Paper

Student Artwork Guide

Polperro

Name Class Date

Harry Tittensor, Polperro. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Harry Tittensor allpaintingsstore.com/en/artists/harry-tittensor/
Artist’s dates
1887 – 1942
Original size
53 x 53 cm

In context

Polperro — Harry Tittensor

How big is it?

The original measures 53 × 53 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 55 at death.

Shaded: the lifetime of Harry Tittensor (1887–1942) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/harry-tittensor-polperro-AR2ATE-en/

Colours

Measured from the image

    Main colour

    Walnut #7b5133

    Catalogued palette

    • #7B5133
    • #BD7D49
    • #EAB986
    • #37281D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Harry Tittensor over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.3%
    2. 2 Hungary 16.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Harry Tittensor

    1. 1 York The Shambles (London and North Eastern Railway poster artwork), 1938 33.3%
    2. 2 Alderman John Hughes 16.7%
    3. 3 Sous Gruuthus, Bruges, Belgium 16.7%
    4. 4 Rue de la Paix, Lisieux 16.7%
    5. 5 Man on a Horse 16.7%
    6. Polperro this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Harry Tittensor

    Harry Tittensor: A Painter of English Landscapes and Everyday Life

    Harry Tittensor (1887-1942) remains a quietly significant figure in early 20th-century British art, particularly within the realm of landscape painting and depictions of rural life. Born in Burslem, Staffordshire – a town steeped in pottery history – Tittensor’s artistic journey was inextricably linked to his family's legacy in the ceramics industry, yet he ultimately forged a distinct path as an independent painter, capturing the essence of the English countryside with remarkable sensitivity and detail.

    Tittensor’s early life was shaped by his apprenticeship at Doulton & Co., one of Staffordshire’s leading pottery manufacturers. This formative period instilled in him a deep understanding of design principles, color theory, and the meticulous craftsmanship demanded by the industry. However, Tittensor possessed an artistic spirit that extended beyond decorative ceramics; he yearned to express himself through broader landscapes and scenes of daily life. He skillfully combined his technical training with a burgeoning artistic vision, becoming one of the most versatile artists employed by Doulton, not only designing figures and landscapes for their products but also introducing new shapes and ranges, and meticulously crafting numerous subjects for the company’s expanding figure department.

    Early Career and Artistic Development

    Following his departure from Doulton in 1925, Tittensor embarked on a period of considerable artistic exploration. He transitioned to working as an independent painter, focusing primarily on oil and watercolor landscapes and portraits. This shift allowed him greater creative freedom and enabled him to develop a distinctly personal style – one characterized by a meticulous attention to detail, a subtle use of color, and a remarkable ability to evoke the atmosphere and mood of the English countryside.

    His early works often depicted scenes from his native Staffordshire, including evocative portrayals of Polperro, a picturesque fishing village on Cornwall’s south coast. These paintings are notable for their atmospheric quality, capturing the interplay of light and shadow over the rugged coastline and the vibrant colors of the fishing boats. Other significant subjects included scenes from rural France, reflecting a period of travel and artistic inspiration. His work at this time demonstrates an influence from French Impressionism, particularly in his use of broken color and emphasis on capturing fleeting moments of light and atmosphere.

    Major Works and Recognition

    Among Tittensor’s most celebrated works are “Polperro,” a captivating depiction of the Cornish village that showcases his mastery of landscape painting; "Man on a Horse," a powerful study of form and movement; and "Place des Alpes" (also known as “The Gainsborough Hat”), a vibrant scene capturing the bustle of Parisian life. His work was exhibited at both the Royal Academy in London and the Fine Art Society, gaining him recognition within the established art world.

    Notably, Tittensor’s artistic talents were also recognized by the Royal Institute of Painters in Watercolors, which he joined in 1931. His paintings have been acquired by prestigious institutions, including the Queen's collection, further cementing his place as a significant contributor to British art history.

    Legacy and Historical Significance

    Harry Tittensor’s legacy lies not only in the beauty of his paintings but also in his ability to capture the spirit of a changing England. His work offers a poignant glimpse into rural life, reflecting both the enduring traditions of the countryside and the impact of modernity. His meticulous technique, combined with an intuitive understanding of light and color, ensures that his landscapes continue to resonate with viewers today.

    Tittensor’s career is also notable for its connection to the industrial heritage of Staffordshire. His apprenticeship at Doulton & Co. provided him with invaluable technical skills, while his subsequent independent work demonstrated a remarkable ability to transcend the constraints of commercial design and forge a truly personal artistic vision. He stands as a testament to the creative potential that can emerge from unexpected sources – in this case, the intersection of industry and art.

    Further information about Harry Tittensor can be found on the Art UK website: https://artuk.org/discover/artists/tittensor-harry-18871942

    Where to read more

    • The artist Harry Tittensor allpaintingsstore.com/en/artists/harry-tittensor/
    • Similar works More works to compare allpaintingsstore.com/en/art/similar/harry-tittensor-polperro-AR2ATE-en/

    Find this online

    QR code linking to the download page for Polperro

    allpaintingsstore.com/en/art/download/harry-tittensor-polperro-AR2ATE-en/

    Cite this artwork

    MLA
    Tittensor, Harry. Polperro. n.d., https://allpaintingsstore.com/en/art/harry-tittensor-polperro-AR2ATE-en/
    APA
    Tittensor, Harry (n.d.). Polperro [Painting]. https://allpaintingsstore.com/en/art/harry-tittensor-polperro-AR2ATE-en/
    Chicago
    Harry Tittensor. Polperro. n.d. https://allpaintingsstore.com/en/art/harry-tittensor-polperro-AR2ATE-en/
    Harvard
    Tittensor, Harry (n.d.) Polperro. Available at: https://allpaintingsstore.com/en/art/harry-tittensor-polperro-AR2ATE-en/

    Look closely

    Polperro — Harry Tittensor

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Alderman John Hughes, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What orientation does "Polperro" by Harry Tittensor have?

    The format of "Polperro" is square. This is useful when planning where a reproduction will be placed.

    What is the luminance of "Polperro" by Harry Tittensor?

    "Polperro" by Harry Tittensor has a gentle luminance luminance. Luminance describes how much light the colors appear to reflect.

    How does "Polperro" balance light and dark?

    "Polperro" is bright overall, and its luminance is gentle luminance.