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Student Artwork Guide

Needlework panel

Name Class Date

Claude Thomas Stanfield Moore, Needlework panel (1760), Leeds Museums - Galleries. Public domain.

The facts

Artist
Claude Thomas Stanfield Moore allpaintingsstore.com/en/artists/claude-thomas-stanfield-moore/
Artist’s dates
1853 – 1901
Painted
1760
Original size
66 x 53 cm
Period
19th Century
Held at
Leeds Museums - Galleries allpaintingsstore.com/en/museums/leeds-museums-galleries-leeds/
Notable elements
Red bird, green leaves, blue frame
Subject or theme
Nature and Indian Pheasant

In context

Needlework panel — Claude Thomas Stanfield Moore

How big is it?

The original measures 66 × 53 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1760
  2. 1780
  3. 1800
  4. 1820
  5. 1840
  6. 1860
  7. 1880
  8. 1900

Shaded: the lifetime of Claude Thomas Stanfield Moore (1853–1901) ▲ this work, 1760

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/claude-thomas-stanfield-moore-needlework-panel-D7GKDB-en/

Colours

Measured from the image

    Main colour

    Putty #c6c5c3

    Catalogued palette

    • #C6C5C3
    • #39455D
    • #B3A883
    • #8D734B
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Needlework panel — Claude Thomas Stanfield Moore

    A Symphony of Crimson and Verdant Grace

    In the delicate interplay of light and color found within the Needlework panel, we encounter a moment of profound stillness captured by the skilled hand of Claude Thomas Stanfield Moore. This exquisite piece centers on the striking presence of an Indian Pheasant, its plumage a brilliant, fiery red that commands the viewer's immediate attention. Perched with a quiet, regal dignity upon a weathered branch, the bird serves as a focal point of natural elegance. The surrounding greenery, rendered in lush, deep tones, provides a soft, organic contrast to the bird's vibrant warmth, while the suggestion of a stone or concrete structure beneath its feet adds a layer of grounded permanence to the fleeting beauty of the scene. It is a composition that celebrates the intricate textures of the natural world, inviting the observer to linger on every fine detail of feather and leaf.

    The technique employed in this work reflects Moore’s mastery of capturing atmosphere and light, a skill honed through his early training as a lithographic draftsman. Though he is often celebrated for his sweeping, romanticized landscapes of the Thames, here he applies that same sensitivity to a much more intimate scale. The brushwork is deliberate yet fluid, creating a sense of depth that makes the bird appear almost tangible. There is a subtle tension between the wild, untamed beauty of the pheasant and the structured, framed presentation of the artwork itself. This balance of organic life against a composed setting creates a visual harmony that is both soothing and intellectually stimulating, making it an ideal centerpiece for those who appreciate the fine nuances of botanical and ornithological art.

    Historical Resonance and Timeless Elegance

    Created in 1760, this panel carries with it the weight of history and the charm of a bygone era. During this period, the fascination with exotic flora and fauna was at its zenith, as collectors and enthusiasts sought to bring the wonders of distant lands into the domestic sphere. The Needlework panel acts as a window into this historical curiosity, embodying the spirit of discovery and the romantic appreciation for nature's splendor. For the modern collector or interior designer, the piece offers more than just aesthetic pleasure; it provides a sense of continuity and heritage. It is an evocative fragment of the past that retains its vitality in a contemporary setting.

    When considering this work for a curated space, one must consider its profound emotional impact. The warmth of the pheasant's red tones can breathe life into a neutral-toned room, acting as a sophisticated accent that evokes feelings of comfort and vitality. Conversely, in a more dramatic, dark-toned interior, the painting serves as a luminous jewel, drawing the eye and sparking conversation. Whether displayed as part of a larger gallery wall or as a singular statement piece, this reproduction promises to infuse any environment with a sense of refined tranquility and an enduring appreciation for the exquisite details of the natural world.

    Artist and museum

    Artist

    Claude Thomas Stanfield Moore

    Born in Nottingham, United Kingdom

    Claude Thomas Stanfield Moore: Capturing the Vanishing Thames

    Born in Nottingham, England, in 1853, Claude Thomas Stanfield Moore’s artistic journey began modestly as a lithographic draftsman, a practical skill that initially provided a livelihood. However, by the late 1870s, he had begun to forge his own path, driven by a fascination with the landscapes and waterways of Britain – particularly the dramatic shifts occurring in the nation's industrial heartland. Moore’s career blossomed during a period of rapid transformation; he became one of the most prominent members of the Moore family of artists—a lineage deeply connected to Nottingham’s artistic heritage—and is now recognized for his evocative depictions of disappearing Britain, skillfully blending elements of Turnerian romanticism with a distinctly British sensibility.

    Moore's early influences were undoubtedly shaped by his father, Thomas Cooper Moore, a respected architect and founding member of the Nottingham Society of Artists. This familial connection instilled in Claude a deep appreciation for observation and detail, qualities he would later hone into his own unique style. His brother, Reuben Arthur Moore (often spelled Rubens), also contributed to this artistic legacy, sharing a passion for capturing scenes of old Nottingham and its surrounding countryside. The brothers’ work often focused on the characterful buildings and rural life that were slowly being replaced by industrial development, creating a poignant record of a changing nation.

    A Master of Light and Shadow: Maritime Scenes and Thames Views

    While initially known for his landscapes, Moore's artistic focus gradually shifted towards maritime scenes and, most notably, the River Thames. He developed a remarkable ability to capture the atmospheric drama of rivers and coastlines, employing a masterful use of light and shadow—a technique heavily influenced by J.M.W. Turner. His paintings are characterized by intimate details of vessels navigating the waterways, often bathed in dramatic lighting effects that heighten the sense of movement and atmosphere. Moore wasn’t simply depicting scenes; he was conveying an emotional response to them – a feeling of both beauty and melancholy as these traditional landscapes faded into the modern era.

    From approximately 1880 onwards, Moore exhibited his work regularly at prestigious venues such as the Nottingham Castle Art Museum, the Nottingham Society of Artists, and various towns throughout the region. He established a studio in Nottingham but later relocated to London around 1882, where he found greater opportunities for exposure and developed an even more refined style. During this period, he became particularly renowned for his views of the Thames – meticulously rendered depictions of its wharves, ships, and the imposing Houses of Parliament reflected in its waters. These works offer a valuable glimpse into Victorian London and the vital role the river played in the city’s economy and identity.

    The Nottingham Legacy: Scenes of Disappearing Britain

    Moore's artistic output is inextricably linked to his desire to document the vanishing character of Britain. His paintings frequently feature scenes of rural life, old buildings, and industrial landscapes—subjects that were increasingly threatened by modernization and urban expansion. A prime example of this thematic focus is “Fair-Day in the Morledge,” a vibrant depiction of a bustling Easter fair in Derby (now in the collection of the Derby Museum and Art Gallery). This painting, originally attributed to T.C. Moore but now recognized as a work by Claude T.S., exemplifies his ability to capture the energy and social life of a bygone era.

    Moore’s artistic style evolved over time, moving from monochrome watercolors and line drawings to richer oil paintings. He embraced the techniques of his predecessors, particularly Dawson, incorporating complex surface textures and luminous skies reminiscent of Turner's work. His dedication to detail and atmospheric rendering cemented his reputation as a skilled artist who not only captured visual beauty but also conveyed a sense of nostalgia for a disappearing world.

    A Premature End and Lasting Influence

    Sadly, Claude Thomas Stanfield Moore’s promising career was cut short by his untimely death in 1901 at the age of 47. Despite his brief life, he left behind a significant body of work—over 80 paintings—that continues to be admired for its technical skill, evocative atmosphere, and poignant portrayal of Britain's changing landscape. Moore’s legacy extends beyond his individual works; he remains an important figure in the history of Nottingham art and a key representative of the broader movement documenting the transformations occurring throughout Victorian Britain. His paintings serve as a powerful reminder of the beauty that can be found in both the familiar and the fading, and the importance of preserving our cultural heritage.

    Museum

    Leeds Museums - Galleries

    On show in Leeds, United Kingdom

    A Tapestry of Yorkshire: The Soul of Leeds Museums & Galleries

    To step into the network of

    Leeds Museums & Galleries

    is to embark on a profound journey through the very fabric of Yorkshire’s identity. Far more than a mere collection of silent artifacts, these institutions serve as a vibrant, living chronicle where the echoes of industrial innovation meet the delicate whispers of artistic mastery. The story of this cultural landscape began in 1819 with the modest ambitions of the Leeds Philosophical and Literary Society, a small seed of curiosity that has since blossomed into an expansive, multi-venue odyssey. For the art lover or the discerning collector, these galleries offer a rare opportunity to witness the dialogue between the past and the present, where every object—from a weathered piece of machinery to a delicate brushstroke on canvas—contributes to a larger narrative of human resilience and creativity.

    The architectural journey through Leeds is as much a part of the experience as the treasures held within. The

    Leeds City Museum

    stands as a magnificent testament to Victorian grandeur, housed in the former Mechanics’ Institute designed by the renowned

    Cuthbert Brodrick

    . Here, the architecture itself performs a dance of historical significance, blending stately proportions with modern sensibilities that invite contemporary contemplation. In stark contrast, the

    Leeds Industrial Museum at Armley Mills

    offers a more visceral and tactile encounter with history. Set within one of the world’s largest surviving woollen mills, the heavy, rhythmic presence of colossal machinery evokes the thrumming heart of the Industrial Revolution. For the interior designer or historian, these spaces provide an unparalleled study in how functional design and industrial aesthetics can shape the character of a landscape.

    A Sanctuary of Artistic Excellence and Global Heritage

    For those whose passions lie in the realm of fine art and global heritage, the collection offers breathtaking diversity.

    Leeds Art Gallery

    stands as a beacon of creative excellence, boasting a collection of national importance that spans from the nuanced British works of the 19th century to the bold, provocative movements of the contemporary era. It is a space where established masters and emerging voices coexist, fostering an environment of constant artistic evolution. This aesthetic richness is complemented by the global treasures found within Leeds City Museum, where one might encounter the intricate beauty of Roman mosaics or the imposing, majestic presence of the

    "Leeds Tiger."

    The collection's ability to transport the viewer is perhaps its most enchanting quality. Within these walls, a visitor may find themselves lost in the following wonders:

    Masterworks of British Art:

    From the visceral, emotional depths of

    Francis Bacon’s

    "Painting" to the serene, pastoral beauty of

    Owen Bowen’s

    "Landscape with a Windmill."

    Natural and Archaeological Marvels:

    Exploring the wonders of the

    Life on Earth

    gallery and the remnants of ancient civilizations.

    Immersive Historical Recreations:

    At venues like the

    Abbey House Museum

    , history is lived through meticulously recreated Victorian streets and period-accurate shops that transport visitors into a sensory world of 19th-century life.

    What truly distinguishes Leeds Museums & Galleries is its profound commitment to immersive storytelling and community connection. Whether it is the martial splendor of the

    Royal Armouries

    or the industrial echoes of

    Armley Mills

    , the network offers an evocative, multi-sensory experience that continues to inspire, educate, and connect us to our shared human heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Needlework panel

    allpaintingsstore.com/en/art/download/claude-thomas-stanfield-moore-needlework-panel-D7GKDB-en/

    Cite this artwork

    MLA
    Moore, Claude Thomas Stanfield. Needlework panel. 1760, Leeds Museums - Galleries. https://allpaintingsstore.com/en/art/claude-thomas-stanfield-moore-needlework-panel-D7GKDB-en/
    APA
    Moore, Claude Thomas Stanfield (1760). Needlework panel [Painting]. Leeds Museums - Galleries. https://allpaintingsstore.com/en/art/claude-thomas-stanfield-moore-needlework-panel-D7GKDB-en/
    Chicago
    Claude Thomas Stanfield Moore. Needlework panel. 1760. Leeds Museums - Galleries. https://allpaintingsstore.com/en/art/claude-thomas-stanfield-moore-needlework-panel-D7GKDB-en/
    Harvard
    Moore, Claude Thomas Stanfield (1760) Needlework panel. Leeds Museums - Galleries. Available at: https://allpaintingsstore.com/en/art/claude-thomas-stanfield-moore-needlework-panel-D7GKDB-en/

    Look closely

    Needlework panel — Claude Thomas Stanfield Moore

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: indian pheasant, bird, nature. Do you agree? What would you add, or take away?
    4. Look back at Torchlight Tattoo of Robin Hood Rifles, Nottingham Market Place, (1896), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of Claude Thomas Stanfield Moore: turnerian romanticism influence, british landscape sensibility, nature and wildlife study. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.