Student Artwork Guide
Copyright This work is in the public domain. Rolinda Sharples died in 1838; copyright lasts 70 years after the artist’s death, so it ended in 1908.
In context
Study for 'Cheddar' — Rolinda Sharples
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 45 at death.
Shaded: the lifetime of Rolinda Sharples (1793–1838) every dated painting, decade by decade
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
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Measured from the image
Main colour
Driftwood #897136
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 24 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Bath, United Kingdom
Rolinda Sharples, a name perhaps less celebrated than some of her contemporaries, nevertheless occupies a significant and fascinating niche within the landscape of 19th-century British art. Born in Bath in 1793, she emerged from an exceptionally artistic family—a lineage that would profoundly shape her life and career. Her father, James Sharples, was a respected portrait painter, while her mother, Ellen Wallace Sharples, excelled as a miniaturist. This creative environment wasn’t limited to her parents; Rolinda benefited from the artistic pursuits of three brothers – George, Felix, and James Jr.—creating a household steeped in pigment, canvas, and the pursuit of aesthetic expression. The family's story is one of transatlantic movement; shortly after Rolinda’s birth, they emigrated to America, establishing a practice that involved creating and reproducing portraits for prominent figures. This early exposure wasn’t merely observational—Rolinda actively assisted her parents, gaining invaluable experience in copying techniques and the fundamentals of portraiture, skills honed during their time in both America and upon their return to England.
The Sharples family's journey back to England marked a turning point for Rolinda. While her early work involved assisting with the creation of smaller-scale portraits, she soon began to forge her own path, transitioning towards oil painting around 1812. This shift wasn’t abrupt; Ellen Sharples documented her daughter’s dedication and progress in her diaries, revealing a mother's pride in Rolinda’s burgeoning talent. Oil paint offered a new level of ambition—the ability to create larger works with greater detail and nuance. Rolinda quickly established herself as both a portraitist and a painter of genre scenes, capturing the essence of Regency-era Bristol. Her work wasn’t simply about likeness; it was about documenting a specific time and place, offering glimpses into the social customs, fashion, and daily lives of her subjects. Notable pieces like “The Cloak Room, Clifton Assembly Rooms” (1818), “Racing on the Downs,” “Rownham Ferry with Portraits," and "The Trial of Colonel Brereton after the Bristol Riots of 1831” stand as testaments to her skill and observational acuity. A particularly charming characteristic of Rolinda’s work is her frequent inclusion of self-portraits within larger compositions, often depicted with a subtle, engaging smile—a quiet invitation for viewers to connect with the artist herself.
Rolinda Sharples wasn't confined to local acclaim; she actively sought recognition on a national stage. She exhibited her work at prestigious venues including the Royal Academy in London, as well as the Society of British Artists—a testament to the quality and originality of her art. In 1827, this recognition culminated in an honorary membership within the Society of British Artists, a significant achievement for a female artist during that period. Beyond accolades, Rolinda distinguished herself through her artistic approach. She was among the first British women to successfully execute complex multi-figure paintings, demonstrating a mastery of composition and spatial arrangement rarely seen in female artists of her time. Her genre scenes weren’t merely decorative; they offered insightful social commentary, capturing the nuances of Regency society with remarkable accuracy. “The Trial of Colonel Brereton,” for example, isn't just a depiction of an event—it’s a window into the anxieties and political tensions of post-riot Bristol.
Rolinda Sharples’ legacy extends beyond her artistic skill; she left behind a valuable visual record of Regency-era Bristol, offering insights into fashion, social customs, and everyday activities that would otherwise be lost to time. Her paintings serve as historical documents, providing researchers and art enthusiasts with a tangible connection to the past. Perhaps no work exemplifies this more than “The Cloak Room, Clifton Assembly Rooms.” This painting has gained particular popularity among Jane Austen enthusiasts, often used as an illustration for Austen’s works due to its remarkably accurate depiction of a Regency assembly—a world Austen so vividly brought to life in her novels. The enduring appeal of this piece underscores Rolinda Sharples' ability to capture the spirit of her age. Today, a significant collection of her paintings is housed at the Bristol City Museum and Art Gallery, ensuring that her work remains accessible to future generations. As part of a family deeply committed to art, Rolinda’s contributions helped shape the artistic landscape of her time, demonstrating the power of familial support and mentorship in fostering creative talent. Her story serves as an inspiring reminder of the often-overlooked contributions of women artists throughout history—a legacy that continues to resonate with those who appreciate beauty, skill, and a keen eye for social observation.
Key Themes: Regency society, portraiture, genre painting, social commentary, family artistic tradition.
Influences: Her parents, James and Ellen Sharples; the prevailing artistic styles of the early 19th century; the social environment of Bristol.
Notable Works: “The Cloak Room, Clifton Assembly Rooms,” “Racing on the Downs,” “Rownham Ferry with Portraits," "The Trial of Colonel Brereton after the Bristol Riots of 1831.”
Legacy: A valuable visual record of Regency-era Bristol; inspiration for Austen enthusiasts; a testament to the achievements of female artists.
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Look closely
Study for 'Cheddar' — Rolinda Sharples
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The X-Ray page of "Study for 'Cheddar'" by Rolinda Sharples is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.
"Study for 'Cheddar'" by Rolinda Sharples is recorded with a clear color presence saturation and a vivid intensity.
The perceived brightness of "Study for 'Cheddar'" by Rolinda Sharples is balanced. It can be matched to the light of the intended space.