Paper

Student Artwork Guide

Moses

Name Class Date

james daugherty, Moses (1920), McNay Art Museum. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
james daugherty allpaintingsstore.com/en/artists/james-daugherty/
Painted
1920
Original size
190 x 190 cm
Movement
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Held at
McNay Art Museum allpaintingsstore.com/en/museums/mcnay-art-museum-san-antonio/

In context

Moses — james daugherty

How big is it?

The original measures 190 × 190 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1920

▲ this work, 1920

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/james-daugherty-moses-D7397F-en/

Colours

Measured from the image

    Main colour

    Clay #996351

    Catalogued palette

    • #996351
    • #CEB59C
    • #372E32
    • #475D8D
    Main colour name
    Clay
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    james daugherty

    The Vibrant Legacy of James Daugherty

    James Henry Daugherty stands as a luminous figure in the pantheon of American Modernism, an artist whose brushstrokes captured the rhythmic pulse of a changing nation. Born on June 1, 1889, in Asheville, North Carolina, his early life was steeped in an intellectual atmosphere where literature and science converged, providing a fertile ground for his future creative explorations. As he moved through Indiana and Ohio, the pastoral landscapes and rich folklore of the American heartland began to weave themselves into his visual vocabulary, creating a unique tension between rural tradition and the burgeoning energy of the modern age.

    His artistic journey took a transformative turn when, at the young age of nine, he moved to Washington, D.C. This relocation placed him at the doorstep of formal excellence, leading him to the Corcoran School of Art. His hunger for knowledge eventually carried him across the Atlantic to the London School of Art, where he studied under the renowned Frank Brangwyn. These formative years in Europe were nothing short of revolutionary; exposure to the avant-garde movements of Cubism and Futurism shattered his traditional perceptions, replacing them with a fascination for geometric structure, dynamic movement, and the emotional potency of color.

    A Synthesis of Form and Patriotism

    The onset of World War I provided Daugherty with a unique platform to merge his technical prowess with social purpose. Commissioned by the United States Shipping Board, he produced impactful propaganda posters that utilized bold, saturated colors and aggressive, dynamic compositions to stir the American spirit. This period was crucial in refining his ability to communicate complex messages through simplified, powerful imagery—a skill that would later define his mural work. His art during this era was not merely decorative; it was a visceral call to action, embodying the very patriotism he sought to promote.

    As his career progressed, Daugherty’s exploration of color deepened through his encounter with Arthur B. Frost. Together, they delved into the principles of Synchromism, an art movement that prioritized the emotional and structural impact of color. This fascination with the chromatic spectrum allowed him to create works where light and hue functioned as architectural elements within the frame. His ability to balance abstract color theory with representational subjects—such as the striking Cubist portrait Moses—showcased a mastery over both the seen and the felt world.

    Public Grandeur and Literary Brilliance

    Daugherty’s legacy is etched into the very walls of American institutions. As a muralist, he undertook monumental commissions for legendary venues like Loew’s State Theatre in Cleveland and Newark, transforming public spaces into immersive galleries of modern thought. These large-scale works utilized his signature bold lines and vibrant palettes to celebrate both historical narratives and contemporary vitality. His murals were more than just paint on plaster; they were windows into a reimagined American identity, blending the folk elements of his youth with the sophisticated geometry of the modern era.

    Beyond the canvas and the wall, Daugherty found profound expression in the world of literature. He was a gifted author and illustrator whose work for children captured the imagination of generations. His literary achievements were marked by prestigious accolades, including:

    The Newbery Medal, awarded for his evocative storytelling in Daniel Boone.

    The Caldecott Honor, received in 1957 for his collaborative work with Benjamin Elkin on Gillespie and the Guards.

    Through these diverse mediums, James Daugherty maintained a lifelong commitment to storytelling, whether through the rhythmic movement of a painted figure or the carefully crafted prose of a children's book. His life’s work remains a testament to the power of American Modernism to be both intellectually rigorous and deeply, humanly resonant.

    Museum

    McNay Art Museum

    On show in San Antonio, United States of America

    A Sanctuary of Vision: Exploring the McNay Art Museum

    Nestled within a breathtaking Spanish Colonial Revival mansion overlooking the vibrant cityscape of San Antonio, Texas, the McNay Art Museum is more than just a repository of artistic treasures; it’s an immersive experience, a journey through centuries of creative expression. Founded by Marion Koogler McNay in 1954 as her personal legacy and born from a remarkable bequest, the museum stands as a testament to one woman's profound belief in art’s transformative power – a conviction that continues to shape its evolution today. From its humble beginnings as a collection housed within a stunning private residence, the McNay has blossomed into a nationally recognized institution, celebrated for its diverse holdings and commitment to fostering a deep appreciation for the visual arts.

    The heart of the museum’s allure lies in its remarkably curated collection, spanning from the 19th through 21st centuries. A cornerstone is undoubtedly the impressive array of European masterpieces – Paul Cézanne's vibrant brushstrokes and evocative landscapes, Pablo Picasso’s revolutionary cubism, and the emotionally charged works of Georgia O’Keeffe, whose intimate depictions of Southwestern flora capture a sense of profound solitude and beauty. Beyond these iconic figures, the McNay boasts an exceptional selection of American art, including the powerful social commentary of Diego Rivera, the delicate observations of Mary Cassatt, and the atmospheric narratives of Edward Hopper. However, the museum’s scope extends far beyond Western traditions; it proudly showcases a rich tapestry of artistic voices from around the globe, reflecting a commitment to inclusivity and global perspectives. Notably, the Tobin Collection of Theatre Arts – a nationally renowned assemblage of theatrical artifacts including costumes, set designs, and historical documents – offers a unique window into the collaborative spirit of performance art, adding an unexpected layer of depth and intrigue to the museum’s narrative.

    The Architecture: A Living Canvas

    The McNay's architectural significance is inextricably linked to its artistic mission. The mansion itself, designed by Atlee Ayres and his son Robert M. Ayres in 1927, isn’t merely a beautiful backdrop; it’s an integral part of the museum experience. Its Spanish Colonial Revival style – characterized by warm terracotta hues, intricate tilework, and expansive verandas – creates an atmosphere of timeless elegance and invites contemplation. The mansion's twenty-five acres are meticulously landscaped with fountains, broad lawns, and a serene Japanese-inspired garden, providing visitors with tranquil spaces for reflection amidst the artistic treasures within. The addition of the Jane and Arthur Stieren Center for Exhibitions in 2008, designed by architect Jean-Paul Viguier, represents a masterful dialogue between old and new. This modern structure, seamlessly integrated into the original mansion’s fabric, provides expansive light-filled galleries dedicated to special exhibitions, creating a dynamic contrast that underscores the museum's commitment to both preserving its legacy and embracing innovation.

    A Legacy of Engagement: Education & Community

    The McNay Art Museum is deeply rooted in its community, extending its reach far beyond the walls of the mansion. A comprehensive research library houses over 30,000 volumes, serving as an invaluable resource for scholars and art enthusiasts alike. Beyond this scholarly haven, the museum offers a vibrant array of educational programs – from engaging art classes and insightful lectures to hands-on workshops and captivating guided tours – designed to inspire creativity and deepen appreciation for the arts across all ages. These initiatives are particularly noteworthy in their dedication to nurturing young minds, with dedicated youth programs and family-friendly events fostering a lifelong love of art within the next generation. The meticulously maintained grounds also provide an inviting space for outdoor learning and contemplation, encouraging visitors to connect with art in new and meaningful ways.

    Expanding Horizons: Exhibitions & Future Visions

    The McNay’s commitment to showcasing diverse artistic voices is continually evolving through carefully curated special exhibitions. These events bring international artists and groundbreaking works to San Antonio, fostering dialogue and challenging conventional perspectives. Recent exhibitions have explored themes ranging from the surrealism of Salvador Dalí to the vibrant color palettes of Paul Wonner, demonstrating the museum's willingness to embrace both established masters and emerging talents. Looking ahead, the McNay continues to invest in its future, with ongoing efforts to expand its collection, enhance visitor experiences, and solidify its position as a leading cultural destination – a place where art breathes, inspires, and connects us all.

    Where to read more

    Find this online

    QR code linking to the download page for Moses

    allpaintingsstore.com/en/art/download/james-daugherty-moses-D7397F-en/

    Cite this artwork

    MLA
    daugherty, james. Moses. 1920, McNay Art Museum. https://allpaintingsstore.com/en/art/james-daugherty-moses-D7397F-en/
    APA
    daugherty, james (1920). Moses [Painting]. McNay Art Museum. https://allpaintingsstore.com/en/art/james-daugherty-moses-D7397F-en/
    Chicago
    james daugherty. Moses. 1920. McNay Art Museum. https://allpaintingsstore.com/en/art/james-daugherty-moses-D7397F-en/
    Harvard
    daugherty, james (1920) Moses. McNay Art Museum. Available at: https://allpaintingsstore.com/en/art/james-daugherty-moses-D7397F-en/

    Look closely

    Moses — james daugherty

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: geometric art, fragmented figure, bold colors. Do you agree? What would you add, or take away?
    5. Look back at Untitled (1952), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.