Paper

Student Artwork Guide

St Lawrence Distributing Alms

Name Class Date

Fra Angelico, St Lawrence Distributing Alms (1447). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Fra Angelico allpaintingsstore.com/en/artists/fra-angelico/
Artist’s dates
1395 – 1455
Painted
1447
Medium
Fresco Paint applied into wet plaster, so the colour dries as part of the wall and cannot be moved.
Original size
271 x 205 cm
Movement
Early Renaissance The first generation to rebuild depth and lifelike bodies in painting after the Middle Ages.
Period
Late Medieval
Artistic style
Ethereal, devotional
Influences
Late Gothic
Notable elements
Charity, compassion
Subject or theme
Religious charity

In context

St Lawrence Distributing Alms — Fra Angelico

How big is it?

The original measures 271 × 205 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1390
  2. 1400
  3. 1410
  4. 1420
  5. 1430
  6. 1440
  7. 1450
  8. 1460

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 60 at death.

Painted when the artist was 52. The artist lived to 60. 225 of the 278 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Fra Angelico (1395–1455) ▲ this work, 1447 every dated painting, decade by decade

First works: up to 1431 Main working years: 1431–1442 Late works: from 1442

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/fra-angelico-st-lawrence-distributing-alms-8XZ95G-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2b2629

    Catalogued palette

    • #2B2629
    • #CAB6A8
    • #5D5352
    • #90817A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Fra Angelico over the last twelve months — 47 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 45.6%
    2. 2 Spain 9.4%
    3. 3 United States of America 8.6%
    4. 4 Singapore 8.0%
    5. 5 Hong Kong 6.8%
    6. 6 Italy 4.8%
    7. 7 France 4.2%
    8. 8 Romania 1.8%
    9. 9 Peru 1.5%
    10. 10 United Kingdom 1.4%
    11. · 37 other countries 7.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Fra Angelico

    1. 1 The Annunciation, 1430 5.5%
    2. 2 Coronation of the Virgin, 1435 2.0%
    3. 3 Christ Glorified in the Court of Heaven, 1430 2.0%
    4. 4 Annunciation 1 1.6%
    5. 5 The Annunciation, 1430 1.5%
    6. 6 The Annunciation, 1442 1.5%
    7. 7 The Cortona Altarpiece (The Annunciation), 1433 1.4%
    8. 8 The Annunciation 1.4%
    9. 9 Crucifixion, 1420 1.4%
    10. 10 The Coronation of the Virgin, 1434 1.3%
    11. 11 Nativity, 1441 1.2%
    12. 12 Virgin and Child with Sts Dominic and Thomas Aquinas, 1445 1.1%
    13. 13 Last Judgement (detail), 1431 0.9%
    14. 14 Adoration of the Magi, 1433 0.8%
    15. 15 Crucifixion with the Virgin, Mary Magdalene and St Dominic (Cell 25), 1441 0.8%
    16. 16 Beheading of Saint Cosmas and Saint Damian, 1438 0.8%
    17. 17 Annunciation 0.8%
    18. 18 Saint Cosmas and Saint Damian Crucifixed and Stoned (San Marco Altarpiece), 1438 0.7%
    19. 19 The Mockery of Christ 0.7%
    20. 181 St Lawrence Distributing Alms, 1447 this painting 0.2%

    Together these works take 27.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 491 works by this artist, of which 369 were looked at at least once. This painting ranks 181 of them, with 0.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    St Lawrence Distributing Alms — Fra Angelico

    A Testament to Charity: Fra Angelico’s *St Lawrence Distributing Alms*

    Fra Angelico's 1447 fresco, *St Lawrence Distributing Alms*, is more than merely a depiction of a biblical scene; it’s a profound meditation on compassion, faith, and the enduring power of charity. Executed in the vibrant palette characteristic of his mature style, this work transports us to a pivotal moment in the life of St. Lawrence, a Roman martyr renowned for his selfless devotion. The painting captures a bustling gathering before a modest church – a scene brimming with humanity rendered with Angelico’s signature tenderness and meticulous detail. Thirteen figures are present, a carefully orchestrated tableau of the saint distributing alms to the impoverished, a visual embodiment of Christian virtue.

    Technique and Materials: A Master's Hand

    Created as a fresco – a technique involving pigments applied to wet plaster – *St Lawrence Distributing Alms* showcases Angelico’s unparalleled skill. The use of tempera paints, mixed with egg yolk, allowed for brilliant colors that retained their luminosity over centuries. Note the delicate modeling of St. Lawrence's robes and the subtle gradations in tone used to convey depth and volume. The artist’s mastery is evident in the precise rendering of facial features, particularly those of the recipients of his charity – individuals kneeling in humble supplication. The fresco technique itself demanded a rapid execution, a characteristic of Angelico’s working method, contributing to the painting's immediate impact and emotional resonance.

    Symbolism and Context: The Martyr’s Legacy

    St. Lawrence’s story is intrinsically linked to this artwork. He was martyred by being fed with hot coals, a gruesome punishment inflicted for refusing to reveal the location of imperial treasures. The scene depicted here reflects his final act of generosity – distributing the food he had been given before his death. The inclusion of the crown and orb held by St. Lawrence is a clear visual marker of his saintly status, elevating him beyond earthly concerns and emphasizing his divine grace. The church in the background symbolizes the spiritual authority underpinning his actions, while the kneeling figures represent the faithful seeking solace and guidance.

    Emotional Impact and Artistic Significance

    *St Lawrence Distributing Alms* resonates with a powerful emotional depth that has captivated viewers for centuries. Angelico’s ability to imbue religious subjects with palpable humanity is remarkable. The painting's serene composition, combined with the vibrant colors and meticulous detail, evokes a sense of profound peace and spiritual contemplation. This work stands as a testament to Fra Angelico’s genius – a timeless masterpiece that continues to inspire awe and reverence. Its enduring appeal makes it an ideal addition to any discerning collection or a focal point for interior design projects seeking to infuse space with beauty and meaning.

    Artist and museum

    Artist

    Fra Angelico

    Born in Rupesana, Italy

    Early Life and Spiritual Formation

    Born Giovanni da Fiesole around 1395 in the Tuscan hills near Florence, Fra Angelico’s early life remains shrouded in a gentle obscurity that seems fitting for an artist whose work would become synonymous with ethereal beauty and devout spirituality. Little is known of his family or childhood, but it's believed he received a solid education, preparing him for a life beyond the humble origins of Rupesana. The pivotal moment arrived when the young Giovanni entered the Dominican Order at Fiesole, embracing a life of religious contemplation and service. It was within the walls of the monastery that he received the name Fra (Brother) Angelico, a moniker that would soon reflect not only his monastic vows but also the angelic quality inherent in his art. Initially tasked with illuminating manuscripts – a meticulous craft demanding precision and vibrant color – he honed skills that would later blossom into breathtaking frescoes and panel paintings. This early training instilled in him a profound respect for detail, a mastery of pigment, and an understanding of how to convey narrative through visual storytelling. The Dominican Order’s emphasis on theological study undoubtedly shaped his artistic vision, imbuing his work with a deep sense of faith and purpose.

    The Blossoming of a Unique Style

    Fra Angelico's artistic development wasn’t born in isolation; he absorbed the currents of Florentine painting circulating at the time. The elegant linearity and decorative patterns of Lorenzo Monaco, a leading painter of the era, are evident in his early works. However, Fra Angelico didn’t merely imitate his predecessor. He began to synthesize these influences with a burgeoning naturalism, likely sparked by exposure to the groundbreaking frescoes of Masaccio. While Masaccio revolutionized painting with his dramatic use of perspective and realistic depiction of human form, Fra Angelico charted a different course. He embraced perspective not for its own sake, but as a means to create a more immersive spiritual experience. His figures, though graceful and often idealized, possess a quiet dignity and emotional resonance that transcends mere representation. Crucially, his art was inextricably linked to his faith; he viewed painting not as a profession, but as an act of prayer – a way to contemplate the divine and make it visible to others. This deeply held belief infused every brushstroke with reverence and sincerity.

    Masterpieces of Faith and Color

    Fra Angelico’s artistic legacy is anchored by several monumental works that continue to inspire awe centuries later. The frescoes within the San Marco monastery in Florence are widely considered his masterpiece. Commissioned for the Dominican convent, these scenes from the life of Christ radiate a serene simplicity and emotional depth rarely encountered in Renaissance art. Each image – from the Annunciation to the Crucifixion – is imbued with a sense of quiet contemplation, inviting viewers into a personal encounter with the sacred narrative. Beyond San Marco, his Perugia Altarpiece showcases his evolving style, particularly in its delicate depiction of the Annunciation. The recurring theme of the Annunciation itself appears in numerous versions throughout his oeuvre, each rendered with ethereal beauty and symbolic richness. Works like St. Lawrence Giving Alms demonstrate his skill in narrative composition and his ability to portray human emotion with sensitivity and grace. His palette is characterized by bright, clear colors – blues, golds, and reds – that seem to glow from within, creating an atmosphere of otherworldly radiance.

    Legacy and Lasting Influence

    Fra Angelico stands as a pivotal figure in the Early Renaissance, embodying the era’s fusion of religious devotion and artistic innovation. He wasn't simply a painter; he was a spiritual visionary who translated his faith into visual form. His work reflects the humanist ideals of the period, emphasizing human dignity and the potential for spiritual contemplation. Giorgio Vasari, the celebrated art historian, lauded Fra Angelico in his Lives of the Artists, proclaiming that no amount of praise could adequately capture the beauty of his creations. This recognition cemented his place within the canon of Western art. His influence extended far beyond his own time, inspiring generations of artists with his devotional style and masterful use of color. In 1982, Pope John Paul II officially recognized Fra Angelico’s holiness by beatifying him – a testament to the profound spiritual impact of his life and work. Today, his art continues to resonate with viewers around the world, offering a timeless message of faith, hope, and beauty.

    Where to Experience His Art

    Museo di San Marco, Florence: This museum houses the largest and most significant collection of Fra Angelico’s works, including the breathtaking frescoes from the monastery.

    The Louvre Museum (Paris): Several important paintings by Fra Angelico can be found within the Louvre's extensive collection.

    The National Gallery (London): The National Gallery boasts a selection of his works, offering visitors a glimpse into his artistic genius.

    Santa Maria sopra Minerva, Rome: This church contains frescoes by Fra Angelico and is the site where he was officially beatified.

    Numerous other museums worldwide also display examples of his art, allowing a broader appreciation for his enduring legacy.

    Where to read more

    Find this online

    QR code linking to the download page for St Lawrence Distributing Alms

    allpaintingsstore.com/en/art/download/fra-angelico-st-lawrence-distributing-alms-8XZ95G-en/

    Cite this artwork

    MLA
    Angelico, Fra. St Lawrence Distributing Alms. 1447, https://allpaintingsstore.com/en/art/fra-angelico-st-lawrence-distributing-alms-8XZ95G-en/
    APA
    Angelico, Fra (1447). St Lawrence Distributing Alms [Painting]. https://allpaintingsstore.com/en/art/fra-angelico-st-lawrence-distributing-alms-8XZ95G-en/
    Chicago
    Fra Angelico. St Lawrence Distributing Alms. 1447. https://allpaintingsstore.com/en/art/fra-angelico-st-lawrence-distributing-alms-8XZ95G-en/
    Harvard
    Angelico, Fra (1447) St Lawrence Distributing Alms. Available at: https://allpaintingsstore.com/en/art/fra-angelico-st-lawrence-distributing-alms-8XZ95G-en/

    Look closely

    St Lawrence Distributing Alms — Fra Angelico

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: st lawrence, charity, alms giving. Do you agree? What would you add, or take away?
    4. Look back at The Annunciation (1430), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Early Renaissance: The first generation to rebuild depth and lifelike bodies in painting after the Middle Ages. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What other names is Fra Angelico known by?

    Fra Angelico is also known as Giovanni da Fiesole, Fra Giovanni, Fra Giovanni da Fiesole, Fra Giovanni Angelico, Beato Angelico.

    Which artist is "St Lawrence Distributing Alms" attributed to?

    "St Lawrence Distributing Alms" was created by Fra Angelico. The information on this page describes Fra Angelico's original work.

    What does "St Lawrence Distributing Alms" by Fra Angelico bring to an interior?

    With its ethereal mood, "St Lawrence Distributing Alms" is suggested for a dining room.