Paper

Reference sheet

Reference sheet: Varanasi

The full record of Varanasi

Name Class Date

Ram Kumar, Varanasi, Kiran Nadar Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ram Kumar allpaintingsstore.com/en/artists/ram-kumar/
Artist’s dates
1924 – 2018
Original size
127 x 127 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
Kiran Nadar Museum of Art allpaintingsstore.com/en/museums/kiran-nadar-museum-of-art-new-delhi/

In context

Varanasi — Ram Kumar

How big is it?

The original measures 127 × 127 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 94 at death.

Shaded: the lifetime of Ram Kumar (1924–2018) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/ram-kumar-varanasi-D7HKP7-en/

Colours

Measured from the image

    Main colour

    Gray #827255

    Catalogued palette

    • #827255
    • #AD9C80
    • #D4CAB9
    • #3C2C19

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ram Kumar over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%100 visits
    2. 2 India 50.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Ram Kumar

    1. 1 Untitled 50.0%100 visits
    2. 2 Untitled (Landscape) 50.0%100 visits
    3. — Varanasi this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 4 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ram Kumar

    Born in Shimla, India

    The Shift from Form to Abstraction

    Shimla, India, 1924. A large middle-class family of eight brothers and sisters gathers in the capital of Himachal Pradesh. Among them is Ram Kumar Verma. His path toward the canvas begins not in a studio, but through a chance encounter in 1945. While loitering around Connaught Place with friends from St. Stephen's College, he stumbles upon an art exhibition. The sight of the paintings creates an immediate, intense intrigue. He returns several times. By 1948, he abandons a stable position at a bank to pursue art seriously, enrolling at the Sharda Ukil School of Art under Sailoz Mukherjee. Mukherjee introduces him to the discipline of still life painting using live models.

    The trajectory shifts toward Europe. After meeting S.H. Raza at an exhibition, a friendship forms that leads to a one-way ticket to Paris. Under the guidance of Andre Lhote and Fernand Léger, his technical foundation hardens. In the atmosphere of post-war Paris, the pacifist peace movement takes hold. He joins the French Communist Party, seeking inspiration in the social realists like Kathe and Fourgenon. This period marks a departure from the representational. He begins to move away from figurativism, choosing instead to explore the language of abstract art.

    The Geometry of the City and the Soul

    The focus of his work centers on the human condition, often expressed through the lens of urban alienation. In his early years, the city is a place of the individual, isolated and struggling. As his style evolves, the subject matter shifts toward the specific, crumbling architecture of Varanasi. He captures the dilapidated, crammed houses and the ghats, using the city to convey a sense of hopelessness. His technique relies on sweeping strokes of paint, often in oil or acrylic, to map out forms. These strokes do more than define shape; they evoke the exultation of natural spaces and the incipient violence found within human habitation.

    His visual language is characterized by:

    The use of intense colors to convey the essence of land, sky, and water.

    A focus on abstract landscapes that remove human presence to find the core of a place.

    A variety of textures used to build form through abstract movement.

    A transition from the anguish of the worker to the quietude of the mountain.

    Recognition and Legacy

    His presence in the international art market is marked by significant milestones. His work "The Vagabond" fetched $1.1 million at Christie's, setting a world record for the artist. He was a key figure in the Progressive Artists' Group, working alongside M.F. Hussain, Tyeb Mehta, and S.H. Raza. His reach extended far beyond India, with participation in the 1958 Venice Biennale and the Festival of India shows in the USSR and Japan in 1987 and 1988. He was a rare figure in Indian modernism, accomplished in both painting and writing in Hindi, having published eight collections of works, two novels, and a travelogue.

    The honors bestowed upon him reflect his standing in Indian society. He received the Padma Shri in 1972 and the Padma Bhushan, India's third highest civilian honour, in 2010. He lived and worked in Delhi until his death in 2018.

    Museum

    Kiran Nadar Museum of Art

    On show in New Delhi, India

    A Beacon of Modern Indian Art: Kiran Nadar Museum of Art – Celebrating Artistic Legacy

    Located in the heart of New Delhi, India, Kiran Nadar Museum of Art (KNMA) stands as a testament to India’s burgeoning commitment to preserving and promoting contemporary artistic expression. Established in 2010 by Shiv Nadar Foundation, KNMA swiftly ascended to prominence not merely as a repository of art but as a catalyst for dialogue and appreciation within the global art community.

    A Pioneering Vision:

    KNMA distinguishes itself from conventional institutions by championing modern and contemporary Indian art—a genre historically underserved. Its genesis stemmed from HCL Technologies’ initial gallery space, evolving into a dedicated facility in South Court Mall, reflecting the museum's ambitious trajectory toward becoming a world-class cultural landmark.

    Architectural Marvel:

    The museum’s newest building, designed by David Adjaye, embodies innovation and grandeur. Situated near Indira Gandhi International Airport, this expansive space will house eleven galleries dedicated to showcasing rotating exhibitions—a strategic move guaranteeing fresh perspectives on Indian art for visitors worldwide.

    Treasures of Artistic Expression: Collection Highlights

    KNMA’s core collection is a remarkable assemblage of masterpieces, acquired from celebrated artists and private collections. Among its most captivating pieces are the evocative paintings by Raja Ravi Varma—a masterful fusion of Indian aesthetics with European techniques that captures the spirit of 19th-century India. Equally impressive are monumental sculptures by Anish Kapoor, whose works provoke contemplation and explore profound conceptual ideas.

    Raja Ravi Varma:

    Reflecting a harmonious blend of Eastern and Western influences, these canvases offer an unparalleled glimpse into the artistic sensibilities of the Victorian era.

    Anish Kapoor:

    Kapoor’s sculptures command attention with their scale and materiality—challenging viewers to confront questions about perception and form.

    Syed Haider Raza & F.N. Souza:

    Raza's ‘Saurashtra,’ acquired at a record price, exemplifies his distinctive style blending abstract expressionism with Indian iconography. Souza’s ‘Birth,’ a monumental oil painting, embodies his bold artistic vision—a cornerstone of Indian modernism.

    Expanding Horizons: Diverse Artistic Voices

    Beyond these iconic works, KNMA's collection encompasses the contributions of numerous artists—A. Ramachandran, Arpita Singh, Jamini Roy, Jogen Chowdhury, Krishen Khanna, Manjit Bawa, N. S. Harsha, Ram Kumar, Rameshwar Broota, Subodh Gupta, Tyeb Mehta, and V. S. Gaitonde—representing a comprehensive panorama of Indian modernism.

    A Spectrum of Styles:

    Each artist brings their unique perspective to the canvas, reflecting diverse cultural traditions and artistic approaches.

    More Than Just Art: A Commitment to Accessibility

    KNMA’s mission extends beyond mere exhibition; it strives to democratize access to art—making it engaging for audiences of all backgrounds. Its ongoing collaborations with educational institutions and outreach programs underscore this dedication to fostering artistic literacy and appreciation.

    Inspiring Dialogue:

    KNMA actively encourages conversations about art’s role in shaping cultural understanding and promoting social change.

    Looking Ahead: The Future of Artistic Discovery

    With the imminent opening of its new building, KNMA anticipates further bolstering its capacity for showcasing both established and emerging talent—solidifying its position as India’s foremost champion of modern and contemporary art. As a beacon of artistic innovation and cultural enrichment, KNMA continues to inspire artists and collectors alike.

    Where to read more

    Every fact we hold on Varanasi by Ram Kumar, on its artwork page

    Find this online

    QR code linking to the download page for Varanasi

    allpaintingsstore.com/en/art/download/ram-kumar-varanasi-D7HKP7-en/

    Cite this artwork

    MLA
    Kumar, Ram. Varanasi. n.d., Kiran Nadar Museum of Art. https://allpaintingsstore.com/en/art/ram-kumar-varanasi-D7HKP7-en/
    APA
    Kumar, Ram (n.d.). Varanasi [Painting]. Kiran Nadar Museum of Art. https://allpaintingsstore.com/en/art/ram-kumar-varanasi-D7HKP7-en/
    Chicago
    Ram Kumar. Varanasi. n.d. Kiran Nadar Museum of Art. https://allpaintingsstore.com/en/art/ram-kumar-varanasi-D7HKP7-en/
    Harvard
    Kumar, Ram (n.d.) Varanasi. Kiran Nadar Museum of Art. Available at: https://allpaintingsstore.com/en/art/ram-kumar-varanasi-D7HKP7-en/

    Look closely

    Varanasi — Ram Kumar

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: indian art, varanasi city, spiritual themes. Do you agree? What would you add, or take away?
    4. Look back at Untitled (Landscape), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Varanasi" by Ram Kumar a portrait, landscape or square composition?

    "Varanasi" by Ram Kumar has a landscape format. The format describes the proportions of the composition.

    Does "Varanasi" by Ram Kumar use strong contrasts or soft harmonies?

    In "Varanasi", a bold contrast is paired with a unified palette harmony.

    How do I download the image of "Varanasi" by Ram Kumar?

    "Varanasi" by Ram Kumar can be downloaded from the artwork's Download page, as a high-resolution digital image download.