Romantic Themes

    While primarily recognized for his sculpture, Lapini also produced a notable body of paintings, largely characterized by genre scenes and romantic themes. These works demonstrate a similar sensitivity to light, color, and composition as his sculptures. He frequently depicted intimate moments between lovers, pastoral settings, and scenes of everyday life – all rendered with a remarkable degree of realism and emotional resonance. His paintings often evoke a sense of nostalgia for a bygone era, reflecting the Romantic fascination with the past and the idealized beauty of nature. *At the Seaside* is a prime example, capturing the serenity and romance of a coastal setting with delicate brushstrokes and a subtle use of color.

    Legacy and Historical Significance

    Cesare Lapini’s legacy extends beyond his individual works; he represents a pivotal moment in Italian art history. He skillfully blended classical tradition with Romantic sensibilities, creating a style that was both timelessly elegant and deeply expressive. His success as a sculptor and painter contributed significantly to the flourishing of the Florentine art market during the late 19th century, attracting wealthy patrons from across Europe and America. His Galleria Lapini, established in Florence, served as a vital hub for the exchange of artistic ideas and the promotion of Italian art abroad. Even today, his works continue to be admired for their technical skill, emotional depth, and enduring appeal – a testament to the lasting impact of this talented Florentine artist. His influence can still be seen in later generations of artists who sought to capture the beauty and drama of human experience through painting and sculpture.

    Where to read more

    • The artist Cesare Lapini allpaintingsstore.com/en/artists/cesare-lapini/
    • Similar works More works to compare allpaintingsstore.com/en/art/similar/cesare-lapini-odalisque-AQZPW4-en/

    Find this online

    QR code linking to the download page for Odalisque

    allpaintingsstore.com/en/art/download/cesare-lapini-odalisque-AQZPW4-en/

    Cite this artwork

    MLA
    Lapini, Cesare. Odalisque. 1889, https://allpaintingsstore.com/en/art/cesare-lapini-odalisque-AQZPW4-en/
    APA
    Lapini, Cesare (1889). Odalisque [Painting]. https://allpaintingsstore.com/en/art/cesare-lapini-odalisque-AQZPW4-en/
    Chicago
    Cesare Lapini. Odalisque. 1889. https://allpaintingsstore.com/en/art/cesare-lapini-odalisque-AQZPW4-en/
    Harvard
    Lapini, Cesare (1889) Odalisque. Available at: https://allpaintingsstore.com/en/art/cesare-lapini-odalisque-AQZPW4-en/

    Look closely

    Odalisque — Cesare Lapini

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Surprise (1883), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Cesare Lapini was about 41 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who created "Odalisque" and in what year?

    Cesare Lapini made "Odalisque" in 1889.

    What was Cesare Lapini's age when "Odalisque" was created?

    Cesare Lapini made "Odalisque" at the age of 41. The artist was born in 1848 and the work is dated 1889.

    What saturation and intensity does "Odalisque" by Cesare Lapini show?

    The color of "Odalisque" is muted in saturation and monochromatic in intensity.