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Student Artwork Guide

Textile Tangle

Name Class Date

Lamar Baker, Textile Tangle (1938). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lamar Baker allpaintingsstore.com/en/artists/lamar-baker/
Artist’s dates
1908 – 1994
Painted
1938
Original size
29 x 41 cm

In context

Textile Tangle — Lamar Baker

How big is it?

The original measures 29 × 41 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 30. The artist lived to 86. 10 of the 23 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Lamar Baker (1908–1994) ▲ this work, 1938 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/lamar-baker-textile-tangle-AQU22F-en/

Colours

Measured from the image

    Main colour

    Gray #6f6b67

    Catalogued palette

    • #6F6B67
    • #E9E4DF
    • #322D29
    • #A9A6A1

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lamar Baker over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 8 most looked-at works by Lamar Baker

    1. 1 Plantation System, 1941 33.3%
    2. 2 African Fantasy, from the series Fantasies, 1936 16.7%
    3. 3 Mars, from the series Fantasies, 1940 16.7%
    4. 4 The Tie that Binds, 1939 8.3%
    5. 5 Commuter's Fantasy, from the series Fantasies, 1936 8.3%
    6. 6 Self Portrait with Cotton Plant, 1940 8.3%
    7. 7 Sunday Afternoon in New Jersey, 1936 8.3%
    8. — Textile Tangle, 1938 this painting 0.0%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 23 works by this artist, of which 7 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Lamar Baker

    LaMar Baker: A Voice of the South

    LaMar Baker (1908-1994) wasn’t a name widely recognized during his lifetime, yet his art—a potent blend of social realism and surrealist imagery—continues to resonate with profound significance. Born in Chattanooga, Tennessee, into a family grappling with the realities of poverty and racial injustice, Baker's early life instilled within him a deep empathy for the marginalized and a fierce desire to document their experiences. His journey as an artist wasn’t a straightforward ascent; it was forged through rigorous self-discipline, exposure to diverse artistic influences, and a commitment to using his craft as a tool for social commentary. Baker's work offers a stark yet beautiful portrayal of Southern life in the mid-20th century, capturing both its hardships and its enduring spirit.

    Early training shaped Baker’s approach. He began his artistic education at the High Museum School in Atlanta under the guidance of Ben Shute, a prominent figure in American art education. This foundation provided him with essential skills but it was his relocation to New York City in 1935 that truly catalyzed his development. There, he enrolled at the prestigious Art Students League and found himself profoundly influenced by Harry Sternberg, a teacher known for championing social realism and encouraging artists to engage with pressing social issues. Crucially, Baker’s exposure to the work of masters like Thomas Hart Benton, Louis Lozowick, and particularly John McCrady—a New Orleans artist who depicted the lives of Black people in vivid detail—provided him with a crucial model for addressing racial inequality through his art. These influences combined to shape a distinctive artistic voice that would become synonymous with Baker’s oeuvre.

    Thematic Concerns: Race, Mortality, and Southern Landscapes

    Baker's work is fundamentally rooted in the social realities of the American South during a period of immense upheaval. He didn’t shy away from depicting the harsh realities faced by Black communities—the struggles with poverty, systemic racism, violence, and exploitation. His most famous series, “Cotton Field Saint,” powerfully illustrates this through a haunting image of a young boy kneeling in a cotton field, his face etched with sorrow and resignation. This piece, along with many others, serves as a poignant reminder of the human cost of economic hardship and racial discrimination. Beyond depictions of social injustice, Baker also explored themes of mortality and the passage of time. Works like “Necrophile,” a striking charcoal drawing depicting death and mourning, demonstrate his willingness to confront difficult subjects with unflinching honesty. Furthermore, he frequently captured the beauty and melancholy of Southern landscapes—rolling hills, dense forests, and winding rivers—often imbuing them with symbolic weight.

    Technique and Style: Printmaking and Narrative Imagery

    Baker’s artistic style was characterized by a distinctive blend of realism and surrealism. He primarily worked in printmaking – woodcuts, etchings, and lithographs – techniques that allowed him to create both detailed depictions of everyday life and evocative symbolic imagery. His prints are often densely layered with narrative elements, inviting viewers to contemplate the stories behind each scene. Baker’s use of line and shadow was particularly masterful, creating a sense of depth and atmosphere. He employed bold lines and dramatic contrasts to draw attention to key figures and details within his compositions. His work wasn't simply representational; it aimed to convey emotion and meaning through carefully considered visual choices. The influence of John McCrady is evident in Baker’s ability to imbue seemingly mundane scenes with a sense of profound human drama.

    Legacy and Recognition

    Despite facing challenges and often working outside the mainstream art world, LaMar Baker left an indelible mark on American art. His work gained recognition through exhibitions and awards, including a fellowship from the Julius Rosenwald Fund in 1942, which enabled him to travel throughout Mississippi and Louisiana documenting the lives of Black people in the rural South. Alain Locke, a prominent writer and civil rights advocate, praised Baker’s ability to “provide the American public with a new artistic frankness and social honesty.” Today, his work is increasingly recognized for its powerful social commentary and its unique blend of realism and surrealism. The Columbus Museum holds a significant collection of his prints, ensuring that his art continues to be studied and appreciated by future generations. LaMar Baker’s legacy lies not only in the beauty of his artwork but also in his courageous commitment to using his talent to shed light on the injustices faced by marginalized communities.

    Where to read more

    • The artist Lamar Baker allpaintingsstore.com/en/artists/lamar-baker/
    • Similar works More works to compare allpaintingsstore.com/en/art/similar/lamar-baker-textile-tangle-AQU22F-en/

    Find this online

    QR code linking to the download page for Textile Tangle

    allpaintingsstore.com/en/art/download/lamar-baker-textile-tangle-AQU22F-en/

    Cite this artwork

    MLA
    Baker, Lamar. Textile Tangle. 1938, https://allpaintingsstore.com/en/art/lamar-baker-textile-tangle-AQU22F-en/
    APA
    Baker, Lamar (1938). Textile Tangle [Painting]. https://allpaintingsstore.com/en/art/lamar-baker-textile-tangle-AQU22F-en/
    Chicago
    Lamar Baker. Textile Tangle. 1938. https://allpaintingsstore.com/en/art/lamar-baker-textile-tangle-AQU22F-en/
    Harvard
    Baker, Lamar (1938) Textile Tangle. Available at: https://allpaintingsstore.com/en/art/lamar-baker-textile-tangle-AQU22F-en/

    Look closely

    Textile Tangle — Lamar Baker

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 4 — do you agree?)
    4. Look back at The Two Thieves (1948), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Lamar Baker was about 30 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I use augmented reality to see "Textile Tangle" by Lamar Baker in my room?

    The AR Preview page of "Textile Tangle" by Lamar Baker uses augmented reality to show the artwork in your own space, on a compatible device.

    How many people view "Textile Tangle"?

    Statistics about "Textile Tangle" by Lamar Baker are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.

    Is there a slideshow for "Textile Tangle" by Lamar Baker?

    The diaporama of "Textile Tangle" can be watched on the artwork's Diaporama page.